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| | == 2018 == | | == 2018 == |
| − | ===Shinichi and Ran Secret Archives VA interviews===
| + | {{main|Interviews in 2018}} |
| − | '''Date:''' January 16, 2018
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| − | <spoiler>
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| − | '''Source:''' https://www.facebook.com/DCTheRedThread/photos/1722146851170594/ <br>
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| − | '''Translated by:''' Jiamin<br>
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| − | '''Info credits by:''' 游离之光
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| − | | |
| − | YG = Yamaguchi (Shinichi)<br>
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| − | YZ = Yamazaki (Ran)<br>
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| − | TY = Takayama (Conan)<br>
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| − | | |
| − | YG: Compared to coming as Kid, when I come as Shinichi, YZ-San is much nicer/gentle to me<br>
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| − | YZ: Although YG-San is present, knowing him is here as Kid, I’ll be thinking “ちぇ—つ” (Not exactly sure what the expression is in English, but it’s like a scornful sound”
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| − | | |
| − | YZ: Conan-Kun is cuter than childhood Shinichi <br>
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| − | TY: That’s because he’s “pretending to be cute”, that’s the difference between him and childhood Shinichi, one is a fake child the other is a real child.
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| − | | |
| − | Q- What do you think about Episode One<br>
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| − | YG: It’s been a long time since I had a normal conversation with Ran, I’m really happy!<br>
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| − | YZ: So that’s what it was like when Shinichi was still around. I also liked that whenever Shinichi shows up, the love comedy will always cover a bigger part.<br>
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| − | TY: It told us what Shinichi went through after he turned to Conan and the time period before he ran back home. It’s like filling in blanks rather than retelling stories. <br>
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| − | YZ: I’m surprised that they did the Karate tournament, they even gave me a real-life tournament as a reference before I record. Ran is becoming some sort of “superwoman” in the recent movies, so it’s nice to show that she can feel pain and be frustrated. <br>
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| − | Q-What do you three feel about Shinran’s relationship?<br>
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| − | YG: Shinichi fell for Ran when they’re in preschool... that’s so early!<br>
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| − | TY: Maybe he started thinking Ran was cute when she was crying<br>
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| − | YZ: Even though she said she started to have feelings for Shinichi after the NY case, but he’s still more of a childhood friend before he disappeared. She didn’t realize how much she loved him until he’s not around.<br>
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| − | TY: The pain of being apart.<br>
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| − | Q-Ever look forward to a childhood sweetheart romance?<br>
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| − | YG: I’ve always look forward to a childhood romance, I knew a couple who were my classmates in grade school, i thought it was amazing when they got married.<br>
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| − | TY: I would be OK with it if it can last forever. In ep 472, Kudo Shinichi’s childhood adventure, there’s a part where Shinichi wanted to be address in last name..<br>
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| − | YZ: I think he’s embarrassed that he was the only to be called in first name in grade school.<br>
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| − | TY: Yes, i was thinking when I saw that part, “This child’s puberty kicked in early” I had similar experience in middle school, when you get teased like that by others, the relationship can be easily ruined. It’s nice that they patched things up soon quickly!<br>
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| − | YG: And they’ve remained close ever since, so exclusive to each other.<br>
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| − | YZ: But Shinichi gets cocky when receiving fan letters<br>
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| − | TY: it’s just for the attention, he felt like he’s being acknowledged, but never consider them romantically <br>
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| − | YG: It’s just fan letters<br>
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| − | YZ: Ran will also go panic about some illusion, like Shinichi living with a young widow...(laugh)<br>
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| − | YG: Watching too much soap operas? (Laugh)<br>
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| − | TY: Ran was picked up a lot by guys. Maybe the guys in school are too afraid to because of Shinichi, but she’s definitely popular! And sometimes when Shinichi gets mad and jealous about “why is she so friendly with them”, he’s anger usually goes away if he sees her attitude towards that person, like Araide-sensei and Eisuke-kun.<br>
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| − | YZ: Eisuke-Kun doesn’t feel like a love interest, he’s like a little brother!<br>
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| − | Q- thoughts about recent development?<br>
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| − | YG: We recorded CM for the field trip arc!<br>
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| − | YZ: Yes, a couple of lines, it’s amazing that we reached file 1000<br>
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| − | TY: can’t wait for the animation, let their feelings for each other be heard!<br>
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| − | </spoiler>
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| − | | |
| − | ===Movie 22 Guidebook Interview===
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| − | '''Date:''' March 31, 2018
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| − | <spoiler>
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| − | '''Source:''' https://forums.dctp.ws/viewtopic.php?f=5&t=13475<br>
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| − | <div class="toccolours mw-collapsible mw-collapsed" style="overflow:auto;">
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| − | '''Raw:'''
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| − | <div class="mw-collapsible-content">
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| − | <gallery widths=95px perrow=5>
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| − | File:M22_Guidebook_Interview_1.jpg|New characters introduced
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| − | File:M22_Guidebook_Interview_2.jpg|Gosho interview
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| − | File:M22_Guidebook_Interview_3.jpg|Gosho interview
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| − | File:M22_Guidebook_Interview_4.jpg|Gosho interview
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| − | File:M22_Guidebook_Interview_5.jpg|Furuya Toru interview
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| − | File:M22_Guidebook_Interview_6.jpg|Furuya Toru interview
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| − | File:M22_Guidebook_Interview_7.jpg|Takayama Minami interview
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| − | File:M22_Guidebook_Interview_8.jpg|Staff interview
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| − | File:M22_Guidebook_Interview_9.jpg|Police Hierarchy
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| − | File:M22_Guidebook_Interview_10.jpg|Police Hierarchy
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| − | </gallery>
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| − | </div>
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| − | </div>
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| − | '''Translated by:''' Spimer<br>
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| − | | |
| − | | |
| − | '''New characters introduced'''<br>
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| − | | |
| − | '''Sayoko Iwai''' -> Tokyo Regional Prosecutor, Public Safety Bureau<br>
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| − | VA: Tomigana Miina<br>
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| − | | |
| − | Line: "This is a decision by the Public Safety Department, do you understand?"<br>
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| − | | |
| − | Supervisor subservient to the Public Safety Police.<br>
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| − | | |
| − | Supervisor Prosecutor part of the Tokyo Regional Public Prosecutor Office, Public Safety Department. Her subordinate, Kusakabe, in charge of Kogoro's case, suggests her to carry out additional investigation of the case, but Supervisor Iwai dismisses his suggestion. It'd seem she's very subservient to the National Police Agency's Public Safety Police.
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| − | | |
| − | | |
| − | '''Kyouko Tachibana''' -> Lawyer<br>
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| − | VA: Ueno Aya<br>
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| − | | |
| − | Line: "Please allow me, Kyouko Tachibana, to defend "the sleeping Kogoro"!"<br>
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| − | | |
| − | A "cell-lawyer" lawyer who always loses<br>
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| − | | |
| − | A "cell-lawyer" is a lawyer that doesn't belong to a lawyer agency and take jobs over their cellphones, they're freelance lawyers. She's been in charge of many Public Safety cases in the past but cases with prosecution indictment only have a 0.1% chances of being won so she's lost in all the trials she's been at. She requests to defend Kogoro.
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| − | | |
| − | | |
| − | '''Fumikazu Haba''' -> Former Law Student<br>
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| − | VA: Hakata Daikichi
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| − | | |
| − | Line:"I want you to explain why I wasn't appointed!"<br>
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| − | | |
| − | He was a law student, but...<br>
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| − | | |
| − | A law student who aimed to be a judge. But he wasn't appointed a judge. Wanting to know the why, he talks directly to the coure's director, but...
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| − | | |
| − | | |
| − | '''Makoto Kusabake''' -> Tokyo Regional Prosecutor, Public Safety Department<br>
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| − | VA: Kawashima Tokuyoshi
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| − | | |
| − | Line: "It'd seem that you kept denying the charges in the police."<br>
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| − | | |
| − | Prosecutor in charge of the bombing incident<br>
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| − | | |
| − | He's a prosecutor who's very serious about his job, and is in charge of Kogoro's case. He becomes concerned during the inquires that Kogoro has no motive for being the culprit of the bombing incident and suggests his superior, Supervisor Iwai, to carry out further investigation, but...
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| − | | |
| − | | |
| − | '''Gosho Interview'''<br>
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| − | Profile:<br>Mangaka / Author of "Detective Conan"
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| − | | |
| − | Originary from Tottori Prefecture. Mangaka debut in 1986. "YAIBA" and "Detective Conan" prized with Shogakukan Manga Award. Also serializing the "Magic Kaito" series.<br>In 2017, the total publication amount of "Detective Conan" overcame 200 million units.
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| − | | |
| − | Page 1<br>
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| − | Q: "How did you decide that Amuro Tooru would be the main character in "Zero the Enforcer", this year's installment?"<br>A: "It all started from a suggestion by Sakurai-san, the scriptwriter, it wasn't my idea.<br>He said he wanted to do a tale about cyber-terrorism and he asked me "if it's cyber-terrorism, then the PSB will get involved, can I make Amuro appear?". It'd only been 1 film since "The Darkest Nightmare" so I did think it was a bit too early to do so but I also though that it would work. Amuro-kun's popular, after all (laughs)."
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| − | | |
| − | Q: "What are the highlights of this move?"<br>A: "The final action scene, and the talk between Conan and Amuro in the climax!"
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| − | | |
| − | Q: "In which parts were you involved?"<br>A: "In the story and a bit of storyboard fixes. I also helped a bit with the keyframes. The first version of the story it was very hard and led to heavy happenings. It turned into a "Amuro's become evil?" feeling, so we made it a bit softer. The first heavy story was interesting, too. Had a hard mystery feeling to it. The culprit got caught but "the truth darkness hasn't been dispelled" feeling. But I thought that wasn't something we should in Conan.<br>So we made some things a bit light-hearted. Also, until we settled on using cyber-terrorism as theme we also though of tricks involving food poisoning but they were discarded very early. We felt that the motive was too small (laughs)<br>I also voiced my opinion on the climax and other scenes and had them add scenes I wanted to see. Also, the scene between Amuro and Kuroda, for example, has elements from the anime so I look forward to how it ends up looking."
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| − | Q: "What were your demands to the new director, Director Tachikawa?"<br>A: "We were very detailed when we met to talk about the action scenes planning, but we didn't go so over the details when we were in the storyboard stage. There wasn't much storyboard fixing this time around. But sometimes I sent him a photo over LINE telling him "we should fix this one".
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| − | (continues on Page 2)
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| − | | |
| − | Page 2:<br>
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| − | A: We didn't have too many long phone calls either. Talking over LINE was sufficient (laughs)."
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| − | Q: "What kind of conversation you had with Furuya Tooru-san, Amuro Tooru's VA?"<br>A: "We didn't talk about the movie but I did have a meal with him in the past. Said his daughter is a great fan of Kaitou Kid. Also he did play the role of Tuxedo Mask (Sailor Moon), didn't he? I guess that he probably thinks that I used his character as model to draw Kaitou Kid. But it's actually the inverse, Kaitou Kid came before Tuxedo Mask. "Magic Kaito" is a old, Showa Period manga.<br>(See Note 1) When I told him that he was disappointed, I guess that he wanted to brag to his daughter "I'm the the model for Kaitou Kid", no? (laughs). Well, it's but my speculation so... I apologize if I'm mistaken (laughs)<br>I also told him that Amuro Tooru's true name is Furuya Rei and he replied "Sensei! That's overdoing it!" to which I replied "No, see, the "Rei" is actually "Zero" due to some reasons" and he was like "Huh!?"."
