Yoshio Urasawa - Revision history

Jefflie: /* Scenarios written */

2026-05-30T16:02:45Z

Scenarios written

← Older revision		Revision as of 16:02, 30 May 2026
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	== Scenarios written ==		== Scenarios written ==
	Number of case scenarios written: '''13''' (13 episodes)		Number of case scenarios written: '''14''' (14 episodes)
	* [[The Tokyo Barls Collection]] (Episode 943)		* [[The Tokyo Barls Collection]] (Episode 943)
	* [[The Secret of the Insect Man]] (Episode 955)		* [[The Secret of the Insect Man]] (Episode 955)
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	* [[Follow Them! Detective Taxi 2]] (Episode 1155)		* [[Follow Them! Detective Taxi 2]] (Episode 1155)
	* [[Follow Them! Detective Taxi 3]] (Episode 1188)		* [[Follow Them! Detective Taxi 3]] (Episode 1188)
			* [[I Cannot Lie to Archery]] (Episode 1202)

	== Gallery ==		== Gallery ==

Powerwar: /* Scenarios written */

2026-01-12T17:46:44Z

Scenarios written

← Older revision		Revision as of 17:46, 12 January 2026
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	== Scenarios written ==		== Scenarios written ==
	Number of case scenarios written: '''12''' (12 episodes)		Number of case scenarios written: '''13''' (13 episodes)
	* [[The Tokyo Barls Collection]] (Episode 943)		* [[The Tokyo Barls Collection]] (Episode 943)
	* [[The Secret of the Insect Man]] (Episode 955)		* [[The Secret of the Insect Man]] (Episode 955)
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	* [[The Detective Who Lost His Mind]] (Episode 1126)		* [[The Detective Who Lost His Mind]] (Episode 1126)
	* [[Follow Them! Detective Taxi 2]] (Episode 1155)		* [[Follow Them! Detective Taxi 2]] (Episode 1155)
			* [[Follow Them! Detective Taxi 3]] (Episode 1188)

	== Gallery ==		== Gallery ==

R0o0di: twitter => X

2025-05-23T22:16:25Z

twitter => X

← Older revision		Revision as of 22:16, 23 May 2025
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	<ref name="interview-3">[https://news.livedoor.com/article/detail/17644685/ 『名探偵コナン』の挑戦山本×米倉対談]</ref>		<ref name="interview-3">[https://news.livedoor.com/article/detail/17644685/ 『名探偵コナン』の挑戦山本×米倉対談]</ref>
	<ref name="interview-4">[https://cloud.sbsub.com/uploads/2021/03/146_auto_83cf81d4ly1goizm9bqv1j20u011xu0z.jpg Animage 04/2021 山本×諏訪×寺島×米倉月光編対談]</ref>		<ref name="interview-4">[https://cloud.sbsub.com/uploads/2021/03/146_auto_83cf81d4ly1goizm9bqv1j20u011xu0z.jpg Animage 04/2021 山本×諏訪×寺島×米倉月光編対談]</ref>
	<ref name="hiroaki">[https://x.com/hamohamohamo/status/1464578763669213192 高木啓明 - ~~Twitter~~]</ref>		<ref name="hiroaki">[https://x.com/hamohamohamo/status/1464578763669213192 高木啓明 - X]</ref>
	</references>		</references>
	}}		}}

BOBO at 17:30, 14 April 2025

2025-04-14T17:30:41Z

← Older revision		Revision as of 17:30, 14 April 2025
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	* ''Ranma ½'': Screenplay		* ''Ranma ½'': Screenplay
	* Many other animes including ''Nintama Rantaro'', ''Blue Dragon'', and ''Osomatsu-kun'' etc.		* Many other animes including ''Nintama Rantaro'', ''Blue Dragon'', and ''Osomatsu-kun'' etc.

