Interviews/2021
This page lists interviews in 2021.
Contents
- 1 ZIP Interview
- 2 Da Vinci Magazine 2021 Interview
- 3 Cinema Guide 2021 Interview
- 4 Movie 24 Production Staff Interview Collection
- 5 Shuichi, Masumi, Shukichi, and Mary Secret Archieves Interview
- 6 Kappei Yamaguchi Volume 100 Interview
- 7 Wakana Yamazaki Volume 100 Interview
- 8 Megumi Hayashibara Volume 100 Interview
- 9 Minami Takayama Volume 100 Interview
- 10 [世界はまんがで出来ている]Tokyo FM Volume 100 Special Interview - Featuring Detective Conan's Editor-In Charge, Gosho Aoyama, Takahiro Arai, and Mayuko Kanba
- 11 References
ZIP Interview
Date: Aired on March 25, 2021
Source: Video
Translation Information by: Wsstalkback
- He's a big fan of Chihayafuru.
- 60-70% of fans are women.
- He thinks of culprit schemes as needed and has 0 on hand.
- He reads a lot of shojo manga for the romcom elements in Conan.
- Conan was started by him and the editors of WSS at the time as a "response" to Kindiachi
- In reference the point above, he and his editors think of the schemes and test them out themselves.
- He often has rom com dramas playing while working and will take good lines from them.
Da Vinci Magazine 2021 Interview
Date: April 6, 2021
Published in: Da Vinci Magazine, May 2021 issue
Raw:
Translation Information by: NightBaron, Mera, Manaphy, Kemo
1.) The interviewer says “ Rum’s identity is revealed “ right?
Gosho said this : the fact that Rum appeared in a scene I drew in the past is revealed too, using the “mo” も particle for addition.
(Wakita indeed is our RUM.)
2.) The person who’s related to the WPS gang will appear in the near future.
3.) He wants to reveal the mystery around Rumi step by step.
4.) He wants to draw a case about Amuro vs Kaito Kid.
5.) He doesn't consider WPS a spinoff but rather an independent work of his own.
6.) He thought of the Camel flashback back when he drew it and decided that the person in it would be a member that ranks higher than Gin but didn't decide the codename RUM back then.
Full Interview Translation by Holmes.
April 6th, 2020. The day before the state of emergency was declared to prevent the spread of the new coronavirus, we interviewed Mr. Aoyama. It’s been almost a year since then; with the second emergency declaration in place, we interviewed him once again, ahead of the release of the postponed movie, “Detective Conan: The Scarlet Bullet”. We asked him about how he felt about all this.
“I want things to return to ‘normal’ soon. Even if stuff like the way the world works and various other things don’t return to the way they were before, I hope that everyday life will soon return to a place where everyone can go and see the Conan movie without worry”, said Aoyama in last year’s interview. One year has passed since then. Although the situation is still highly unpredictable, it has been decided that the postponed movie, “Detective Conan: The Scarlet Bullet” will be released on April 16th.
“Honestly, Chukichi was even cooler than I expected. In the Akai family show-off scenes, he’s the only one that was written in the script from the beginning, and it’s not a scene I drew. He’s so cool, I’m a bit jealous. I think he’s the most gorgeous character in the climax scene”, says Aoyama in a voice that is full of excitement. How have you been spending the past year?
“Surprisingly, nothing much has changed (laughs). I said last year that I might not be able to draw scenes of get-togethers and parties in the future because the idea of people getting together would be a mere fantasy, but I’ve drawn secret gatherings at matchmaking shrines.
I think it’s because I have hope and expectation that even if we can’t do it now, such days will come back. I hesitated because I didn’t want to spoil the story’s reality, but everyone’s reality is probably one where people can still hang out together. So I decided not to worry about it anymore. I’m not really planning to bring in remote meetings or anything else that wasn’t popular before, since it’s still kind of a symbol of the crisis caused by coronavirus; I’d like to make sure that people don’t have to be reminded of all that while they’re reading Conan”.
The coronavirus crisis also brings many inconveniences when it comes to mystery writing, he says.
“You know, everyone is wearing a mask (laughs). You can hide your face right from the start, so any eyewitness testimony is useless. I’m quite worried about the increase in crimes that take advantage of this, even in real life. Also, as a comic artist, it’s simply inconvenient! I have a couple of assistants who work remotely, but it’s way more difficult and time-consuming to understand each other than in face-to-face communication. Even for those who commute [through my studio], sleeping in the same room is forbidden and we have to eat separately. I know it’s unavoidable, but it’s quite lonesome. That’s why personally when I’m drawing manga I want to forget about Covid, and maybe on the contrary it was right because I kept drawing that I was able to face forward”.
Rum’s real identity was finally revealed! The clash between the FBI and the Black Organization also gets more tense!
Indeed, as a matter of fact, in order to drown out the anxieties and depressions of reality, recently “Detective Conan” has been making some turbulent progress.
In a new case, which began in the 45th issue of Weekly Shonen Sunday - released in October 2020 - FBI agents are killed in succession by the Black Organization. In the last chapter, the identity of Rum, who is considered to be the No. 2 of the organization, was finally revealed.