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| − | Q: "I want to ask about Kazami Yuuya, who's also appeared in the manga.<br>A: "He's very popular. There were a lot of fan letters after "The Darkest Nightmare" asking me to "Please make Kazami appear!" so I went like "fine, fine". "Let's make him show up!". Wondering if that would do (laughs)<br>I think that the anime staff decided on his name. He's a subordinate of Amuro so he was Camille. At first he had a long and crumpled hair but I didn't understand what they meant by Camille, so they said "he doesn't look like PSB", and that someone with a bad nature was better. And so his design was remade and ended up like that. I don't watch "Z Gundam" too often. The first [season] of Gundam is the best, in my opinion. Hence why I didn't make the connection. I'm really sorry (laughs)."
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| − | Q: "I want to ask about Kazami's and Amuro's roles"<br>A: "To make it clear that Amuro's the great one, Amuro is on the elite section of the NPA, and Kazami belongs to the Police HQ's PSB which is a lower rank. I think Sakurai-san was the one who suggested for Kazami to be older than Amuro.<br>As for Amuro's career, he was in the same class as Matsuda and Date. Scotch also was in the same class. They all died but they were cool types.<br>And Scotch was Amuro's childhood friend. Because, you see, he called him "Zero". And that was nickname of Amuro when he was a kid. I'll have to draw that, indeed."<br>Note 1: "The author of "Sailor Moon" , Takeuchi Naoko-sensei, was told that Tuxedo Mask's model was Kaitou Kid and was glad about it (From the "Aoyama Gosho 30th Anniversary Book").
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| − | (Continues to Page 3)
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| − | Page 3:<br>
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| − | Q: "I wanted to ask about Conan's first spin-off, "Culprit Hanazawa-san"..."<br>A: "At first, the person in charge showed me the name and asked me "this is the name, will it be OK?". So I replied "Oh, sure. Perfectly OK.". Thought it was fun. I had a meal with Kanba-sensei after that. I told him "feel free to do anything you want to do". Kanba-sensei's hometown is Shimane Prefecture, which is next to Tottori so he's also close to my hometown.<br>The persons who appear are suspicious, Ran-chan's hairstyle, and her horn popping from the middle are fun. I thought it was good to give off a "imposter" feeling. It's pretty good, and fun."
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| − | Q: "What about your health, and when will [the manga] resume?"<br>A: "Thank you for your concern, I feel very good. I get a feeling of "get to work already!". I think there'll be good news soon enough.<br>I want to write a long story about Detective Chiba and Naeko-chan as well after the manga resumes. With the feeling of "Bayside Shakedown", I'd say. Please look forward to it."
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| − | Q: "Please give us a message for Conan fans as conclusion of the interview."<br>A: "Both those who know Amuro and those who don't know him... Those who don't know him, they'll know what kind of man he is, and those who know him will get to know him a bit deeper. So please go see the movie.<br>Also, Amuro will be appearing a lot in the manga in the future. Since he was told to "Investigate about Kudo Shinichi", it's inevitable for him to get involved. Look forward to it, too!"
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| − | Sign: "Detective Conan Cinema Magazine 2018. Aoyama Gosho."
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| − | Bottomost right note: "Sensei drew Conan & Amuro for the magazine. He quickly makes a sketch with pencils, and adds a magic pen without any hesitation. It'd seem he's drawing a lot of cuts of Amuro often.
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| − | He jokingly said "If you make a blonde with squat eyes and dark-skinned there you have Amuro (laughs)"
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| − | '''Furuya Toru Interview'''<br>
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| − | Profile:<br>
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| − | Amuro Tooru / Rei Furuya VA
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| − | | |
| − | Originary from Kanazawa Prefecture. His representatives works are "Mobile Suit Gundam" as Amuro Ray, "Star of the Giants" as Hoshi Hyuuma, "Saint Seiya" as Pegasus Seiya, "Dragon Ball" as Yamcha, "Sailor Moon" as Tuxedo Mask amongst others.
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| − | Page 1:<br>
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| − | Q: "Will Amuro Tooru, in the 22nd movie "Zero the Enforcer" become a main character?"<br>A: "No way. It's 2 years after "The Darkest Nightmare" so I think it's too early to say that he's become a main character (laughs). Personally, I was very glad and surprised, I have both of those feelings.<br>I didn't know anything about the contents, and at first it was that trailer with the countdown included in "The Crimson Love Letter" so I thought it'd be a movie with hard content."
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| − | Q: "What's your impression ever since you read the script?"<br>A: "It was a bit different from what I'd imagined. Amuro does his job as PSB officer to face organized terrorism against Japan and heads straight forward. And then Conan-kun would get involved. That's how I thought it'd be like.<br>But as I did the trailers and the teasers, that was before I got the script so I eventually began to understand the contents. I firstly though "Huh? He's going to be enemies with Conan?". Despite that in the main story we finally got to know he was an ally of Conan, so I thought that them being enemies now would draw Conan fans away... I felt a bit of danger, actually (laughs).<br>But I did think that that wouldn't be the end of things, and there women who feel attracted to bad guys so maybe it would be good for them to be enemies when seen from that perspective. <br>There are people who like Bourbon, so I expected that the charm of a cool Furuya Rei would further increase in this movie as well. I didn't think that it'd show details about the state of things within the police, though.
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| − | Q: "What points do you have to respectively act his 3 faces of Amuro Tooru, Furuya Rei and Bourbon?"<br>A: "In the case of Amuro Tooru, working at the Poirot part-time, I take into account the image that he behaves like a kind guy and is an attractive young man. Conan knows his identity, but when there are other Detective Boys present, he acts as if he was but a strong and young detective. That's how I voice him like. I use a bit of a higher tone of voice, with a soft feeling.<br>In the case of Furuya Rei, he's a worker and a pro so I voice him in a sharp and edgy manner. To give out a dark feeling I make a lower tone of voice. There also times in which he gives out orders to Kazami, so there are parts in which he turns stricter. I add changes in scenes like those.<br>Speaking of voice tones, I use the lowest one when I voice him as Bourbon. Vermouth and he have a grip of each others' weaknesses so it's a bit special yet when he talks to Gin or similar scenes I use a very low tone.<br>Also, when it comes to Akai Shuichi, he's got a feud with him involving what happened with Scotch so he clearly hates him. His emotions get the best of him. When he faced Akai, he behaves like a kid. So when Akai is around he unusually brings out his emotions in a straightforward way. <br>When reading the movie's script, when he moves around as Furuya Rei, and when he talks to Conan... I thought that it would be better to use Amuro's voice for those scenes. When I had to act scenes as Furuya Rei, I wrote the "Kou" kanji from "kouan (Public Safety)" on my copy of the script and when it was Amuro Tooru I wrote "an". So they overlapped with "kouan" and was hard to understand even for me, so I wrote the katakana "A". I distributed them in the script as much as I could.
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| − | Q: "What's the charm of Amuro Tooru, in your opinion?"
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| − | (Continues to page 2)
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| − | Page 2:<br>
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| − | A: "Hmmm... He has 3 faces so I guess he's 3 times more handsome than normal people (laughs).
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| − | His 3 faces are the first of his charms. So even though I'm acting a single character, I can experience being 3 persons at the same time and acting 3 persons. That's a charm yet it has difficult parts to it so I feel like it's worth doing it.<br>It was fun voicing the 3 of them but I really like Furuya Rei. He feels like a hero of justice. Apart from action, he's also good with his driving technique. He often has cool lines to him, and like in this occasion, I was able to voice him a lot in the movie, since he doesn't appear that often. So I'm very glad at it."
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| − | Q:"Can you tell us anything that happened during the dubbing?"<br>A:"Takayama Minami-san (Conan) and Yamakazi Wakana-san (Ran) encouraged me a lot and were glad at Amuro's popularity, and Yamazaki-san said, about the movie, that "Amuro-san, you're sure to get a lot of new fans!".Minami-san did ask "This is about that person and that other person?", when checking uncertain lines and scenes...<br>In the interactions with Conan during the climax has a lot of action so ad-libbing becomes needed and it's hard to coordinate them but when we did the first test we matched things perfectly despite no previous meeting to coordinate things. Our sensibility as voice actors is similar, I guess. Weren't that the case, we wouldn't have been able to synchro the timing so perfectly. I was really surprised.<br>The climax scenes lines were also good, and so the Suzuki Sonoko VA Matsui Naoko-san was very happy at it, and said "Your pierced through my heart!" (laughs)"<br>I was a bit unsure how to voice Amuro's lines on the movie's climax, and unexpectedly enough, during the tests, I made a strong tone of voice that wasn't what I had on mind, and Naoko-san was very glad so I told my "Oh yeah, this is it" to convince myself it was good enough. I had the feeling to act along with Minami-san and that's the voice that came out during the dubbing.
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| − | Q: "You've had a long career. Yet how do you feel about acting a popular character like Amuro Tooru?"<br>A: "I'm really happy at it. I've been a VA for over 50 years, but, for me, it's the first time that a lot of fans had gotten crazy about a character I voiced, crazy over Amuro Tooru. <br>Amuro Ray also has popularity, yeah, but he couldn't beat Char to it (laughs). I often voice the main protagonists of series and so the rival character often gets the attention drawn to him. Nowadays you can see the encouragement through SNS, I like how a lot of followers appear in Twitter, and I'm very surprised at his popularity.<br>Between the Amuro fans, there are some who bought a real white FX-7 (see Note 1). He also makes incredible driving in this film, but whenever the co-stars crash they get severely told "you're wasting the tax money!" (laughs).
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| − | Q: "Amuro Tooru appeared on Volume 75 of the manga, he appears in the latter half of the story, but were you surprised by the naming at the time of this debut?"<br>A: "We were fans of "Detective Conan" to begin with. My daughter, especially. We often went to the theater to see the movie together.<br>I knew that Ikeda Shuichi-san voiced Akai Shuichi, so I did feel that "the author, Aoyama-sensei, really likes Gundam". I secretly hoped that "maybe one day I'll be offered a role". And when "it finally came" I was "Huh? Amuro Tooru?" when I heard his name. "There's barely any difference (with my name)!".<br>And later, when his real name of Furuya Rei was revealed, I went "Hey, sensei. Didn't you overdo it!?". I did really comment upon those. Around that time I also got a chance to have a lunch with Aoyama-sensei so we brought colored papers and we got each other's signatures, but then... "No, there's a proper meaning to the "Rei" in his name"... That it mean the "Zero" division in the Public Safety Police and things neatly linked together.<br>But he really loved "Mobile Suit Gundam", and seeing how he uses our names as VAs in his work, I feel very thankful to him. I feel very glad, he even added the car plate... (Note 2)
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| − | Q: "Last question. What are the highlights of "Zero The Enforcer"?"<br>A: "In this movie, there's the "way adult men do things" plus "charm" as the themes I acted upon. There are several scenes that make you feel that, so I hope that you will savor them.<br>Anyway, there's "Numbers very dear to me which I must protect even if I bet my life on it" (laughs) so I hope you go to see it several times, and that you fully experience the charm of Amuro Tooru. There's also the lines in the car that Sonoko-san accmails as well and which I want you to focus on. Counting on you guys."
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| − | Caption of pic: "Great driving by Furuya (Rei) that Furuya (Tooru) - san likes. In the "Darkest Nightmare" the car drifts in the beginning by Amuro (Furuya), Akai and Curacao are reality!"
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| − | Note 1: "A Matsuda RX-7 which isn't produced anymore at the present. The serial number of the Gundam, RX-78, comes from here."