			== See also ==
			* [[Akatsuki Yamatoya]]

	== References ==		== References ==
	# [[wikipedia:ja:浦沢義雄\|浦沢義雄 - Wikipedia]] ~~(Japanese)~~		# [[wikipedia:ja:浦沢義雄\|浦沢義雄 - Wikipedia]]
	# [https://www.imdb.com/name/nm0881576/ IMDb]		# [https://www.imdb.com/name/nm0881576/ Yoshio Urasawa - IMDb]
	# [https://www.animenewsnetwork.com/encyclopedia/people.php?id=8516 Anime News Network]		# [https://www.animenewsnetwork.com/encyclopedia/people.php?id=8516 Yoshio Urasawa - Anime News Network]
			# [https://seesaawiki.jp/w/radioi_34/d/%cc%be%c3%b5%c4%e5%a5%b3%a5%ca%a5%f3%a1%ca%a5%b7%a5%ea%a1%bc%a5%ba%a5%ea%a5%b9%a5%c8%a1%cb '''Detective Conan Staff Listing''']
			{{textbox\|width=100%\|
	<references>		<references>
	<ref name="interview">{{cite journal\|title=「オペレッタ狸御殿脚本家インタビュー浦沢義雄」\|journal=『宇宙船』Vol.118（2005年5月号）\|date=May 1, 2005\|pages=85}}</ref>		<ref name="interview">{{cite journal\|title=「オペレッタ狸御殿脚本家インタビュー浦沢義雄」\|journal=『宇宙船』Vol.118（2005年5月号）\|date=May 1, 2005\|pages=85}}</ref>
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	<ref name="interview-3">[https://news.livedoor.com/article/detail/17644685/ 『名探偵コナン』の挑戦山本×米倉対談]</ref>		<ref name="interview-3">[https://news.livedoor.com/article/detail/17644685/ 『名探偵コナン』の挑戦山本×米倉対談]</ref>
	<ref name="interview-4">[https://cloud.sbsub.com/uploads/2021/03/146_auto_83cf81d4ly1goizm9bqv1j20u011xu0z.jpg Animage 04/2021 山本×諏訪×寺島×米倉月光編対談]</ref>		<ref name="interview-4">[https://cloud.sbsub.com/uploads/2021/03/146_auto_83cf81d4ly1goizm9bqv1j20u011xu0z.jpg Animage 04/2021 山本×諏訪×寺島×米倉月光編対談]</ref>
	<ref name="hiroaki">[https://~~twitter~~.com/hamohamohamo/status/1464578763669213192 高木啓明 - Twitter]</ref>		<ref name="hiroaki">[https://x.com/hamohamohamo/status/1464578763669213192 高木啓明 - Twitter]</ref>
	</references>		</references>
			}}
	<references group="Note"/>		<references group="Note"/>

BOBO: /* Style analysis */

2025-02-22T16:04:31Z

Style analysis

← Older revision		Revision as of 16:04, 22 February 2025
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	\|- id="Waltz Hohoemi"		\|- id="Waltz Hohoemi"
	\| style="width:45px;"\|[[File:Waltz Hohoemi.jpg\|45px]] \|\| style="width: 125px; line-height: 15px;" align="center"\|[[Waltz Hohoemi]]		\| style="width:45px;"\|[[File:Waltz Hohoemi.jpg\|45px]] \|\| style="width: 125px; line-height: 15px;" align="center"\|[[Waltz Hohoemi]]
			\|- id="Genki Ishikawa"
			\| style="width:45px;"\|[[File:Genki Ishikawa.jpg\|45px]] \|\| style="width: 125px; line-height: 15px;" align="center"\|[[Genki Ishikawa]]
	\|- id="Kayoko Kakurai"		\|- id="Kayoko Kakurai"
	\| style="width:45px;"\|[[File:Kayoko Kakurai.jpg\|45px]] \|\| style="width: 125px; line-height: 15px;" align="center"\|[[Kayoko Kakurai]]		\| style="width:45px;"\|[[File:Kayoko Kakurai.jpg\|45px]] \|\| style="width: 125px; line-height: 15px;" align="center"\|[[Kayoko Kakurai]]

BOBO: /* Scenarios written */ Highly probable

2025-02-21T19:06:36Z

Scenarios written: Highly probable

← Older revision		Revision as of 19:06, 21 February 2025
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	== Scenarios written ==		== Scenarios written ==
	Number of case scenarios written: '''11''' (11 episodes)		Number of case scenarios written: '''12''' (12 episodes)
	* [[The Tokyo Barls Collection]] (Episode 943)		* [[The Tokyo Barls Collection]] (Episode 943)
	* [[The Secret of the Insect Man]] (Episode 955)		* [[The Secret of the Insect Man]] (Episode 955)
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	* [[The Four-Person Class Reunion]] (Episode 1119)		* [[The Four-Person Class Reunion]] (Episode 1119)
	* [[The Detective Who Lost His Mind]] (Episode 1126)		* [[The Detective Who Lost His Mind]] (Episode 1126)
			* [[Follow Them! Detective Taxi 2]] (Episode 1155)