“Last year I told myself I had to show Rum soon. It’s revealed that Rum had actually appeared in a scene I drew in the past, but that’s something I’ve been thinking about since then. I always say that most of the things I do are afterthoughts [made up after stuff already happened], but there are a lot of things that I arrange intentionally (laughs). Well, at the time I hadn’t decided on the name Rum, and I even only told my assistants, ‘this guy is a member of the Black Organization that’s even higher-ranking than Gin’.”
A character who appears casually turning out to actually be a very important person, and impressions getting overturned... It’s one of Aoyama’s fortes, but clearly no one had noticed this one. By the way, Camel plays a very active role in this case, but at first he was one of those fishy characters who you can’t tell if they’re an ally or an enemy.
“When he first appeared, I told my assistants he was actually a good guy and they were very surprised. He has a sinister look and seems shady, but he’s actually a subordinate of Akai’s who is more loyal to him than anyone else. In the FBI Agents Serial Murder Case, the highlight for me was the way he strived to get information and didn’t run away until the last moment, even when his life was in extreme danger. As an agent, he has the ability to just accept the worst, and I also like the scene in Volume 58 where he calls Akai and says ‘I-I succeeded...’. It’s the first scene where the reader realizes that maybe he’s actually a good guy, and I put in a lot of foreshadowing for the sake of that surprise”.
Most of the readers must have been fooled. What Aoyama does so well is to make us think that a character is actually on our side since he is blatantly feigning betrayal, and yet there are many cases where the character in question is truly an enemy. You can’t just read what’s up next by following precedent.
“Well, yeah, that’s how it is... (laughs) Oh, there is one more scene with Camel that I like: the one in Volume 85, when he meets again Akai, who is actually alive, and he mutters ‘Akai-shan...’. The scene is also in ‘The Scarlet Alibi’, which was released before ‘The Scarlet Bullet’, and it made me laugh. It’s very nice, isn’t it? That is a compilation of the TV anime that takes a close look at the Akai family, but it’s so well compiled that I thought to myself, ‘that’s really cool’.”
Now the youthful years that continue to support Amuro are out of reach...!
Serialized between the FBI Agents Serial Murder Case was the spin-off “Detective Conan: Wild Police Story”, published in two volumes. Kenji Hagiwara was killed in a bombing; detective Sato’s love interest, Jinpei Matsuda, was killed while avenging his [Hagiwara’s] death; detective Takagi’s mentor, Wataru Date, has died in an accident; Hiromitsu Morofushi lost his life while infiltrating the Black Organization and became the cause of Amuro’s hatred for Akai; and finally, there’s Tooru Amuro, aka Rei Furuya...! It’s a coming-of-age story of the five, who were classmates at the police academy, and Aoyama is the ‘original author’...
“As you can see from the storyboards included in the volumes, I wrote most of the story. In other words, it was just as though I serialized two works at the same time, so it was very tough. So maybe I could have done the whole thing up to the finishing touches, but the planning happened just after I was hospitalised and I was quite weak. Yet I still wanted to do it. It was during ‘The Darkest Nightmare’ that I came up with the idea that Matsuda and Amuro were classmates; I had already drawn the scene where Amuro visits Date’s grave in Volume 77, though. About Hiromitsu, when I was designing Scotch, I thought ‘this guy looks like Takaaki (a police inspector in the Nagano prefecture), why don’t I make him his brother’, and that’s how I decided, I guess.
I thought readers would enjoy a coming-of-age story where they were actually close classmates and shared the same dream of becoming police officers, and I wanted to show that Amuro was the only one who survived, as a result. He is a skilled guy who is nip and tuck with Akai, but it wouldn’t be interesting if he was a complete superhero from the start, right? So it’d be as in, ‘those days I spent with the four of them are the reason I am where I am today’... cool, isn’t it?”.
It’s definitely very cool. At the end [of the spin-off], when they have recklessly solved the case together, and the scene in the not-too-distant future that symbolises the four of them who part ways, plus the other person [Amuro] will... move you to tears.
“I’ve done a lot of calculations about that (laughs), so if you cry, I’d be very happy”.
There’s something a little off the beaten track that touches the readers’ hearts.
The slightest misunderstanding or miscommunication leading to hatred and sometimes to irreparable tragedies... yet following the path one believes in, while carrying the sorrow on one’s back... At the roots of “Wild Police Story” are themes that have been portrayed in “Detective Conan” for a long time.
“Thank you. Well, that’s how it is... And I want to depict all that in a way that’s a little bit different from the straightforward way. I think it’s a way of hiding embarrassment in an otherwise straightforward story. In the movie ‘Titanic’, when Rose is about to throw herself off the deck, Jack tosses his cigarette into the sea to show her how deep it is... right? And then he says, ‘You’re not going to jump, are you’. I like the way he doesn’t just stop her by force, it feels really cool, I love it.
As for the Japanese [characters that inspire me], it’s Yusaku Matsuda in ‘Oretachi No Kunsho’, Hiroshi Tachi and Kyohei Shibata in ‘Abunai Deka’, Masao Kusakari and Tatsuya Fuji in ‘Pro Hunter’... I use their stylishness as a reference when I draw manga”.
It’s true that Shuichi Akai and the others are kind of the epitomes of chic.