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| − | Note 2: "Amuro's car number plate is 73-10, Mr. Furuya's birthday is July 31, and has a 0 to match the "Zero" nickname.
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| − | '''Takayama Minami Interview'''<br>
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| − | Profile:<br>
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| − | Edogawa Conan VA
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| − | Originary from Tokyo Metropolitan Area. Her representative works are "Kiki's Delivery Service" as Kiki / Ursula, "Rantaro" as Inadera Rantarou, "YAIBA" as Kurogane Yaiba, "Ranma 1/2" as Tendo Nabiki, "Moomin" as Moomintroll amongst others.
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| − | Q: "What's your first impression of the 22nd Detective Conan Movie, "Zero The Enforcer"?"<br>A: "Good point. When I firstly read the script, I did think "Ah, maybe this story is a bit too complicated". If you see a lot of police dramas like I do, I think one would understand the existence and roles of the "Public Safety Police" and "Prosecution" but for those who don't see them and for children, I was like "would they understand it?". That was my first impression. <br>But by when we finished the dubbing, the impression changed a bit. If you properly listen to what the characters say during the story, I think you'll be able to understand it."
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| − | | |
| − | Q:"The movie's plot revolves around "Amuro is an enemy?". What did you think about Amuro Tooru or Furuya Rei? What are you impressions of Kazami Yuuya and Kuroda Hyoue?"<br>A: "I did think that I wanted to prove that Amuro-san "isn't the enemy". Kazami-san appeared 2 movies ago, in "The Darkest Nightmare" but in this movie you get to know his relationship in the PSB with Furuya-san. He'll also appeared in the TV series in the future as well, I think.<br>Superintendent Kuroda makes his movie debut in this movie. Whenever he appears in the TV series he's totally suspicious (laughs). He's as suspicious as always, but for some reason he doesn't feel dangerous. He probably is (exposes her deduction) ...or so i think. What I told you is still secret, though (laughs)."
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| − | | |
| − | Q: "How about the dubbing work?"<br>A: "It went very smoothly, and we finished it on that day. We almost took until past the peak (12:00 AM) but human drama was the axis so we focused on each one's lines and the tempo was good."
| |
| − | | |
| − | Q: "How about your work together with Furuya Tooru-san?"<br>A: "We didn't do much consulting about how we would perform the dubbing so but there was a point that Furuy-san asked "it's **, right?". "Yes, I think this is **.", "Thought so!". That was the confirmation we took with each other. We also check with each other the points that picked us in our lines.<br>Truth is, when I made my debut, since I was playing a boy, I used Furuya-san's acting as a boy as reference. Of course, I can't act like he did but I did wonder what a "boy" is like? So I tried to get the gist from his voice acting. So, secretly, inside of my heart, I thought of him as my "teacher" (laughs). In the dubbing, I am always allowed to practice with my "teacher". He's a big senior with whom I can work very well so it was very fun.
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| − | | |
| − | Q: "What's your impression of the new Director, Director Tachikawa?"<br>A: "We got friendly very soon and I called him "Tacchi" (laughs). After the dubbing, I asked him "What's the genre you're apt at?". And he replied "I am apt at action, but... I guess human drama is it.". That's shown in this movie, indeed! He's a young director, but he gouges out the deep parts of humans.<br>Since it involves deductions, I think that human dramas are very important. The deduction of the culprit, the actions of the cornered party, must be things that "humans do" or the whole thing will fail.<br>The way the action scenes are scattered is good, but, if you don't properly depict "the human part", the story feels dull... There's been a lot of similar human drama in Conan movies insofar but this time around it felt "really hot". I think this is the director's tastes.<br>I act on it, so you feel that it's a character with "body heat, and feels related to", that's a must have creed. You can hear the heart's sound, they breathe, they're not limited to the 2-d of the screen or the scene, it feels "alive", that's how I like to voice characters. So I like hot dramas like this one."
| |
| − | | |
| − | Q: "The identity of "That Person" has been made public in the manga already, yet...?"<br>A: "True. Truth is, during the recording of "The Darkest Nightmare", we casting (about 20 of us, was it?) tried to predict "Who's That Person?". When looking at the answer sheet I'd kept sealed since then, it had an accuracy rate of 25%! It'd seem I checked a lot of things during breaks (laughs).<br>I also showed it to Aoyama-sensei, who'd come to see the dubbing. His reply was "What, they all know who it is!" (laughs). By the way, my answer was wrong.<br>Sensei had let out hints before, and Karasuma Renya's name had considerably popped up but I ended up reading too much into the thing and wrote someone else as my reply to the question."
| |
| − | | |
| − | Q: "Last question: what are the movie's highlights?"<br>A: "In this 22nd movie, prosecution, police, and PSP... It's a story in which a lot of words you don't normally hear pop up.<br>Also, in the interactions between characters, there are some crucial points as well so pay close attention and enjoy it until the very end without taking your eyes off the screen. It's a very, very exciting human drama.<br>One last thing to finish, "Amuro-san is someone incredible."."
| |
| − | | |
| − | | |
| − | '''Staff Interview'''<br>
| |
| − | | |
| − | '''Director Tachikawa'''<br>
| |
| − | Profile:<br>
| |
| − | Born in 1981. He revealed the "Death Billiards" which was his original idea, script and direction at the "Anime Mirai" of the Agency for Cultural Affairs in 2013. It was made into an anime named "Death Parade". He also directed "Mob Psycho 100".
| |
| − | | |
| − | Q:"How were you appointed to direct this movie?"<br>A:"In a raising program from the Agency for Cultural Affairs aimed at young animators I directed a serious film named "Death Billiards" and the judge in charge at the time was the "Detective Conan" Producer, Suwa (Michihiko) - san. He bought a lot of the stuff I made. And he asked me to "Direct the 22nd Movie". "
| |
| − | | |
| − | Q: "What's your impression of "Detective Conan"?"<br>A: "I first came into contact with Conan around Elementary... Or High... Or Middle. I loved to read it as a normal reader but there was 1 time I stopped reading. I came into contact with it again once I became a producer. When I got told to be the director of this movie, I re-read again from the part I'd seen years before."
| |
| − | | |
| − | Q: "What are the parts you put most detail or attention to as the movie's director?"<br>A: "To not to omit any of the good points that Conan had had insofar. The relations between characters are very interesting. So I took especially care and detail in character depiction. And this movie was more suspense-touch than the usual. The PSB is a main actor and the feeling's more serious. It's made so that if people who like mystery dramas see it then I think they will enjoy it."
| |
| − | | |
| − | Q:"What's your favorite character?"<br>A: "Haibara Ai, Professor Agasa, Mouri Kogoro, Hattori Heiji and Detective Takagi... I'd say. To avoid coming off as faulty, I also like Conan as well. But I rather like the famed side-characters who support the work. As well as the actual actors. So my preferences aim over there."
| |
| − | | |
| − | Q: "What's your vision of Amuro Tooru as as director?"<br>A: "I thought that fans would like his mysterious parts so we paid a lot of attention when depicting those. But I also wanted to show Amuro's house as well. I like those parts that reveal one's true nature. I think that it shouldn't be done, but, I also wanted to do a scene of him bathing in the bath."
| |
| − | | |
| − | Q:"What's your favorite film?"<br>A: "The first films remain in my memory... "The Time-bombed Skyscraper", "Countdown to Heaven", "The Phantom of Baker Street". I was by Producer Ishiyama (Keichi) -san that "it really looks like the balance in Director Kodama Kenji's (see note 1) works". I didn't have it on mind, truth to be told, but I do like the initial Conan so that's why it ended up like that, or so I think.
| |
| − | | |
| − | Q: "Last question. What are the highlights of the movie?"<br>A: "This movie mainly focuses on Amuro Tooru so there's a lot of cool scenes. Also, his gestures of combing up his hair or after he gets hurt... There's a lot of scenes showing aspects of him one normally doesn't see. So I hope you have a good look at the film while enjoying those day-to-day scenes."
| |
| − | | |
| − | Note 1: "Director Kodama Kenji directed Conan Movie 1 to 7"
| |
| − | | |
| − | | |
| − | '''Scriptwriter Sakurai'''<br>
| |
| − | Profile:<br>
| |
| − | Born in 1970. Scriptwriter. He also was a movie producer at Toho. While he was in office, he received the 1st Yomiuri TV Scenario Great Award. He then became a freelancer scriptwriter. His representative works are the "Aibou (Pal)" TV series and the "Forensic Researcher Woman" TV series.
| |
| − | | |
| − | Q:"This is the 4th movie the script of which you write up after the 17th movie "Private Eye in the Distant Seas", the 19th movie "Sunflowers of Inferno" and the 20th movie, "The Darkest Nightmare". How did you begin to get involved with Conan and how did you receive the offer for this project?"<br>A: "At the time of "Private Eye in the Distant Seas", I think it was Producer Suwa (Michihiko) -san who contacted me, and I accepted the offer. It was an anime, so I thought of writing a story that couldn't be done in a normal film. After "The Darkest Nightmare", I was asked "When can you make a new script?" and I replied "I'm free in 1 year's time", that was how the offer came.
| |
| − | | |
| − | Q: "What are the requests from Aoyama-sensei?"<br>A: "There weren't many. But regarding Amuro's view of love I was told to "please add this line". As well as "Add this scene with Azusa" or "Add this at the end". Not more than that. Most of it I wrote it up myself but I directly asked him if there were parts I didn't understand. How Amuro would interact with Conan, for example. I hadn't gotten a grasp of it yet...
| |
| − | Amuro doesn't yet know that Conan is Shinichi. But despite that, he supports him a lot and relies on him. I wanted to ask Sensei about what kind of distance feeling I should use."
| |
| − | | |
| − | Q: "And what were the requests from Director Tachikawa?"<br>A: "It was a harder story at the beginning but he changed it from a hard story to a softer Conan episode. It was a bit more severe and nerve-wrecking world. But that wasn't the first Conan story that the director wanted to do. There were several conflicts with that."
| |
| − | | |
| − | Q: "What are Amuro's charms, in your opinion?"<br>A: "He has a wide mental capacity. If it's not someone with a lot of room in their heart then it's hard to live in 3 different world-views. You'll get crushed. Even as Furuya, even as Amuro and even as Bourbon, I think that his base is always the same. His feeling of justice as well, he just changes his form of expressing things. I guess that both shooting a gun and brewing coffee stem from the same feeling of justice.
| |
| − | Also, I personally like Furuya a lot, and being chose to, as a charge commander, write a story about Furuya and the PSB which hasn't appeared in the manga often was very exciting. I think it derives from him, even as Amuro, even as Bourbon and eaven as Furuya."
| |
| − | | |
| − | Q: "Last question. What are the highlights of the movie?"<br>A:"At first you see through the viewpoint of Conan, the main protagonist, and then you see through Furuya's PoV, and if you see it from a 3rd PoV that'd be the culprit's... And they all look like different stories. And, also, there might be a 4th PoV...
| |
| − | Also, when you see it the first time, as a hint to guess the culprit, I wish that you pay attention to the "screen within the screen". A TV screen or a PC screen might appear but pay attention to that "screen within the screen" which one normally oversees. We're using a lot of screens this time, so there might be news announced there or investigation materials, there are hints rolling in several "screens"."
| |
| − | | |
| − | | |
| − | '''Guidebook Explanation of Police Hierarchy'''<br>
| |
| − | <div class="toccolours mw-collapsible mw-collapsed" style="overflow:auto;">
| |
| − | '''Raw:'''
| |
| − | <div class="mw-collapsible-content">
| |
| − | <gallery widths=95px perrow=5>
| |
| − | File:M22_Guidebook_Interview_9.jpg
| |
| − | File:M22_Guidebook_Interview_10.jpg
| |
| − | </gallery>
| |
| − | </div>
| |
| − | </div>
| |
| − | '''Translated by:''' Spimer<br>
| |
| − | '''Typeset by:''' Lailan<br>
| |
| − | [[File:M22_Guidebook_Interview_9t.jpg|400px]]
| |
| − | [[File:M22_Guidebook_Interview_10t.jpg|400px]]
| |
| − | </spoiler>
| |
| − | | |
| − | ===Interview on News Zero===
| |
| − | '''Date:''' April 11, 2018<br>
| |
| − | <spoiler>
| |
| − | '''Source:''' https://www.facebook.com/DCTheRedThread/videos/1813261475392464/?v=1813261475392464 <br>
| |
| − | </spoiler>
| |
| − | | |
| − | ===Takarakuzu College Interview===
| |
| − | '''Date:''' April 15, 2018<br>
| |
| − | '''Held at:''' Takarakuza College
| |
| − | <spoiler>
| |
| − | '''Source:''' https://forums.dctp.ws/viewtopic.php?f=5&t=13477&sid=616cd36dc775283463d2b3ae591ca2a2<br>
| |
| − | '''Translated by:''' Spimer<br>
| |
| − | | |
| − | Q1) "Why did you change the manga style to the current one, compared to how it was on the beginnings?"<br>A1) "I wasn't conscious of that (laughs) I drew things like that!?"