	== Gallery ==		== Gallery ==

BOBO: /* Scenarios written */

2024-06-07T04:01:13Z

Scenarios written

← Older revision		Revision as of 04:01, 7 June 2024
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	== Scenarios written ==		== Scenarios written ==
	Number of case scenarios written: '''10''' (10 episodes)		Number of case scenarios written: '''11''' (11 episodes)
	* [[The Tokyo Barls Collection]] (Episode 943)		* [[The Tokyo Barls Collection]] (Episode 943)
	* [[The Secret of the Insect Man]] (Episode 955)		* [[The Secret of the Insect Man]] (Episode 955)
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	* [[The Genius Restaurant]] (Episode 1089)		* [[The Genius Restaurant]] (Episode 1089)
	* [[The Four-Person Class Reunion]] (Episode 1119)		* [[The Four-Person Class Reunion]] (Episode 1119)
			* [[The Detective Who Lost His Mind]] (Episode 1126)

	== Gallery ==		== Gallery ==

BOBO: Removing some unnecessary lines I put few months ago, so that the description is more concise

2024-05-03T21:37:04Z

Removing some unnecessary lines I put few months ago, so that the description is more *concise*

← Older revision		Revision as of 21:37, 3 May 2024
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	In his early life, Yoshio Urasawa studied under screenwriters [[wikipedia:Atsushi Yamatoya\|Atsushi Yamatoya]] {{jp\|大和屋竺}} and [[wikipedia:Seijun Suzuki\|Seijun Suzuki]] {{jp\|鈴木清順}}. He then debuted in 1979 in the 68th episode of the anime ''[[wikipedia:Lupin the Third\|Lupin the Third: Season 2]]'' {{jp\|ルパン三世 PARTII}}<ref name="interview"/><ref name="BTS"/>.		In his early life, Yoshio Urasawa studied under screenwriters [[wikipedia:Atsushi Yamatoya\|Atsushi Yamatoya]] {{jp\|大和屋竺}} and [[wikipedia:Seijun Suzuki\|Seijun Suzuki]] {{jp\|鈴木清順}}. He then debuted in 1979 in the 68th episode of the anime ''[[wikipedia:Lupin the Third\|Lupin the Third: Season 2]]'' {{jp\|ルパン三世 PARTII}}<ref name="interview"/><ref name="BTS"/>.

	He also showed his ability to write comedy from 1981 to 1993, in which he participated in the production of the entire ''[[wikipedia:Toei Fushigi Comedy Series\|Toei Fushigi Comedy Series]]'' {{jp\|東映不思議コメディーシリーズ}} as the screenplay<ref name="comedy"/>. Incidentally, he is the only person who was involved in the screenplay writing for the entire series, for which he has written more than 400 scripts; some famous ones were ''Pettonton'' {{jp\|ペットントン}}, ''Bishoujo Kamen Poitrin'' {{jp\|美少女仮面ポワトリン}}, ''Mysterious Girl Nile Na Thutmose'' {{jp\|不思議少女ナイルなトトメス}}, and ''Sing! Dairyu Miyagi'' {{jp\|うたう!大龍宮城}}. Apart from screenplay writing, Urasawa also composed several lyrics for background music in that series~~, including ''Dokincho! Nemurin'' {{jp\|どきんちょ!ネムリン}} and ''Utau! Dairyu Miyagi'' {{jp\|うたう!大龍宮城}}~~. Owing to this relation, Urasawa's later works contained similar styles with the works produced by Toei; examples would be his ~~''Akuma-kun'' {{jp\|悪魔くん}} and~~ ''Sandaime wa Onyanko Ojosama?!'' {{jp\|三代目はおニャン子お嬢さま?!}}.		He also showed his ability to write comedy from 1981 to 1993, in which he participated in the production of the entire ''[[wikipedia:Toei Fushigi Comedy Series\|Toei Fushigi Comedy Series]]'' {{jp\|東映不思議コメディーシリーズ}} as the screenplay<ref name="comedy"/>. Incidentally, he is the only person who was involved in the screenplay writing for the entire series, for which he has written more than 400 scripts. Apart from screenplay writing, Urasawa also composed several lyrics for background music in that series. Owing to this relation, Urasawa's later works contained similar styles with the works produced by Toei; examples would be his ''Sandaime wa Onyanko Ojosama?!'' {{jp\|三代目はおニャン子お嬢さま?!}}.