“He’s not attached to anything, so he can change direction as soon as he needs to. It’s cool how he transcends everything. Shukichi is also really cool when he sees through a plot, but even cooler than that is Yumi. Shukichi owes everything to her. In Volume 89, she easily tears up the marriage certificate that he was so eager to get, and then she shouts ‘You’d better make sure you never lose again! You bald-headed mouse, you!’, which is a line I like. Oda Nobunaga called Toyotomi Hideyoshi [“Hideyoshi” shares “Shukichi”’s kanji] not a monkey, but a bald rat. In Nobunaga’s letter to Nene, he also calls him that (laughs). That’s why Yumi is Nene, not Chacha”.
Shukichi and Yumi also appear in the movie. What are the highlights, in your opinion, Aoyama?
“There are many highlights of the Akai family besides Shukichi, so that’s what I’d like you all to see. Also, other than that... well, I’d like to spoil you some more, but I’m going to stop right there. After all, you also want to know but at the same time you kinda don’t want to, right?”.
That’s right... So, with the latest Volume 99 coming out on April 14, and Volume 100 just around the corner, could you give us a glimpse of what’s to come, by any chance?
“Well, let me see... the manuscript I’m working on right now is an episode [of the manga] that features Haibara at the center of it all, after a long time, so I’m sure the fans will be very happy. I’m also planning to draw soon the appearance of people / a person linked to the police academy group, and Amuro VS Kaito Kid, I guess... Oh! I’ve said too much (laughs). I think I will reveal Wakasa’s mysteries little by little, so please be patient.
But first of all, there is ‘The Scarlet Bullet’, which you’ve been waiting an extra year for! Watch it at the cinema without making any noise, without talking, without eating or drinking with anyone, I’m sure it’ll all be fine. If you want to scream, you can do so when you get home (laughs).
I was so surprised by Minami Hamabe’s voice because she was so good that I thought she was a professional voice actress or something, so, I’m sure people will be able to enjoy themselves to their hearts’ content”.
Cinema Guide 2021 Interview
Date: April 14, 2021
Source: Raw
Print Scans Raw
Raw:
Movie 24 Production Staff Interview Collection
Date: April 22, 2021
Published in: https://www.kitkat-nelfei.com/2021/04/detective-conan-movie-scarlet-bullet.html
Interview of Setting Production, Mirei Suzuki
"I went for location hunting to Nagoya where this story is set. Director Nagaoka discussed with staff from Nagoya before deciding the locations based on the final scenario.
First, the symbols of Nagoya City, Nagoya TV Tower, and Oasis 21 which also appeared in the end of the previous work [The Fist of Blue Sapphire]. The night view here is very beautiful, but I couldn't go up on that day, so I only watched the lights from below. Be careful as it's very slippery on rainy days!
Next, an Instagrammable monument near Nagoya Castle. Everyone was drawn to the reds in it so I took a commemorative photo here. And Nagoya Port, one of the largest trading ports in Japan. It's a port that spans across five municipalities and has many leisure facilities.
We, the location team, also boarded a yacht and traveled around the port. I think people already know that Shukichi Haneda who appears this time is based on Hideyoshi Toyotomi. Nagoya is very closely linked to Hideyoshi Toyotomi and at the annual Nagoya Festival, a parade is held to honor the three heroes, Nobunaga Oda, Hideyoshi Toyotomi and Ieyasu Tokugawa.
In Nakamura Ward, Nagoya City, the birthplace of Hideyoshi Toyotomi, there is a street named Taiko-dori. There is also an exit named Taiko-dori Exit at Nagoya Station. Hideyoshi Toyotomi's name is closely linked here.
While feeling this connection, I continued with my location hunting and tasted some delicious Nagoya foods. This place is amazing, so I would be happy if fans will make a trip to Nagoya after the movie release! I hope you can look forward to how Nagoya will appear in this work."
Interview of Movie Director, Chika Nagaoka
Question 1: This is your 2nd time in charge of directing a Detective Conan movie, after the "The Fist of Blue Sapphire" in 2019, is there any changes in your environment and feelings? And, how did you approach with this movies?
"There is no particular change in the environment. In production, I have seniors who have been working with me for many years who I respect, and many friends, who know my good and bad points, so it's a very reassuring environment for me. And, because of the trust I have for them, I depend on them in various areas.
As for my feelings, when I started the actual production, I face various obstacles and there are times when I feel troubled. When that happens, instead of worrying alone, I tried to consult others and get advice. Surprisingly, many ideas leading to breakthrough surfaced during those conversations. Well, it was probably worst for those who have been dealing with me though. (laughs).
As for my approach, there are characters who are introduced for the first time in the movie. So, I tried to figure out their relationship with Conan's main characters in the original before starting on the production.
The Akai family has many mysterious parts not mentioned even in the original, so I had the production team organize and made a character relationship chart for me."
Question 2: Can you tell us what do you think after reading the script?
"Ever since my scenario meeting with Mr. Sakurai, the Script Writer, I was impressed with his wide knowledge in various fields, regardless of genre like chemistry, bullet trains, shogi. I feel I must be more aware of more information in various areas from now on.