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| − | | |
| − | Q2) "What about Ran-chan's head?"<br>A2) "Everyone points that out to me (laughs). It happened to turn into that (laughs). I wanted a symbol-like thing, to be able to tell who it was from the silhouette. Like how I thought that my dad was wearing a hat the whole time (laughs)"
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| − | | |
| − | Q3) "Shinichi and Ran have begun to date, but will there be a boyfriend-girlfriend-like interaction in the future?"<br>A3) "There'll be (laughs) Maybe they'll become a couple by next year's movie? Oh? (laughs)"
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| − | | |
| − | Q4) "How's the chronology between the movies and the manga organized like? Is the "Crimson School Trip" after "The Crimson Love Letter"?"<br>A4) "I was troubled by that, actually. I did consult with the editor if I should depict it as Momiji firstly meeting Sonoko... Well, it came out well enough, no? (laughs) I don't think much about the chronology with the movies"
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| − | | |
| − | Q5) "What's the tone of coloring you use for Amuro-san's and Heiji's skin color?"<br>A5) "The same! Number 51! (laughs) Everyone else uses Number 61, but I use Number 51 because it has a bigger grain! It doesn't get crushed, hence why Number 51 is the best!"
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| − | | |
| − | Q6) "Shinichi said he wanted to become the Heisei (Note 1) Sherlock Holmes, but will Conan end during the Heisei Period?"<br>A6) "No, if the period name changes then I'll nonchalantly change it to the new period's Holmes (laughs) I should also nonchalantly insert a line about that (laughs)"<br>Note 1: Heisei - Period from 1989 to the present, indicating rule of current Emperor, Akihito
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| − | | |
| − | Q7) "Did you intend to make Amuro Tooru appear when you made Akai Shuuichi debut?"<br>A7) "Well, I did have the idea in a corner of my head! I did think of making a rival character or worthy opponent! I actually thought of naming him "Shiroi" (laughs). But I thought it might be a bit odd so I went for Amuro (laughs)"
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| − | | |
| − | Q8) "Amuro-san asked Azusa-san about her plans for [[Christmas]] before the break, though?"<br>A8) "Amuro was saying "Not really", Azusa might've said (laughs) then you could switch work shifts with me? (laughs)"
| |
| − | | |
| − | Q9) There was a scene featuring them in "Zero the Enforcer," though?"<br>A9) I did draw that scene!
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| − | | |
| − | Q10) "A normal Conan cases is 3 chapters, but do you decide the length beforehand?"<br>A10) "I always have the rough idea that a case will be 3 chapters long. But long cases like the "Crimson School Trip" are 5-6 chapters long... At times like that I go... "Well, this'll be a serial murder, then!" (laughs)
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| − | | |
| − | Q11) "Why is Amuro-san so popular?"<br>A11) "Well... I dunno (laughs). Why, I wonder (laughs). Maybe the fact that he can't beat Akai makes him popular (laughs) That might be it (laughs)."
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| − | | |
| − | Q12) "The last question in "Zero the Enforcer" was a great!"<br>A12) "Glad to know (laughs) I told them to add that one (laughs)!"
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| − | | |
| − | Q13) "What were the good things of becoming a mangaka?"<br>A13) "You earn a lot of money (laughs) You can eat juicy stuff (laughs). But you get less sleeping time... But now I sleep a lot! (laughs)"
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| − | | |
| − | Q14) "If Conan goes back to being Shinichi, how will he relate to those around him?"<br>A14) "I can't tell you that (laughs) I almost made a slip (laughs)"
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| − | | |
| − | Q15) "Are you planning on drawing that?"<br>A15) "Well, let's see... I do (laughs)"
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| − | | |
| − | Q16) "How do you decide the codenames of the BO members?"<br>A16) "Gin was an idea by an assistant, he said he looked Gin... I was like "really?" (laughs). As for Vermouth, I was told to use Vermouth (laughs) I get directed a lot by my assistants, although not that much (laughs)"
| |
| − | | |
| − | Q17) "Why did you make Hattori Heiji dark-skinned?"<br>A17) "I wanted to make him the complete inverse of Shinichi (laughs)! I thought that'd be a dark-skinned character, then (laughs). But my assistants disliked the idea. They said it was annoying to draw! (laughs)"
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| − | | |
| − | Q18) "I think the best part about your work, Sensei, is that you don't kill the criminals and have them live to atone for their sins but why did you make the culprit of Moonlight Sonata die?"<br>A18) "I thought that an occasional exception would do fine (laughs) It was a necessary victim so that Conan could tell Hattori that he's not perfect and that he actually "killed" someone (laughs)"
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| − | | |
| − | Q19) "All the movies always have some scenes drawn by you, Sensei, but do you decide which ones you want to draw?"<br>A19) "Yes! I put a circle in the storyboard that Director Tachikawa gave me to indicate I'd draw those! (laughs) I generally draw the scenes which have lines that I thought of (laughs)!"
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| − | | |
| − | Q20) "What's the origin of Conan's "there's only one truth" amongst the famous lines of the manga?"<br>A20) "It was actually a coincidence, in the chapter of Heiji's debut Shinichi said "because there's only one truth", and at about the same time the anime came up with "there's always one truth", so it really was a coincidence (laughs)."
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| − | | |
| − | Q21) "What works did you use as reference when making up the character of Amuro Tooru?"<br>A21) "I often say that Akai looks like Char, but Amuro is Amuro (laughs). Amuro's an original character (laughs)"
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| − | | |
| − | Q22) "What are the characters that are easier to draw and harder to draw within your works?"<br>A22) "Kaitou Kid is hard to draw, yes... And Amuro is easy to draw (laughs). Akai is hard, but Amuro has a special feeling to him (laughs)"
| |
| − | | |
| − | Q23) "What are the origins of Kaitou Kid?"<br>A23) "At first he was unpopular with the chief editor (laughs). Saying he wasn't fashionable at all (laughs).
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| − | There was "Cats Eye" (see note) as high school thiefs at the time. the youngest sister was a high school student. Yet there wasn't a guy thief so I thought I could come up with one of my own (laughs). I was faster so I won (laughs)."<br>Note: "Cat's Eye", manga about a group of 3 sisters who steal works from a fictional European artist.
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| − | | |
| − | Q24) "Why did you think of making the heroine strong instead of weak?"<br>A24) "I guess it's because I wanted to draw karate scenes (laughs). Thought that a strong heroine would be fun (laughs). Conan-kun shrunk so he needed someone strong next to him else he'd be in trouble... Or so I thought (laughs)
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| − | | |
| − | Q25) "What scenes were fun to draw and which were hard to draw?"<br>A25) "A fun one was that final two-page spread of the Kiyomizu Temple (laughs). The background was drawn by a Takarazuka college alumni, and they spent about 1 day to draw it up. (laughs) I only drew Shinichi and Ran (laughs). That scene was fun.
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| − | The Bell Tree Express scenes were hard to draw (laughs)"
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| − | | |
| − | Q26) "Why is it that the characters' clothing is so fashionable?"<br>A26) "I used to buy a lot of clothes at Anan or Non-no or CanCam (laughs). Amuro often appears in the latest cases so they asked me to think up Amuro's clothing (laughs). I have them think of making files about the clothes in every case."
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| − | | |
| − | Q27) "Are there plans for a movie focused on Shinichi and Ran?"<br>A27) "I wonder about that (laughs) I dunno but I can't say too much into this (laughs) oh well, look forward to it (laughs)"
| |
| − | </spoiler>
| |
| − | | |
| − | === "Truth in Zero" Booklet ===
| |
| − | '''Date:''' April 24, 2018
| |
| − | <spoiler>
| |
| − | '''Source:''' [https://imgur.com/a/6Nmms9v Raw]
| |
| − | <div class="toccolours mw-collapsible mw-collapsed" style="overflow:auto;">
| |
| − | Raw:
| |
| − | <div class="mw-collapsible-content">
| |
| − | [[File:Truth in Zero 3.jpg|300px]]<br>
| |
| − | [[File:Truth in Zero 5.jpg|300px]]<br>
| |
| − | [[File:Truth in Zero 11.jpg|300px]]<br>
| |
| − | </div>
| |
| − | </div>
| |
| − | </spoiler>
| |
| − | | |
| − | ===Amuro Toru/Bourbon/Furuya Rei Secret Archives PLUS===
| |
| − | '''Date:''' May 7, 2018
| |
| − | <spoiler>
| |
| − | '''Source:''' [https://drive.google.com/drive/folders/1m_ZJZPPPiAgmUFdNVSyq0eErBWaXvZRD Raw] [https://forums.dctp.ws/viewtopic.php?f=5&t=13485&sid=96a6ac5d2f0559501c0debf19559942f Translation]<br>
| |
| − | <div class="toccolours mw-collapsible mw-collapsed" style="overflow:auto;">
| |
| − | '''Raw:'''
| |
| − | <div class="mw-collapsible-content">
| |
| − | Gosho Aoyama
| |
| − | <gallery widths=95px>
| |
| − | File:Bourbon_Secret_Archives_PLUS_1.jpg
| |
| − | File:Bourbon_Secret_Archives_PLUS_2.jpg
| |
| − | </gallery><br>
| |
| − | | |
| − | Furuya Tooru
| |
| − | <gallery widths=95px>
| |
| − | File:Bourbon_Secret_Archives_PLUS_3.jpg
| |
| − | File:Bourbon_Secret_Archives_PLUS_4.jpg
| |
| − | File:Bourbon_Secret_Archives_PLUS_5.jpg
| |
| − | </gallery><br>
| |
| − | | |
| − | Takayama Minami & Guest VAs [Ueno Aya + Hakata Daikichi]
| |
| − | <gallery widths=95px>
| |
| − | File:Bourbon_Secret_Archives_PLUS_6.jpg
| |
| − | </gallery><br>
| |
| − | | |
| − | Nobuo Tobita (Kazami VA) + Yukimasa Kishino (Kuroda VA)
| |
| − | <gallery widths=95px>
| |
| − | File:Bourbon_Secret_Archives_PLUS_7.jpg
| |
| − | </gallery><br>
| |
| − | | |
| − | Tachikawa Yuzuru (Movie Director)
| |
| − | <gallery widths=95px>
| |
| − | File:Bourbon_Secret_Archives_PLUS_8.jpg
| |
| − | File:Bourbon_Secret_Archives_PLUS_9.jpg
| |
| − | </gallery><br>
| |
| − | | |
| − | Sakurai Takeharu (M22 scriptwriter)
| |
| − | <gallery widths=95px>
| |
| − | File:Bourbon_Secret_Archives_PLUS_10.jpg
| |
| − | File:Bourbon_Secret_Archives_PLUS_11.jpg
| |
| − | </gallery>
| |
| − | </div>
| |
| − | </div>
| |
| − | | |
| − | '''Translated by:''' Spimer<br>
| |
| − | | |
| − | '''Gosho Aoyama interview'''<br>
| |
| − | Gosho Aoyama Special Interview
| |
| − | | |
| − | We interview the creator of "Detective Conan", Aoyama Gousho-sensei. We will ask about secrets of the 22nd movie, about the birth of Amuro Tooru and important details.
