cleofriskey Posted January 24, 2011 Report Posted January 24, 2011 In Detective Conan Movie 12: Full Score of Fear, at the very end, Ran says that Shinchi has a strange habit when he plays. Does anyone know what that is? Did I totally miss it? Please help! Thanks.
tengaku squared Posted January 24, 2011 Report Posted January 24, 2011 Shinichi tries to figure that out...but no, it is never stated.
Xcommando Posted January 24, 2011 Report Posted January 24, 2011 Shinichi tries to figure that out...but no, it is never stated. I never understood it either.
tengaku squared Posted January 24, 2011 Report Posted January 24, 2011 My idea is something about his playing, because Ran never saw Conan playing Amazing Grace. She heard him.
Denz001 Posted March 29, 2011 Report Posted March 29, 2011 well the strange habit is he adds a note after every 3 notes.... foe ex.. the chords are d e g/( d )b... he adds a NOTE get it?
hopes Posted April 1, 2011 Report Posted April 1, 2011 I think that they're just saying that Ran can recognize Shinichi's playing anywhere because of that strange way.
tengaku squared Posted April 1, 2011 Report Posted April 1, 2011 well the strange habit is he adds a note after every 3 notes.... foe ex.. the chords are d e g/( d )b... he adds a NOTE get it? Umm...I just looked over the ending, and I think that you are wrong. I think your ears are picking up the long notes and registering them twice.
tengaku squared Posted April 1, 2011 Report Posted April 1, 2011 (edited) EDIT: DOUBLE POSTED. SORRY. Edited April 1, 2011 by Mohorovicic
Kaito19 Posted August 6, 2021 Report Posted August 6, 2021 I believe Shinichi’s weird habit is that he uses glissando, where you “slide” from one musical note to the next. This is heard going from the last of the three “faster” notes (the G in the B A G triplets, labeled below in brackets) to the following “landing” note (B half note): D -> G -> G -> [B -> A -> G] -> B If you listen carefully to Reiko’s version of Amazing Grace and the flute+piano version, you’ll find that there’s no “sliding” between the G and B notes; you hear each of those two notes clearly, like in steps. *String players and/or others knowledgeable in music theory, please correct me if the actual term should be “portamento” instead of “glissando”. I tried looking up the difference between the two but I’m not entirely sure which the appropriate term would be, particularly for violins. -that's what Shinichi-niisan would have said....
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