The content of the script drives home the theme very clearly. I tried to translate Mr. Sakurai's thoughts into the movie and I hope we are able to communicate that to our audience who watch the movie.
Question 3: This work focuses on Akai Family, and there are many original movie characters, is there any particular character you want us to take note of? And, what is the reasons?
"It would be Mary. I think the mother has a strong character. Shuichi Akai, Shukichi Haneda, Masumi Sera...everyone has different personalities and strong characters. However, each of them has a strong core that I feel is the gift inherited from Mary's teachings.
Question 4: Vacuum superconducting maglev, sports festival, FBI, Akai Family, etc. In the movie, there are many interesting things, but what part do you find the most interesting? Also, which part do you look forward to the most when directing?
"What I found the most interesting was the difference between Conan's and the FBI's sense of justice. I wanted to express this different in thinking properly. The most fun part for me was the vacuum superconducting maglev. Especially, I hope the audience can check how we show the speed of 1,000 km/h in the theaters.
Question 5: Please tell us the highlights of the movie for you. Finally, do you have any message to audience?
"I hope the audience can look forward to how the vacuum superconducting maglev in the movie connects to the Akai Family, FBI, Conan and the others, and how the story develops. Also, I think rather than knowing nothing about the main characters' relationship with Akai Family, it's better just to know a little to get into this movie.
Since the main story of this movie is about Akai Family with the color of Red in their surname, various Red colors will appear in the movie, so please try to spot them!
Interview of Screenplay, Takeharu Sakurai
Question 1: Mr. Sakurai, this will be your 5th time in charge of the script for a Detective Conan movie. When writing for the first Detective Conan's Private Eyes' Requiem (2013) and this movie, has there been any change in your feeling or approach to Conan?
"Whenever I write a script for Detective Conan movies, I would decide the Regular character who would be guest characters and the theme with the producer. Then I would write the story while getting Aoyoma-sensei and the Director to fix it. I would also add the parts desired by Aoyama-sensei. There is no change in this flow, but on Private Eyes' Requiem, I recklessly took on the challenge without knowing the difficulties. Now, with my knowledge of the difficulties, it feels more like a test of my abilities. In other words, it changed from "Challenge" to "Trial". I think this is a change that will jappen if you continue with any work."
Question 2: You wrote both popular characters, Toru Amuro into the previous movie and Suichi Akai in this one. Do you have any particular feelings when comparing these two characters? Also, was there anything you put extra care of when writing Shuichi Akai in this work? Or anything you enjoyed?
"I think the similarity between Amuro and Akai is there "Loneliness". Amuro has a loneliness that stems from having no home to return to and Akai has a loneliness that stems from not being able to retun home.
Amuro's loneliness with something to depend on as opposed to Akai's loneliness that rejects dependency. Amuora has the strength to embrace the loneliness alone and Akai has the strength to accompany a lonely person.
I feel that when I write these two characters.
When I write Shuichi Akai, I take note of Subaru Okiya. Although those two are basically the same person, they have different personalities. However, there are times when despite being Okiya, his personality is almost all Akai.
It was difficult to adjust that what percentage of Akai is Okiya in each scene with Aoyama-sensei and the production team. However, Akai is much more difficult.
Conan, Haibara, Sera, Mary, Shukichi, James, Jody, and Camel, everyone has different perception about Akai. The information that Akai gave or hid from each of them are all different.
I had to check with Aoyama-sensia and the production team to find out what is allowed in which scene. We have to proceed like a puzzle. There are some things the characters already know about, but the readers do not yet.
And things that will be revealed by the time the movie is released. It is as if you are playing with a puzzle with astronomical number of pieces. It was both painful and fun at the same time.
Question 3: This movie focuses on Akai Family, and there are many original movie characters, is there any particular character to take note of? And, what is the reason?
"The whole Akai Family are important characters here. If I have to mention one, then it is Mary. The more I hear from Aoyama-sensei about her, the burden she bears is out of this world. If you take a closer look at the movie, you will find new information about her."
Question 4: What do you look forward to when your script is visualized?
"It's fun and scary to read the dubbing script. The dubbing script is a script written by someone based on my screenplay. Thus, in this media, things like "Did the lines I wrote become such as line?" "Did the scene that I wrote become like this?", will impact me the first.
My second impact will come at the preview. Dubbing script is a process that won't be found in live-action dramas and movies, I was surprised when though I wrote this script with almost the same number of pages as last time, but this dubbing script has almost double the number of pages than the last!"
Question 5: Please tell us the highlights of this movie for you. Finally, do you have any message to the audience?
"I think there are many highlights in the events, characters and action scenes in the movie. As a screenwriter, I would be happy if you could understand the theme a little more. I think there have been many dramas with "past sins" creating "present sins".
However, there is also "past justice" that can create "present sins" as well. What will people do in that situation? It would be good to show Conan's and Akai's "harmony" and "difference". I wrote with this in mind.
Interview of Image Board, loundraw
Question 1: It will be the third time to be in charge of image boards for Detective Conan Movies, so they are pretty much defined. What do you think is your position this time?
"It's strange, there are moments when I still don't believe that I'm involved in Conan. It's a well-known manga that I've been reading since I was a child. The fact that I'm in charge of creating images for this on the big screen is so overwhelming that I feel that it's not even real.