| |
| − | | |
| − | Q: "How was the theme of "Zero the enforcer" decided?" <br>
| |
| − | A: "Sakurai Takeharu-san, the scriptwriter, made a draft about cyber terrorism. And we talked about that Amuro from the Public Safety Bureau would get involved if that was the topic. I did think it was fast, since it hasn't been long since "The darkest nightmare". But, oh well, Amuro is popular so... (laughs)"
| |
| − | | |
| − | Q: "What are the portions in this film that you yourself suggested?"<br>
| |
| − | A: "There's many. In drawing terms, I asked to change Amuro's glances depending on when he was Bourbon or when he was Furuya. "That question" at the end was added because I asked them to do so. Everyone was wondering about it so I thought of adding it on the movie. Sakurai-san said "eeeehh!?" when I told him, though (laughs). But Amuro talks to Conan and Conan asks him about that... That natural flow of things was made by Sakurai-san. Despite that it was unreasonable request. As expected of him."
| |
| − | | |
| − | Q: "Looks like there'll be a lot of people who'll be going to theaters to know the answer to "that question"..."<br>
| |
| − | A: "Ah-hah-hah-hah (laughs) Really? There's also the talk between Amuro and Azusa at the supermarket... I thought of the whole idea myself. They added it word by word. Since their combination is very popular, too!"
| |
| − | | |
| − | Q: "What scenes did you draw the keyframes of?"<br>
| |
| − | A: "The scene with the answer to "that question", and I've got to draw the final scene between Amuro and Conan. Since Director Tachikawa Yuzuru said he can't tell what kind of face Conan is making at the end. So I told him that I'd draw it (laughs). Compared to previous films, I haven't drawn that many this year. So that's why I also look forward to its completion."
| |
| − | | |
| − | Q: "What do you think of the developments leading Conan and Amuro to clash with each other?"<br>
| |
| − | A: "I didn't make any requests about that. They said that it felt interesting if Amuro acted like a foe. And the balance of his relationship with Conan is good, too. The line of "I... I have two men who are scarier me." was written by Sakurai-san. He means Conan and Akai. I thought it was well-played (laughed). Ah. But he doesn't dislike Conan, though. What he dislikes is Akai and what he likes is celery (laughs)"
| |
| − | | |
| − | Q: "What are the scenes you want the public to pay attention to?"<br>
| |
| − | A: "I guess that'd be the final action scene. And, also... Kuroda (laughs). It's a performance that can only be done in anime, so I want you to focus on Kuroda!"
| |
| − | | |
| − | Q: "Please tell us about Kazami Yuuya, who's appeared both in the movies and in the manga."<br>
| |
| − | A: "His initial design was with crumpled hair, but since he was PSB I thought a crew cut and an ill-behaved face would work better, and so I redid his design. Also, I had to write his age when I made him appear in Volume 94 of the manga. I talked about it with Sakurai-san, Amuro would indeed push someone older than him around... That's the kind of conversation we had. So we settled on him being 30 years old. Regarding his position, Kazami works in the MPD's PSB. Amuro is from the NPA so he's in a more privileged position. "
| |
| − | | |
| − | Q: "Is there something that leaves an impression in any of the episodes in which Amuro appears?"<br>
| |
| − | A: "In the "Girls Band" (see Note 1) case, when he plays a guitar... I guess. He asks Sonoko to lend it to him and then plays it. Amuro can do anything... If Akai didn't exist then he'd be number one, though (laughs)."
| |
| − | | |
| − | Q: "So he can't defeat Akai?"<br>
| |
| − | A: "I think Amuro is better at many things than Akai is. But he can't beat Akai. He might have a chance if it was a cooking contest, though... But if he has to match Akai, he might get nervous and fail."
| |
| − | | |
| − | Q: "Amuro, Bourbon and Furuya. Which of the triple faces do you like the most?"<br>
| |
| − | A: "Hmmm... All of them... I guess? Readers ask me to "make Shinichi-kun appear more often!" but I think that he's always appearing, though. Because Conan-kun is Shinichi. Same as that. Amuro is Amuro, regardless of his "face". Ah. The way I draw his eyes when he's Bourbon is a bit different, though. But despite that Amuro is easy to draw. I just need to make the eyes into drooping eyes and he already looks like Amuro. Special drooping eyes and hair... I guess? Hmmm... That's easy (laughs)"
| |
| − | | |
| − | Q: "Please tell us about Amuro's debut."<br>
| |
| − | A: "Truth to be told, Amuro wasn't from the Public Safety (PS) when he made his debut. He was actually a very bad guy. But when I was drawing the conclusion part of his debut episode (see Note 2) I thought that he was a cool guy, that I wanted him to be one of the good guys. So I suddenly changed that mid-way and turned him a PS guy. Since I was thinking of making a PS character appear. I wanted to make the case be something Amuro had set up to lure Kogoro out into the open but I gave up on that, too. "
| |
| − | | |
| − | Q: "If you hadn't changed his background then maybe this year's movie wouldn't have come to happen?"<br>
| |
| − | A: "Good point. When I talked with Ikeda (Shuuichi) - san, I told him a character named Amuro would appear. And he answered "So you must've decided his voice by now...". Ah. It's obvious, then (laughs). So when I drew him having Furuya (Tooru) - san's voice in mind I thought that he was cool and ended up being PS. Glad that I did so. His enmity with Akai was planned from the start. There was a lot of phases, like when I thought of naming him "Shiroi" (laughs)"
| |
| − | | |
| − | Q: "If you'd kept the initial background then we wouldn't have his real name of "Furuya Rei", then?"<br>
| |
| − | A: "Maybe... When you say "Amuro", then "Ray (Rei)" comes to mind. Added the "Zero" from the PS and I thought "this is it!". Actually, that name is a bit old and the PS isn't named "Zero" nowadays. There's another, different name that we don't know. But that fanning of "a non-existent organization" is cool, and using Zero and Rei was good enough in my opinion hence why I used them."
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| − | | |
| − | Q: "I'd like of you to give a message to the fans who expect Amuro to have a lot of activity in the manga"<br>
| |
| − | A: "The manga will resume with Amuro and Akai so look forward to it (see Note 3). Kid Amuro will appear, and you'll know more about Elena-san. Coming soon! (laughs)"
| |
| − | | |
| − | Note 1: Volume 88 & Anime Episode 836 "The Unfriendly Girls Band (Part 1)"<br>
| |
| − | Note 2: Volume 75 & Anime Episodes 667-668 "Weeding Eve"<br>
| |
| − | Note 3: File 1009 of the manga, to be published in Issue #20, 2018 of Shonen Sunday
| |
| − | | |
| − | Caution: "SPOILERS"<br>
| |
| − | We were show the draft of the first page of the new manga chapter to published with the resuming of the manga in 2018! Amuro and Akai facing each other with guns and their faces exposed... What happened here!?
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| − | | |
| − | '''Furuya Tooru Interview'''<br>
| |
| − | Furuya Tooru-san acts the role of a triple-faced man. He told us a lot of about the greatest parts of "Zero the enforcer" and the charms of each face!
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| − | | |
| − | Q: "When you knew that Amuro Tooru would be the main character of "Zero the enforcer", how did you feel like?"<br>
| |
| − | A: "I was surprised that Amuro would get a big role in a movie again. I was happy about it, of course, but I thought it was fast. This time it's not a story with Akai so that's great! (laughs). When I said the word "Zero" in the teaser at the end of the "Crimson love letter", I did think that the face of Furuya Rei, from the PS would be the main protagonist. I like police stories, novels and series so I read "Metropolitan Police Department Public Safety J" novel by Suzumine Kouya-san. And I built up the mood as I waited for the script to be done.
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| − | | |
| − | Q: "What was your impression from reading the script?"<br>
| |
| − | A: "The plot of this movie feels like a live-action series. It shows a lot of details about Japanese police and prosecution, so it was very interesting. And when the climax comes, it turns into an unprecedented calamity which Conan and Amuro solve together... I thought that very typical of "Detective Conan". And it was also to be expected that they'd involve a modern item similar to IoT (Internet of Things) appliances... It was a very timely and interesting story. And he doesn't care what he has to do to protect the peace in Japan... The attitude of Furuya Rei, Public Safety Officer, makes you feel excited."
| |
| − | | |
| − | Q: "This movie's structure was about Amuro and Conan confronting each other, yet..."<br>
| |
| − | A: "I got to work together with Conan-kun in "The darkest nightmare" so I was open to do so. But in the trailers and teasers it has an atmosphere of a confrontation with Conan-kun... Thought this might be a bit troublesome (laughs). To begin with, having Mouri-sensei arrested, Amuro, his best disciple, should work to clear out the suspicions on him. Now's not the time to be cleansing the Poirot café (laughs). Conan-kun immediately sees through Amuro's backstage actions. It's pointed out in the cleansing scene towards the beginning of the movie. He really thinks that he's a incredible kid. Of course, Amuro forsakes Conan-kun without answering his questions. Afterwards, he monitors Conan's actions but at some point Kazami ends up being stalked by Conan... That flow of events is also very interesting, too."
| |
| − | | |
| − | Q: "Both of them have the same level of strength hence why the story moves into that direction."<br>
| |
| − | A: "Amuro recognizes Conan-kun's potential, and has total confidence on him. He feels that Conan is not a normal kid, but I guess he's closing into his true identity. Maybe he's realized 80% of the full picture..."
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| − | | |
| − | Q: "Please tell us about the answer to "that question" towards the end of the film."<br>
| |
| − | A: "When I read the script, I did realize that this would be the part that would make the fans excited. But I had doubts about how I should deliver that line. I did dig down the script while looking at the placeholder footage but I hesitated again. At first I thought of a softer and sweeter feeling... And in the rehearsals on the dubbing day I spoke with a different tone of strength, different to what I had in mind. It had a serious atmosphere to it and a feeling of newfound strength, "now I'm going to go for it"... Shifting the gear while gripping the handle and make the engine roar... It was acting that emerged from within that flow of events."
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| − | | |
| − | Q: "It became a powerful acting indeed."<br>
| |
| − | A: "Yes. I did think it was a bit too powerful, but Matsui Naoko-san, Sonoko's VA, sitting next to me, told me "You pierced through my heart!". She was looking at me with a glance typical of Sonoko (laughs). I thought "Ah. This is how I should do it" and acted on the real dubbing with that feeling. "
| |
| − | | |
| − | Q: "What scenes would you like the audience to specially focus on?"<br>
| |
| − | A: "The climax, but of course. It's a scale that can't happen in reality, and it has incredible force to it. Speaking of which, the RX-7 might break again... Everyone said it was such a waste of tax money (laughs). The RX-7 is a very stylish and cool car, and I'm glad that the plate number is my birthday, yet... Thinking in real terms, I guess that not being obsessed with the RX-7 would make Amuro better (laughs)"
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| − | | |
| − | Caption: "Towards the end. Amuro answers "that question" from Conan while gazing to the front. An acting in which Furuya-san devoted his whole body to. Check it out in the theaters!
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| − | | |
| − | Q: "What left you an impression during the dubbing?"<br>
| |
| − | A: "The acting in the car action scenes was hard. You must feel a very strong shock on your body so there was a lot of ad-lib. But despite that we had no meeting previous to the rehearsals, (Takayama) Minami-san and I added our ad-lib with perfect timing. I was surprised. It was so perfect, to the point I thought "I want this one to be used"! I thought that I and Minami-san had the same sensibility so I was glad. Also, Amuro had faces I'd never seen on him during the car chases. Nevertheless, Matsui-san told me "No, this is good enough!"... So I thought "is that so?" (laughs). I tried to add a bit of an aberrant ad-lib matching the scene but it didn't seem necessary so I didn't do so when the actual dubbing."
| |
| − | | |
| − | Q: "Are there some points in the acting which you were particular about?<br>
| |
| − | A: "The "Bourbon" facet of Amuro doesn't appear on this film, but there are 2 acting patterns for Amuro and Furuya so I wrote some big marks on the script's lines. For example, the supermarket scene... When he's talking with Azusa-san he's Amuro so I wrote the katakana "A"... When he begins to talk to Kazami he turns into Furuya so I wrote the "kou (public)" from "kouan (public safety)"... Almost all scenes had such marks on them, I thought I had to change my tone depending on the position and who he's talking to. I didn't use "an (safety)" from "kouan" for Amuro because that'd make it very confusing."
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| − | | |
| − | Caption: "Amuro's face during the car action which surprised Furuya-san. There were descriptions in the script. "Has a drive technique like that of a demon". "Drive technique that's like aided by the divine."
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| − | | |
| − | Q: "Please tell us about Amuro's right-hand man, Kazami Yuuya."<br>
| |
| − | A: "In "The darkest nightmare" I thought of Kazami as someone with whom he always shared information. But it'd seem that's not the case. Furuya works in the NPA, Kazami in the MPD. Their ranks are different. I also had in mind the distance during acting. And to begin with, the "Zero" organization is shrouded in mysteries. I'd like of them to make a film that goes into more detail into that (laughs). I guess that holding strength is a new charm of Amuro. Kazami understands the power the PS has and thinks that all means must be used to solve cases. On the other hand, Amuro doesn't use it and readies other means. Amuro has a strong belief that that's how the PS should be like. There might be scenes with him telling that to Kazami. Kazami often refers to him as "Furuya-san"... It feels exciting whenever he does so (laughs). I'm used to being called "Amuro" but I've still not got used to being called "Furuya"... "
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| − | | |
| − | Caption: "Scotch's death, which was the start of his feud with Akai. Amuro thinks that Akai gave Scotch a gun and drove him to suicide, but the truth is... (Episode 867)
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| − | | |
| − | Q: "Please tell us about recent dubbing for the TV anime episodes."<br>
| |
| − | A: "What I most clearly remember was a meeting after the dubbing. Ikeda (Shuuichi)-san, Koyama (Momi)-san. I had drinks with them, it was fun (laughs). I thought it was something typical of "Conan". I put care in the acting in the flashback scenes of the 866-867 episodes "The stage of betrayal". The enmity with Akai steams from that point. He's caught in the idea of "A man of Akai's level should've been able to help Scotch flee without having him suicide"... But he himself was actually to blame. Maybe he'll realize that truth one day? How will I act his mental state when that happens...? I actually think it's a bit scary. Building my own feelings while acting is the hardest part. The role of Amuro must be worked out while hesitating. There's a worth in doing it."
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| − | | |
| − | Q: "Which of Amuro's triple faces do you specially like?"<br>
| |
| − | A: "My favorite one is that one which bets his life in protecting the nation of Japan, the face of Furuya Rei. He's a hero of justice. He has a lot of actions to show his skills, and he's got a lot of cool lines. I've been working as an anime voice actor because I wanted to become a hero. With Furuya's role, I can fully enjoy that. But when he has to deal with Akai, he suddenly turns child-like. There's also what happened with Scotch, and his emotions jump forward. That also can be called a charm of him, but..."
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| − | | |
| − | Q:"What about his face as Bourbon?"<br>
| |
| − | A: "Bourbon has a hold of Vermouth's secret so these two have an interesting relationship. I've known Koyama-san for a long time, and we both admit our job as actors, so it's a very easy thing to do and very fun as well."
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| − | | |
| − | Q: "What about his face as Amuro Tooru?"<br>
| |
| − | A: "He's strong at boxing, he's good at the guitar, he can cook... It's very fun to become a character who has many parts that you yourself don't have. Amuro is very popular among the girls, isn't he? I was told during this work "He's popular among the JK (high school girls)" which made me very happy. I feel like I've gone back to my young days (laughs). Amuro has 3 faces to him, so he alone can have 3 different experiences. He's a very charming character."
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| − | | |
| − | Q: "What kind of activity can we expect from Amuro in the future stories?"<br>
| |
| − | A: "He solves cases using his erudition and deductive abilities, but I'd also wish of him to use his physical abilities to shine as well. Because, you know, heroes are made through battling. I'd also like of him to close into the core of the organization's mysteries. I'd like of his child look to appear, too, but I don't wish to do his voice acting again (laughs). "
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| − | | |
| − | Q: "Please give a message to the fans!"<br>
| |
| − | A: "In "Zero the enforcer" I acted with Amuro, the though and adult man, as the theme. I'd like of you to come to the theaters. And to savor his charm many, many times in the big screen. There are some "numbers" I must protect even if I stake my life on it (laughs). So I'm counting on you all!"
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| − | | |
| − | Profile:<br>
| |
| − | Born July 31. From Kanazawa Prefecture. Affiliated to Aoni Productions. Representative titles are "Star of the Giants" as Hoshi Hyuuma. "Mobile Suit Gundam" as Amuro Ray. "Saint Seiya" as Pegasus Seiya. "ONE PIECE" as Sabo. Among others. In "Detective Conan" he acted in various roles such as in "The Private Eyes' Requiem" before becoming Amuro Tooru.
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| − | | |
| − | '''Takaya Minami Interview'''<br>
| |
| − | Edogawa Conan Role
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| − | | |
| − | Profile:<br>
| |
| − | Born May 5th. From Tokyo Prefecture. Representative titles are "Kiki's Delivery Service" as Kiki. "Rantaro" as Inatera Rantaro. "YAIBA" as Kurogane Yaiba. And others. Narrator, western movies dubbing. She continues to work in recitations.
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| − | | |
| − | Q: "What was your impression when you read the script of "Zero the enforcer"?"<br>
| |
| − | A: "I felt like it was a human drama TV series. Truth and justice, and the exciting clash between humans. That was my impression. Regardless of the main axis being Amuro VS Conan. I felt excitement in many parts. Director Tachikawa hadn't been involved in "Detective Conan" before but the displays of natural phenomena and emotions were splendid. A new door was opened."
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| − | | |
| − | Q: "Please tell us the best spots of the film."<br>
| |
| − | A: "The interactions between persons are full of good spots. When the climax grows close, listening to them feels better. And, of course, Amuro-san's charm. I think you'll get to know a lot more about him in this film. The interactions, which feel like a speech play, are very exciting. What part of it it's lies, what part of it it's true... "Amuro-san might be the enemy this time around". But one wants to figure out if he really is the enemy. To prove that he's not a bad person. You suspect him to believe him, and while earning evidence and confidence one by one, you go on crushing your doubts about him.
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| − | | |
| − | That's how I felt once we finished the dubbing, and I got the impression that he was an innocent person. A very pure, innocent, and pure white person. That was my impression of him. Of course, he has many faces to him but there's a very strong belief to the point all of those get removed. A strong feeling, that past "truth" and "justice" there's the feeling of "protecting". You seek the truth to protect, and you seek the justice because you want to protect. Both fight to protect what's dear to each one of them. The biggest theme in this film is "protecting", or so I thought. All of the characters have that feeling on them.
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| − | | |
| − | I think that Fukuyama Masuharu-san's main vocal song was made in order to make you feel that. So I'm very thankful to him for that."
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| − | | |
| − | Q: "Did it feel good to act as Conan, the one who confronts Amuro?"<br>
| |
| − | A: "Uncle Kogoro is suddenly arrested, and behind that incident, Amuro, whom he fought together with in "The darkest nightmare", is involved. So he can't be as cool and rational as he always is. So he's unable to properly control his emotions, and he might speak louder than he usually does... There was a part in the dubbing in which he reflects upon that muttering "Crap. I gotta chill it..."."
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| − | | |
| − | Q: "Kuroda Hyoue, one of the RUM candidates, has also appeared on this film, yet..."<br>
| |
| − | A: "I was surprised when I first saw the poster at how Superintendent Kuroda was drawn in such a big size. But I actually don't think he's a bad person. I was excited during the film, but he's probably..."
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| − | | |
| − | Q: "Please give us a message to the readers to wrap up."<br>
| |
| − | A: "Please watch the film while paying attention to all that's said. Police, prosecution, Public Safety... Even if hard to understand words appear, I think you'll eventually understand them as you go on watching the film. For the difficult parts, research on them and go see the film again. I think that that'll make you enjoy it way further. Including the guests (characters), all characters' breathing and pulsations can be felt. It's a very exciting film! Please enjoy it!"
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| − | | |
| − | '''Ueto Aya Comments'''<br>
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| − | Tachibana Kyouko Role
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| − | | |
| − | Profile: <br>
| |
| − | Born September 14th. From Tokyo Prefecture. TV series, movies, western movie dubbing, CMs. Works in many genres. It's been 12 years since her previous role in "Detective Conan".
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| − | | |
| − | "Kyouko is a role with breadth, so at first I acted naturally without creating too much of a character. Towards the end, I made voices that even I was surprised at. I like the relationship between Conan-kun and Ran-chan in "Detective Conan" since a long time ago. It's lonely to be unable to meet them, but having the one you like be there next to you to protect you is very beautiful, or so I think."
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| − | | |
| − | '''Hakata Daikichi Comments'''<br>
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| − | Haba Fumikazu role
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| − | | |
| − | Profile:<br>
| |
| − | Born October 3rd. From Fukuoka Prefecture. He's appeared in many variety shows as a comedian, is a regular participant in info programs.
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| − | | |
| − | "I thought that Haba was the stubborn type so I prepared thoroughly for the role. I'd like of you to see him without having "Daikichi!" on mind (laughs). I think it's amazing that "Detective Conan" has gone through with the same style for over 20 years' time. The movie "Magician of the Silver Sky" where they make a plane land dumbfounded me indeed!"
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| − | | |
| − | '''Tobita Nobuo Interview'''<br>
| |
| − | Kazami Yuuya Role
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| − | | |
| − | Profile:<br>
| |
| − | Born November 6th. From Ibaraki Prefecture. Representative titles: "Mobile Suit Gundam Z" as Camille Bidan. "Chibi Maruko-chan" as Maruo-kun. Mr. Osamatsu as Dayon. Others. Has also done dubbing of several western movies.