However, I feel that the response to the role given to me steadily increases as I work more on it. I love the characters, but I pack my own ideas without breaking the world's view of this work.
If my images are useful to the staff, then there is nothing more fulfilling to me. Drawing image boards for Detective Conan Movies is like the facing my childhood. I try to draw with fresh eyes with a feeling of nostalgia while making sure to do work I can be proud of."
Question 2: What kind of image you envisioned from the screenplay for the image boards?
"I was reading the screenplay while talking with Director Nagaoka and the production team, and I decided to have stylish look this time. Looking at previous movie series as a whole, the scale of the event in this movie is one of the largest and the suspense and action that comes with it are also very thrilling.
I consciously added a strong contrast in the light and scene construction in order to bring out the roller-coaster-like dramatic twists and turns.
It will also link nicely to the Akai Family that appears in this work. Akai Family is shrouded in mystery and shadows. It is the shadows that bring out their appeal. Light and shadow, justice and evil, I painstakingly tried to convey the tension between both sides through my images.
Interview of Production Team, Full of Highlights From Each Section As Well
Question 1: In the production of this work, The Scarlet Bullet, can you tell us what did you struggle with, what you were particular about, and what was rewarding for you?
"This time, the stage is set between Tokyo and Nagoya. As a result, there are many buildings again just like the previous work. So, I was worried even before it started. It is always difficult with many buildings (laugh). Moreover, unlike Singapore, this time there are fictional places like linear train stations of Shibahama Station and Shin-Nagoya Station. It is very difficult yet interesting to make these fictional places seem real to blend in with real locations. The diector told me that Akai does not match a bright blue sky so I deliberately toned down the day-time sky for this work." said Kouki Fukushima, Art Director.
"Connecting with the title of "scarlet", there is always red color on someone in those four days. If I only stick to the character's image color, it will be too one-sided. So, I decided on this by considering the connection between the story and the character so that the clothes in the last scene look cool or cute." said Fusako Nakao, Color Design.
"The compositing section in an animation production combines all the image materials. it involves elevating the work by interpreting and composing the materials created by various creators such as drawing, background, CG, etc. However, similar to cooking, great ingredients do not always result in delicious food, so this can improve or destroy the final work. This is the pain and reward of our section. In The Scarlet Bullet, the themes are vacuum superconducting maglev, sports festival so we aimed to create images that conveys speed and dynamism." said Jin Nishiyama, Director of Photography.
"The story this time has the major elements related to the story prepared in 3DCG. THe work of creating and incorporating them in each cut is difficult, but it is rewarding to imagine how they are used and the audience reactions to them. In particular, the director placed a lot of emphasis on the vacuum superconducting maglev, and it was created with him proposing various ideas for the designs and textures. I would like to show everyone the vaccum superconducting maglev as soon as possible!" said Hiroki Matsukura, the CG Director.
"In this work, there are various vehicles such as vacuum superconducting maglev, bullet train, automobiles, motorcycles, etc. 3DCG is used in many vehicles and we tried to express various colors and textures according to the situation. Aslo, because vehicles need to interact with characters and the background, we tested them to make sure their look are integrated properly. In some cases, we had to replace the full scene with 3DCG. Creating images that matches Director Nagaoka's vision and requests is both a challenge and rewarding." said Hiromitsu Koiwa, the CG Director.
Question 2: What is the highlight of this work?
"I think it will be hard to notice, but we made many detailed touches so I hope you can enjoy the world of Conan." said Kouki Fukushima, Art Director.
"Other than the Akai Family, I think you can understand the relationship and thoughts of each characters. I try to adjust the colours so that the characters look good in the scene, I hope you enjoy it while paying attention to such details." said Fusako Nakao, Color Design.
"An animation movie is an art form born from a collaboration with many cast and staff, so the attention to detail from every section is condensed. The detailed attention of each section is concentrated. Other than enjoying the actions of Conan and the Akai Family, I hope you can also enjoy the atmosphere, speed and thrill created by our efforts, which might not be obvious at first glance." said Jin Nishiyama, Director of Photography.
"If I write too much, I will spoil the movie. So, I will express it with an image. The highlight of this movie is the tension in a closed environment like The Bullet Train Movie (1875) by Director Junya Sato and the interaction in the vacuum superconducting maglev. The 3DCG team prepared images that add tension as much as possible as the story develops with the characters trying to solve the case with their all." said Hiroki Matsukura, CG Director.
"I think the main highlight should be Conan drawing closer to the mystery and the Akai Family, and the key stage of the vacuum superconducting maglev and global sports festivel. I think the content of the movie as a whole has many highlights, such as bold action scenes. Also, 3DCG is used in unexpected places such as characters and background. So, if you pay attention to that area, you may be able to enjoy it from a different perspective." said Hiromitsu Koiwa, CG Director.
Shuichi, Masumi, Shukichi, and Mary Secret Archieves Interview
Date: May 18, 2021
Raw:
Gosho Aoyama:
Shuichi Ikeda:
Ryotaro Okiayu:
Noriko Hidaka:
Toshiyuki Morikawa:
Atsuko Tanaka:
Chika Nagaoka:
Takeharu Sakurai:
Kappei Yamaguchi Volume 100 Interview
Date: October 13, 2021
Published in: Weekly Shonen Sunday issue 46/2021
Raw:
Wakana Yamazaki Volume 100 Interview
Date: October 20, 2021
Published in: Weekly Shonen Sunday issue 47/2021
Raw:
Translated by Yuchi
Summary:
In commemoration of the release of Volume 100, the second interview is with the voice of Ran Mouri, Wakana Yamazaki.
Translation:
Although an endless stream of cases occurs around Ran, Ran is strong and is able to defend herself against any threats. But, to Ms.Yamazaki, the most important element is outside of these scenes. On the topic of a normal high-school girl living in the city of Beika.
Q: Please tell me about your Impressions of Gosho Aoyama
A: We're close in age, so he's like a big brother to me. He's very sharp, but conversations with him are very relaxed, so he it gives off a feel like a shogi grandmaster. One thing that left a particular impression on me was when there was Evian* on the Menu, and he asked "What kind of drink is this?" It was funny to me because he's so knowledgeable in so many topics, yet he's also kind of in a different world.
- Translators Note: Evian is a type of bottled water popular in Japan. Think of Fiji water or something along those lines.
Q: How do you feel about playing the role of Ran Mouri overall? Are there any parts that you feel you have in common with Ran?
A: Since I've been playing the role for so long, although I'm not the one writing the script, I've started feeling like I am naturally in the story. Ran isn't a member of the police, nor affiliated with the Black Organization, she's just a normal high school girl. Her father just happens to be a detective, and since she only gets dragged into cases because she's with Conan, I feel that it is important to keep a feeling that she's an ordinary person, and that it is important for her to have comforting mundane days where nothing happens. I haven't given much thought about if I am similar to Ran, but in I felt that in the preschool story (vol. 87, "Memories from Sakura Class"), where Ran cries a lot and she's protected by Sonoko, or she gives her place in line for the slide to other kids, I remembered that I was like that when I was a kid too.
Q: Have you felt any changes in Ran?
A: The story where we're in London (vol. 71, Holmes' Revelation) and the School Trip (vol. 95, The Scarlet Schooltrip) are where I felt, although slowly, Ran's relationship with Shinichi was changing.
Q: Does Yamazaki-san have any feelings like "Ah, Finally!"?
A: Hmm... it might actually be the opposite, where I'm now kinda embarrassed (laughs). Until now, we've said things we wanted to say to each other and had arguments, and that has been fun in its own right. Although they're dating, they're rarely together, and it feels like a long-distance relationship. Although it has been a long time since the manga began, I've heard that within the story not much time has passed, so I felt that Ran hasn't been kept waiting for that long.
Q: How do you feel about Shinichi/Conan hiding his identity in order to protect Ran?
A: Until now, there have been many times where Ran got close to finding out Conan's identity, but got deceived, so right now she doesn't seem to have any suspicions... I think the densest character is my (Ran's) dad (laughs). Personally, instead of Conan's identity, not knowing anything about the Black Organization, or although Ran talks to Amuro or Okiya, not knowing their identities feel more frustrating. This is because although she's already surrounded by danger, she doesn't realize it and stays unaware.
Q: Have you felt envious of the connection between Conan and Haibara?
A: Conan is Conan and Shinichi is Shinichi, so no. Ran's even said in a conversation with Sonoko that "I thought Conan liked Ai" (Vol. 83, Romance Novelist Murder Case), so I think at most, she watches with a smile as a big sister figure.
Q: From the point of Yamazaki-san, what does Ran like about Shinichi?
A: I think his clumsiness. When meeting Shinichi for the first time in preschool, Ran says she "hated" Shinichi, but his blunt nature was just a way to hide his embarrassment and he ended up helping her. Although she might not have had romantic feelings toward Shinichi when she was small, as a childhood friend she saw Shinichi, and in her heart, she thought "Although he tries to be cool, there's a dull part of him too. I know that about him." She realized her feelings in New York (Vol. 35, "Shinichi Kudo's New York Case") after Shinichi helped the serial killer, he said, "There's no logical reason necessary for someone to help another person out." I feel like that's where Ran realized she liked Shinichi in a romantic way.
Q: Is there something good about Shinichi, that only Ran can see?
A: Shinichi's earnest sense of justice, and how he tries to be strong are some points that I think Ran likes about Shinichi. I think it would be nice if there are more stories from the past. The story from kindergarten, to when Elementary school when Shinichi suddenly stopped calling Ran "Ran," and instead "Mouri," (Vol 55, Shinichi Kudo's childhood adventure"). Until then, I thought that Ran and Shinichi were childhood friends from infancy, but I realized her relationship with Sonoko was longer.
Q: Question from Yamazaki to Hayashibara (VA of Haibara), Takayama (VA of Conan): If you were to play the role of the criminal, what kind of criminal would you portray? Would you like to get caught?
A: When I am asked what role I would like to try in Conan, I always say the criminal (laughs). Portraying the emotional ups and downs until the crime is committed, and my state of mind after the trick is deduced seems interesting to me. I would like to be caught at the end and have everything come to light.
Q: Overall, what is Minami Takayama like?