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| − | | |
| − | Q: "Please tell us about how you acted the role of Kazami in "The darkest nightmare"."<br>
| |
| − | A: "It was the first time I took part in an [animated] film. The role's name was Kazami Yuuya so I made the connection at once (laughs). It was a position similar to an subordinate to Amuro-san, so it had a feeling that your body tightened. My biggest impression was when he did a handshake with Inspector Megure at the end of the movie. He's an elite, but a good person who has normal feelings."
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| − | | |
| − | Q: "And Kazami appears again in this new movie, "Zero the enforcer"."<br>
| |
| − | A: "What I had on mind was his relation with Amuro-san. How much feeling of a distance there is. It was certain that he had respect for Amuro, but there was hesitation too. As if I was but one of many men in reserve (laughs). Furuya-san, who voices Amuro, is my senpai (senior) as well so I acted the role as if my actual relationship was being projected in the film."
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| − | | |
| − | Q: "What are the charm points of Amuro?"<br>
| |
| − | A: "His boldness and his high abilities... And the mysterious air he has. He feels like a gentle man but is very deep in character, you might think he's hard but that's not the case. He seems to be talkative but it'd seem he doesn't show his true portions at all."
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| − | | |
| − | Q: "What about Kazami, whom you voice?"<br>
| |
| − | A: "From his looks, he brings on the mood of someone capable (laughs). Looks like he could do fighting sports. He still doesn't show a smile from his heart and he's not frank but hints of that are depicted in the movie, and I think he gives out a realistic feeling of existence."
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| − | | |
| − | Q: "Please give a message to the readers to wrap up."<br>
| |
| − | A: "I think it's a movie that you want to see again with someone else after you see it. It's a must-see for Conan fans, and people new to the series will like it too!"[/spoiler]
| |
| − | | |
| − | '''Kishino Yukimasa Interview'''<br>
| |
| − | Kuroda Hyoue Role
| |
| − | | |
| − | Profile:<br>
| |
| − | Born October 21st. From Tokyo Prefecture. Representatives works. "ONE PIECE" as Higuma. "Dragon Ball Z" as Burter. "SLAM DUNK" as Uozomi Jun. Others. Dubbing of western movies, narration roles, plays.
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| − | | |
| − | Q: "Please tell us about when you were chosen to voice Kuroda Hyoue."<br>
| |
| − | A: "Kuroda firstly appeared in Episode 810 of the anime "The darkness of the prefecture police (part 1)". The case involving the woodpeckers. When I read the script, I did think he was scary and hesitated if I could do it (laughs). He's a cop but has many mysteries to him, you can't tell if he's a good a guy or a bad guy... I did fumble a bit with my acting.
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| − | | |
| − | Q: "How did you feel when you knew that he would be featured in a movie?"<br>
| |
| − | A: "I was surprised when seeing the poster. Seeing how big he was in there, I wondered what he'd do in the movie (laughs)"
| |
| − | | |
| − | Q: "What's the scene in this movie that left a biggest impression on you?"<br>
| |
| − | A: "That word he uttered (laughs). I can't give out details, but it's a scene which I'd like of you to see many times and check out. It's a scene that will link to future [happenings] in "Detective Conan". Aoyama-sensei sure thinks up of interesting things."
| |
| − | | |
| − | Q: "What are the charm of points of Amuro, who'll be very active?"<br>
| |
| − | A: "It's interesting to see how he has 3 faces to him. Not only as an actor. I also want to follow his activities as a reader."
| |
| − | | |
| − | Q: "How about Kuroda, whom you voice?"<br>
| |
| − | A: "I think that the best about him is that he's shrouded in mysteries. I'd like to do a gag-like scene with Kuroda, but... I guess they won't allow me to do so (laughs). I'd like to voice him as a fun old guy someday."
| |
| − | | |
| − | Q: "Please give a message to the readers to wrap up."<br>
| |
| − | A: "I'm really looking forward to future developments. Please, make sure to come see the movie!"
| |
| − | | |
| − | '''Tachikawa Yuzuru Interview'''<br>
| |
| − | Movie "Zero the enforcer" Director
| |
| − | | |
| − | Profile:<br>
| |
| − | Animation director, theatre director, "Death Billiard" movie on 2013 (original idea, script, direction), worked on TV series based on it on 2015 (original idea, direction, series structuring). Representative works: "Terror in Resonance" (Assitant Director), "Mob Psycho" (Director), and others.
| |
| − | | |
| − | Q: "Please tell us how you were appointed director of this move."<br>
| |
| − | A: "As part of a Ministry of Culture project, I made an anime movie named "Death Billiard". Then, the Conan Chief Producer, Suwa Michihiko-san, liked my work at lot. A few years later, he contacted me and asked me to direct an anime film. I'd never worked as director of a movie from a long series so I thought I might as well try it out. I joined the project since the plot was completed."
| |
| − | | |
| − | Q: "Had you read the manga of "Detective Conan" before?"<br>
| |
| − | A: "When I was in elementary school, I read it on the "Shonen Sunday" magazine. In terms of generations, his previous work "YAIBA" was right on. Young elementary students love sword play, don't they (laughs). I made the "Wind God Ball" and "Thunder God Ball" from "YAIBA" and played with them. So I really liked his works. I had fun with them.
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| − | | |
| − | When I was appointed director, I checked out the manga again and I re-confirmed that it was something that could be enjoyed even from the point of view of an adult. The way the foreshadowing is revealed is great. What really impressed me was the "Scarlet" series when Akai returned, Volumes 84 to 85. I went back to re-read Volumes 58-59 when Akai died (laughs). The "Scarlet" series also excited me with the Amuro episodes. Two men with double faces investigating each other, Conan is involved, and they problem is dodged skillfully."
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| − | | |
| − | Q: "It's the first time you're involved with the "Detective Conan" movies. What things did you have in mind?"<br>
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| − | A: "I thought of making use of the established portions of the series. I did hesitate on how much freedom I had to leave my own imprint. I think that what makes "Conan" attractive is its characters. So I wanted to make more depictions of the characters' personalities. I did purposely have in mind to make action and movements which brought out the flavor of the characters.
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| − | | |
| − | Of course, Conan and Amuro are the core, and I also took care in the sub-characters supporting them. I like Professor Agasa and the Detective Boys so I think I put a lot of strength on them (laughs). There are additional scenes added from suggestions by Aoyama-sensei. We added scenes showing the daily life of the characters, which I'm glad of. When I talked with Takayama Minami-san after the dubbing, she told me that instead of having the scenario make them act, put focus on making the characters feel alive. That's what I also thought so I felt relaxed when she told me."
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| − | | |
| − | Q: "It'd seem that you made the image boards following your inclinations as director. Right?"<br>
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| − | A: "It's an adult-like story, so creating a realistic atmosphere in the screen makes it easier to blend with the story, or so I thought. We hired the illustrator Loundware and they made the space. And they created some grand and colorful image boards. During the making, we put a lot of emphasis in sunset and rainy scenes. In terms of beauty direction, we gave them photos to tell them the colors we wanted.
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| − | | |
| − | We asked them to swing color with force in those spots that are supposed to leave a strong impression. For example, the scene when Amuro is called a murderer, it it were expression of anger shining in the faces, then it wouldn't create an atmosphere (laughs). Rain falling from cloud skies, evening and the night... There's a lot of darkened scenes. "
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| − | | |
| − | Caption: When Kazami mutters "That Amuro man you speak of is a murderer", rain falls from the cloudy skies... The gloomy skies leave an impression. (Movie 22)
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| − | | |
| − | (Continuation of previous question)<br>
| |
| − | A: "Actually, darkened scenes are easier to make. Sunsets are hard. The light from the side is strong, so the shadows are harder to make. Entering in the shadows and in the light, calculations are needed. There are evening action scenes too. Conan slides beneath a truck, comes into the shadow, and comes out into a bright spot... We use light and shadow as concepts in the whole of this movie. Conan is light and Amuro is shadow. So light hits Conan and Amuro has shadows on him. There are lot of scenes like that."
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| − | | |
| − | Q: "Please tell us about Conan and Amuro, who clash in the film."<br>
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| − | A: "Conan is always straight to the point, and is moved by the feeling that there shouldn't be sacrifices for the sake of justice. From the point of view of Amuro, who's going to do anything to protect Japan, Conan might seem immature in his opinion. But from a point of view of the movie, Conan wants to make justice prevail without ever having to sacrifice anyone to achieve it.
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| − | | |
| − | Amuro, though, has some inconsistencies within him. We focus on the darkest portions that he has. But if we bring out too much of it, the feeling of "Detective Conan" will be lost, so that made it hard on how to depict him.Since there are many portions of him that we still don't know. What kind of past he had, what kind of family was it, what kind of life he lived... There also moments in which you dunno what he's thinking of."
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| − | | |
| − | Caption:"Amuro enters in the Poirot, wrapped in shadows, while Conan is illuminated by the sunset which feels like it's burning. The concept of light and shadows can be felt here, too. (Movie 22)"
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| − | | |
| − | Q: "Please tell us about the charm of Amuro's triple face and how you depict each one."<br>
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| − | A: "I personally like his position of undercover investigator, hence why I like Furuya's face a lot. As for the depictions, Furuya has a rather serious face. Amuro, who works in the Poirot, is cute in a cool way, or more like we had him have a peaceful expression. During the movie's car action, you can see his rare expressions. We wanted to show a facet of being a dangerous man, appearing at the last minute (laughs). Thought that it was important to show that even the cool Amuro might show such a face by accident."
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| − | | |
| − | Q:"Please tell us about Kazami Yuuya from the Public Safety Police. Amuro's right-hand man."<br>
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| − | A: "Kazami is a rather key character. He asks Conan who he is, and Conan replies "Edogawa Conan. A detective." to him (laughs). Amuro sometimes feels shrouded in mysteries and like he's a superman. So I thought that, as a counter, I wanted to make Kazami more human-like, so that's how we depicted him.
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| − | | |
| − | He makes mistakes, and gets scolded by Amuro. He feels like the type to beat up his mattress at home when he fails a job and might yell "shit!" (laughs). Kazami does his best at the job, yet Amuro treats that very lightly. Kazami might constrict his arms... And feel mortified at that (laughs). These two are interesting. Also is the fact that Kazami is older."
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| − | | |
| − | Q: "What about Kuroda Hyoue?"<br>
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| − | A: "I did think of asking Aoyama-sensei through-and-through about this, but... But I thought it'd be better for me not to know too much. I only asked him about aspects I was curious about (laughs). He's a character with dreadfulness so we were careful not to treat him too lightly. "
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| − | | |
| − | Q: "What do you think are the best spots of the film?"<br>
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| − | A: "The complicated settings of the characters. I wanted to draw a human drama. They all have the same intention, yet, depending on how they do it the gears might crumble... On the other hand, Conan wants to make the justice inside of him prevail. The way the hearts of the characters move, how the differences between them feel like... I'd like of you to check that out. Of course, we also made good action scenes, so I think you'll be very excited at it!"
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| − | | |
| − | Q: "Please give us a message to the readers to wrap up."<br>
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| − | A: "In this movie, the expressions of the characters and the display of their true natures... We put a lot of attention to those during making. We've also drawn everyday situations in a courteous way so that children can enjoy it as well. First you follow the case, then you follow the characters... We'd like of you to enjoy it many times with a different way of seeing things on each time.
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| − | | |
| − | And, in the end, the feeling of justice each character has as well as the dark parts that Amuro himself has, echo and give out a good feeling. Our intention was to show the movie's thematic in the last cut before the end roll so we'd be glad if you can feel from that scene what we wanted to depict."
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| − | | |
| − | (WIP)<br>
| |
| − | '''Sakurai Takeharu Interview'''<br>
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| − | Scriptwriter for the movie "Zero the enforcer"
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| − | | |
| − | Profile:<br>
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| − | Scriptwriter. He also works with the alias "Iida Takeshi". TV series "Aibou", "Yamegoku: Yakuza Yamete Itadakimasu", "The forensic woman". Films "ATARU The Movie", "Aibou Series X Day", and others. Has written scripts for movies 17, 19 and 20 of "Detective Conan" as well as scripts for the TV series episodes 813 and 898.
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| − | | |
| − | Q: "How did you feel like when it was decided that Amuro would be the key man of this film?"<br>
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| − | A: "It's only been 2 years since "The darkest nightmare" so I did go "huh?" at the news (laughs). It might've been better if it'd been made before the feeling of having written Amuro had vanished from me. I wrote his face as Bourbon in "The darkest nightmare", but due to the topic in this movie I specialized in Furuya, his face as PS (public safety)."
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| − | | |
| − | Q: "Is there anything you particularly focused on during the writing of this installment?"<br>
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| − | A: "The differences with the PS (Public Safety) depicted in live action. In live action, the PS often is the opposite of the situation shown to the spectators, and the psychology of what the characters in the episodes think of. Despite saying some is guilty, they might be innocent within their hearts. The actual Public Safety Police Officers, no matter what they do, they are always psychologically "right"... I avoided complicated depictions like these in this movie's script. It's already a story involving a judiciary process , the setting is already complex, it would be asking too much calories from the spectators."
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| − | | |
| − | Q: "How about the developments in the Conan VS Amuro clash?"<br>
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| − | A: "It was decided to depict Furuya from the PSP so I did think that he and Conan would clash. Actually, the "justice" that Conan has on him is also carried by Amuro, and the one that Amuro has is also being carried by Conan. They only differ in how they express it. I don't think neither is above the other one. If you think of it as each one taking action upon the info given to each of them, they take action in a very natural manner. I wrote it thinking that it would be good for Amuro to seem "bad". But he doesn't actually give much of such an impression. If you listen to his conversation with Kazami, you don't think of him as someone evil. He also takes action based on his beliefs.The only issue is the means employed. They are illegal and ruthless, so it's whether you can approve of them or not. I did think that Furuya, as a PSP officer, would normally do things way harsher than this...
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| − | | |
| − | The first draft of the story was a harder type of story. And Director Tachikawa pushed it back into a softer and kinder direction. He also likes hard stories, and he's good at staging them. But since it was the first time he was in charge of directing a Conan film, he said he wanted it to be something entertaining and dream-like. He had it very clear about what he wanted to do in the first Conan work he was in charge of.
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| − | | |
| − | Q: "Are there portions suggested by Aoyama-sensei?"<br>
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| − | A: "The conversation between Amuro and Azusa, and Amuro answering Conan's question... Those scenes were added, and they were impressive. The latter made me think "what are they talking about now of all times", it sure did (laughs). But if you add those lines in a tense situation, then I think they make the film more lovable. If it was about Shinichi and Ran, I would have my own interpretation of things, but it's harder when it comes to Amuro. So I left the suggested portions in the hands of [Aoyama] sensei."
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| − | | |
| − | Q: "Please tell us about Kazami Yuuya who debuted in "The darkest nightmare"."<br>
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| − | A: "When "The darkest nightmare", we needed a person that could publicly act as member of the PS. So we made the Kazami Yuuya character. Amuro works on his own, so it was hard to see the situation of the police divisions from his viewpoint. And Kazami in this movie is the "right-handed man" of Amuro, who belongs to the "Zero" organization..."
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| − | | |
| − | Caption:"Kazami, one of the very few that contact "Zero". Sakurai-san and Aoyama-sensei consulted each other, and they decided he'd be older than Amuro, 30 years old. (Movie 22)"
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| − | | |
| − | A (continued from above question): "That's how he's depicted. The "right hand man" is thing that exists, I was told about it from an ex-PS person who I used as reference. Since officers currently on duty in the PS wouldn't tell us anything. This man, who can contact "Zero", is apparently chosen through someone's selection. It'd seem their skillfulness and personality are checked out so I guess that Kazami was evaluated to have the right kind of personality.
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| − | | |
| − | Since he became that role, on paper it says he's an officer in the training and is sent to the National Police Agency once, so he should have a period of enrollment in the NPA as well. There he makes his connection with the "Zero" organization. And the final decision of directing him towards Amuro is carried out by the "backstage administrator". Kazami can't tell his colleagues about him being in contact with "Zero". The only one who knows about the "right hand man" of each investigator and the collaborators is the "backstage administrator".
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| − | | |
| − | Q: "What do you think are the best spots and points to focus upon of this movie?"<br>
| |
| − | A: "The relations between characters are also one of those "best spots". That's the usual citation. The "collaborators" of the PS aren't simple informers. They're like climbing partners connecting their lives to each other through a life rope, as if they were mountain-climbing. They have their field of work's "justice" and life beyond logic. They share those with each other. Regardless of being "good" or bad", I think they are some of the best spots.
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| − | | |
| − | Also, it's about the guest characters, but, they all have fond memories... But if I talk about this, you'll realize the truth of the case so it's hard to converse about this topic... (laughs). "
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| − | | |
| − | Caption: "The recipe of the ham sandwiches that Amuro exposed and became a topic, was a suggestion by Sakurai-san. Also, the PSP is called "ham" in jargon. (Episode 813)"
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| − | | |
| − | Q: "Did you have in mind depicting each's of Amuro's triple faces separately?"<br>
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| − | A: "He has the same feeling of justice at all times, whether he's being Furuya or he's being Bourbon. So I took into mind that they are the same at the bottom of their hearts, when writing them. Even if he gets a gun pointed at him during his covert investigation and is about to be exposed as a NOC, or even if he's working part-time at the Poirot. At the bottom of his heart he's the same Furuya Rei. It's not like he's working at the Poirot to relax, I think he does that to assimilate with society.
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| − | | |
| − | But his aspect of mingling with society as "a man about to turn 30, working part-time in a café while learning to be a detective" is something that I do think that it's not very reasonable (laughs). If there's someone with some age to them who work part-time at a café while learning how to be a detective, I would feel anxious.
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| − | | |
| − | However, he's good at acting, has a wide capacity, and his information processing ability must be very high as well. Don't they ask him "Amuro-san, what are you doing at your age?"...? There must be something on him that doesn't make you think about that (laughs).
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| − | | |
| − | If you asked about which of his faces is most charming, then I'd say all of them are. The vectors of charm are different, each of them are precious and cool. But, well, I haven't written much of his "Bourbon" face so if I get to write about him on the future I guess I'd write about Bourbon. He has a belief of justice yet carries out evil... Normally, one would puncture at that. But Amuro can do it. I think that that's why he was promoted to working the "Zero" organization.
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| − | | |
| − | Q: "Please tell us about episodes of the TV series you wrote the script of."<br>
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| − | A: "I was ordered that, in the spin-offs linking to the movies, no-one could die. If it had to be a mystery in the café where no-one died, it would have to be a story about food or drinks. The reason I used ham sandwiches in Episode 813 "The shadow creeping on Amuro", was due to the perception of "He's public safety (公安 / kouan) so cheap (安い / yasui) ham (ハム) (combined make 公 (kou)) will do" (laughs).
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| − | | |
| − | That recipe was something I had on mind, and, of course I've sometimes made those sandwiches. But I was told that eventually they would be served at cafés... If I had known that, then I wouldn't have used a steamer to make them (laughs). That way of making them is hard, actually.
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| − | | |
| − | And episode 898, the spin-off of "Zero the enforcer", titled "The cake melted", had me taking that aspect into account. Apart from cakes, I made stews with a good-looking pink color. Nowadays they call those "being instagrammable" (laughs). If you take lycopene at the morning, it's good for the body so I use tomatoes, and added milk so that they would match the set drinks of coffee or black tea."
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| − | | |
| − | Q: "Please give us a message to the readers to wrap up."<br>
| |
| − | A: "I think that, in the 1st time viewing, you will empathize with Conan, the protagonist, and see things from his PoV, but... If you switch your PoV to Amuro in your 2nd viewing, you become the culprit in the 3rd viewing. There's actually a 4th PoV, but... If I give out details about it you'll figure out the culprit (laughs). Anyway, I think that it'd be good if you can enjoy it at least for 4 times."
| |
| − | </spoiler>
| |
| − | | |
| − | ===Special Conan Movie Staff interview===
| |
| − | '''Date:''' May 23, 2018<br>
| |
| − | '''Published in:''' Shonen Sunday Super
| |
| − | <spoiler>
| |
| − | <div class="toccolours mw-collapsible mw-collapsed" style="overflow:auto;">
| |
| − | '''Raw:'''
| |
| − | <div class="mw-collapsible-content">
| |
| − | Note: Only 2 out of more pages.
| |
| − | <gallery widths=95px>
| |
| − | File:Special_Conan_Movie_Staff_Interview_1.jpg
| |
| − | File:Special_Conan_Movie_Staff_Interview_2.jpg
| |
| − | </gallery>
| |
| − | </div>
| |
| − | </div>
| |
| − | </spoiler>
| |
| − | | |
| − | ===Da Vinci Magazine 2018 interview===
| |
| − | '''Date:''' December 6, 2018<br>
| |
| − | '''Published in:''' Da Vinci Magazine, January 2019 issue
| |
| − | <spoiler>
| |
| − | <div class="toccolours mw-collapsible mw-collapsed" style="overflow:auto;">
| |
| − | '''Raw:'''
| |
| − | <div class="mw-collapsible-content">
| |
| − | <gallery widths=95px>
| |
| − | File:Da_Vinci_2018_Interview_1.jpg
| |
| − | <!-- images 2-4 invisible due to better images -->
| |
| − | <!-- File:Da_Vinci_2018_Interview_2.jpg -->
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| − | <!-- File:Da_Vinci_2018_Interview_3.jpg -->
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| − | <!-- File:Da_Vinci_2018_Interview_4.jpg -->
| |
| − | File:Da_Vinci_2018_Interview_5.jpg
| |
| − | File:Da_Vinci_2018_Interview_6.jpg
| |
| − | </gallery>
| |
| − | </div>
| |
| − | </div>
| |
| − | '''Translation information by:''' Mycroft<br>
| |
| − | 1-Gosho confirms that Carasuma is the boss<br>
| |
| − | 2-the end of Haibara gonna surprise everyone<br>
| |
| − | 3-look forward to Vol 96<br>
| |
| − | More details:<br>
| |
| − | -about Vol 96:<br>
| |
| − | Gosho : i drew a sad story in Vol 96 (file 1015-1017) and disappointment of Heiji (file 1018-1021) and please look forward to more tricks and the relation between characters (file 1022-1026)<br>
| |
| − | -about Reneya:<br>
| |
| − | Gosho hinted that revealing of Carasuma being the boss at that time was planned carefully<br>
| |
| − | -about Haibara:<br>
| |
| − | Gosho: everyone is wondering how things gonna develop with Haibara and How gonna be her end ?....i guess her end gonna surprise everyone.... because she is .... Aaaaah i can't say that (laugh)<br>
| |
| − | </spoiler>
| |
| − | | |
| − | <br>
| |
| | | | |
| | == 2019 == | | == 2019 == |
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