A: Although there may be a lot of murder cases, since it's an anime that kids watch as well, she is very careful in picking her words in order to avoid hurting or making them scared. In order to avoid an explanation becoming too difficult, or a deduction becoming too complicated, she tries changing the way she explains it, and she is very good at seeing things like that and giving advice, and that impresses me a lot. The only person (voice actress) there every time is Minami, so she tries to take responsibility and I think she tried to create a sense of unity.
Q: What does Ran think in regard to Haibara?
A: Since Ai is an adult, she doesn't try to approach Ran like Ayumi or the rest of the detective boys. But in the case of the special express train (Vol. 78, Mystery Train), after Ai realizes that there may be the Black Organization aboard the train, Ai grabs Ran's shirt and hides behind her. I wondered "Oh, is she relying on me?" Maybe Ran just seemed like the strongest (laughs). But if that was Ai trusting Ran, I feel like that story is a lot deeper and left an impression.
Q: What episode do you like personally?
A: I like the story about Professor Agasa's first love (Vol. 40 "Ginkgo-Colored first love"). No sad cases happened, and the Detective Boys followed the professor and deduced where that person was and found them. On top of that, Ran met that person in the past... I loved that long-lasting overall warmth. That last scene where Agasa may be able to meet with that person in the future also left an impression in my heart.
Q: Do you have any messages for the fans?
A: Since we're at volume 100, the fans are probably more knowledgeable than I am, and I probably need to re-read, or else there may be things I forget (laughs). Since it doesn't seem to end anytime soon, I will continue enjoying Conan as a fan of the manga, and I am also excited to see how that will be translated into the Manga.
Megumi Hayashibara Volume 100 Interview
Date: October 25, 2021
Published in: Weekly Shonen Sunday S issue 12/2021
Raw:
Minami Takayama Volume 100 Interview
Date: October 27, 2021
Published in: Weekly Shonen Sunday issue 48/2021
Raw:
[世界はまんがで出来ている]Tokyo FM Volume 100 Special Interview - Featuring Detective Conan's Editor-In Charge, Gosho Aoyama, Takahiro Arai, and Mayuko Kanba
Date: October 23, 2021 and October 30, 2021
Source:
- - https://twitter.com/sekaihamangade
- - https://radiko.jp/share/?sid=FMT&t=20211030190000&noreload=1
- - https://radiko.jp/share/?sid=FMT&t=20211023190000&noreload=1
- - https://www.tfm.co.jp/mangaworld/
Raw:
Part 1: Featuring Aoyama Gosho, Arai Takahiro and Kanba Mayuko
明日は… 100巻記念！「#名探偵コナン」大特集
青山剛昌先生の番組独自アンケートをご紹介！ さらに！『ゼロの日常』新井隆広先生と、 『犯人の犯沢さん』かんばまゆこ先生のアンケートも
ゲストは、パーパーのあいなぷぅさんと担当編集の松本さん！
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Q.青山先生は安室透の人気についてどう思われていますか？ A.「安室の人気はただただビックリです。 そしてありがとうございます！」
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リクエスト曲 青山先生の一番好きな曲！ 「1000のバイオリン」のオーケストラバージョン 「1001のバイオリン」/ブルーハーツ をお届けしました
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かんばまゆこ先生 「かっこいいシーンでかっこいいキャラがかっこいいポーズでかっこいいセリフをかっこよく言う、 これをやるのって本当に大変で勇気がいるすごい事です！ （↓続く）
私は「犯人の犯沢さん」の連載前から この100％振りきることをアオヤマニズムと呼び、大ゴマでギャグを描くときに 勇気をもらっていました。青山先生は本当にすごいです！」
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新井隆広先生 「顔の奥の目が大きく誇張されて描かれる。 有名なイラストレーターである、さいとうなおきさんも指摘していたが こうすることにより 人物の顔が華やかに見えるそうです。歌舞伎の見栄に近い効果ではと分析なさっていた」 実際、青山先生はコナンの絵を描くとき「目」から描かれる！
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青山剛昌先生の番組独自アンケート！ 『ゼロの日常』新井隆広先生と、 『犯人の犯沢さん』かんばまゆこ先生のアンケートもご紹介！
「名探偵コナン」あるある かんば先生も「やっぱり阿笠博士があやしい」と考察・・・！ 新井先生「あるあるが語られるほど様式美として作品世界が成立していることにすごさを感じる」
Q.毎回トリックは、どのように考えていますか！？ また、一番悩まれたトリックは？
A.「トリックは編集さんと何時間もかけて考えてます。 毎回毎回悩んでいるので、一番がつけられないです(笑)」
なんと、一回の打ち合わせは短くても１２時間
Q.青山先生の作品には幼馴染キャラがよく登場されますが、幼馴染属性がお好きなのでしょうか？ 素敵な思い出などがあるのでしょうか？
A.「素敵な思い出はまったくないですけど、幼馴染の設定は大好きです！あとでなんとでも掘り起こせるので♪」
Q.青山先生の1日のルーティンは！？休みはあるのでしょうか？
A.「最近はあります。 『艦これ』をぼちぼちやって、月曜8時から9時に『あつ森』のコメントを更新、それが日課です(笑) だいたい寝るのは朝の6時から7時で、起きるのは昼の1時くらいかな？」
Part 2: Featuring DC Editor In-Charge
毎週、30分だけログインできる仮想空間のラジオ番組！ 狩野英孝と倉持由香が「まんが王国」にある膨大なデータを基に、おしゃべりしていきます。
☆祝100巻記念！「名探偵コナン」大特集その②☆
ゲストに「名探偵コナン」担当編集の松本さんと、舟本さんが登場！ 「名探偵コナン」を通して、編集のお仕事などについて迫っていきます
明日の #せかまん は・・・
100巻記念！「#名探偵コナン」大特集 その②
ゲストに、担当編集の松本さんと、舟本さんが登場 「名探偵コナン」を通して、編集のお仕事などについて迫っていきます
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編集を担当したことでわかる青山先生の凄さ
コナンの目について： イラストを描かれるとき、必ず目線が読者の方を向くように意識されている！
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青山先生は、ドラマ、ラブコメをよくご覧になる！ 「アンナチュラル」がお好きなんだそう！ コナンは「殺人ラブコメ」
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編集のかたの【1週間ルーティン】 打ち合わせ→2日〜3日ネーム→打ち合わせ→原稿アップ ネーム待ちの間は、アニメの話、宣伝活動、記事、単行本の打ち合わせなど様々なお仕事が・・・！
「名探偵コナン」でエゴサーチすることもあります！
打ち合わせでは、流石にバレないだろうと思っていても、 考察で「すごい速さで解かれてる・・・」と思うことも
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Q.「名探偵コナン」最終回の構成は決まっているのでしょうか？
A.「青山先生曰く、『当然です！いつそれを発表するかは言えませんけど…』」
Q コナンの最後は知っていますか？
A 松本さん「………………知っています」
Q.次回作に関しては…！？
A.「その時になってみないとわからないかな…コナンじゃできない超能力もの…かなあ…」
コナンでなんでもやっているということで、「超能力かなあ…」とのこと！
101巻に収録される話で新キャラが登場！ 「名探偵コナン」はまだまだ終わらない・・・！
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青山先生、松本さん、舟本さんが「心に刺さったアドバイス」
松本さん 初めて担当をした「スーパーマリオくん」の沢田ユキオ先生から 「子供はボケツッコミで、ボケだけだと笑いどころがわからないから必ずツッコんであげなきゃいけないんだよ。」
舟本さん お姉さんのアシスタントをしていた時代 「編集者も漫画家も２４時間365日、ずっと漫画のことを考えないといけないんだよ」 制限されず、好きなこと考えられるということを真摯に漫画家に伝えていたシーンに救われたそう！
青山先生 「『まじっく快斗』『探偵ジョージのミニミニ大作戦』を同時にやってた時、とても忙しくなってしまい絵を飛ばして描いてしまったところ 堀さんという編集さんに「お前、絵が下手になったな」とまず言われ、「手を抜くと読者にバレるぞ…離れていくよ…」と言われました。心が痛かったです」
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Summary: In commemoration of the release of Volume 100, Tokyo FM's [世界はまんがで出来ている] conducted a 2-part special featuring Detective Conan's Editor-In Charge, Gosho Aoyama, Arai Takahiro, and Kanba Mayuko. The following is a compilation by Kemo of the Twitter Thread by the Host of the Radio Show which includes a few questions they thought might be of interest to the readers/listeners. Please note that this is not an exhaustive version of the Airing.
Highlights:
- Aoyama often watches dramas and romantic comedies! He likes the Japanese Series "Unnatural."
- Gosho Aoyama views Conan as a Murder and love-comedy series
- Gosho is amazed at the popularity of Amuro
- When the Editor In-Charge, Matsumoto, was asked if he knew the ending of the series, he responded by saying "Yes, I know..."
- Aoyama-sensei's favorite song is the orchestral version of "1001 Violins" by Blue Hearts
- Hanzawa's Mangaka, Kanba Mayuko, finds Agasa Suspicious
- Arai Takahiro finds it amazing that the world of the Detective Conan is so stylized, which allows people to talk about lots of small things.
- Gosho spends many hours with his editors trying to come up with creative tricks, he says it's hard to pick the best one everytime, and that meetings with the editors can last at least 12 hours at a time.
- When Asked If he likes the "Childhood friendship" elements and/or has any personal memories of some of his own, Gosho responded saying he doesn't have any personal memories but likes "Childhood friendships" because he can always conveniently dig them up and use them later on.
- Aoyama has been playing a lot of "KanColle" recently
- Aoyama's Monday morning's (8am - 9am) is usually spent on updating AC Hints.
- Aoyama usually sleeps at 6/7 am and wakes up at 1pm
- Aoyama: "When I was working on "Magic Kaito" and "Detective George's Mini-Mini Big Strategy" at the same time, I was so busy that I skipped a drawing. The first thing the editor, Mr. Hori, said to me was, "You've become terrible at drawing," and then he said, "If you cut corners, your readers will find out...they'll leave you..." It was heartbreaking. It was heartbreaking."
- When the Editor In-Charge was asked "Do you have a plan for the final episode of Detective Conan?", he answered "According to Aoyama-sensei, 'Of course! I can't say when I'll announce it, but...'"