	During the 1980 period, he was also active under the alias "うらさわよしお", and wrote some scripts for the first season of ''[[wikipedia:ja:世にも奇妙な物語\|Tales of the Unusual]]'' {{jp\|世にも奇妙な物語}} back then. From 1993 onwards, he was in charge of the anime ''[[wikipedia:Nintama Rantarō\|Nintama Rantarō]]'' {{jp\|忍たま乱太郎}}, whose duration lasted for roughly one fourth of a century, and Urasawa was responsible for 90% of the organizer/screenplay work, which was thus regarded as one of his representative works<ref name="NHK"/>. Other than the anime version, Urasawa even wrote scripts for the movies of that series in 2011. In 2003, he published his novel ''Tamago Osho'' {{jp\|たまご和尚}}<ref name="amazon"/>, illustrated by Tamura Noboru {{jp\|タムラノボル}}. Afterwards, starting July 2009, he began to write scripts for live-action drama, the TV Tokyo late-night programme, ''We Are Angels! NO ANGEL NO LUCK'' {{jp\|俺たちは天使だ! NO ANGEL NO LUCK}}. After that, he concentrated on animation works and returned to the anime series ''Nintama Rantarō''. He also wrote a script for a Crayon Shin-chan movie in 2013: ''[[wikipedia:Crayon Shin-chan: Very Tasty! B-class Gourmet Survival!!\|Crayon Shin-chan: Very Tasty! B-class Gourmet Survival!!]]'' {{jp\|クレヨンしんちゃんバカうまっ!B級グルメサバイバル!!}}<ref name="shinchan"/>.		During the 1980 period, he was also active under the alias "うらさわよしお", and wrote some scripts for the first season of ''[[wikipedia:ja:世にも奇妙な物語\|Tales of the Unusual]]'' {{jp\|世にも奇妙な物語}} back then. From 1993 onwards, he was in charge of the anime ''[[wikipedia:Nintama Rantarō\|Nintama Rantarō]]'' {{jp\|忍たま乱太郎}}, whose duration lasted for roughly one fourth of a century, and Urasawa was responsible for 90% of the organizer/screenplay work, which was thus regarded as one of his representative works<ref name="NHK"/>. Other than the anime version, Urasawa even wrote scripts for the movies of that series in 2011. In 2003, he published his novel ''Tamago Osho'' {{jp\|たまご和尚}}<ref name="amazon"/>, illustrated by Tamura Noboru {{jp\|タムラノボル}}. Afterwards, starting July 2009, he began to write scripts for live-action drama, the TV Tokyo late-night programme, ''We Are Angels! NO ANGEL NO LUCK'' {{jp\|俺たちは天使だ! NO ANGEL NO LUCK}}. After that, he concentrated on animation works and returned to the anime series ''Nintama Rantarō''. He also wrote a script for a Crayon Shin-chan movie in 2013: ''[[wikipedia:Crayon Shin-chan: Very Tasty! B-class Gourmet Survival!!\|Crayon Shin-chan: Very Tasty! B-class Gourmet Survival!!]]'' {{jp\|クレヨンしんちゃんバカうまっ!B級グルメサバイバル!!}}<ref name="shinchan"/>.

BOBO at 21:08, 3 May 2024

2024-05-03T21:08:09Z

← Older revision		Revision as of 21:08, 3 May 2024
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	\| footnotes =		\| footnotes =
	}}		}}
	{{nihongo\|'''Yoshio Urasawa'''\|浦沢義雄\|Urasawa Yoshio}}, born 21 January 1951<ref name="interview"/>, is a renowned Japanese screenplay writer from Tokyo<ref~~>{{cite journal\|title~~=~~豪快演義 2012「WRITER INTERVIEW_04 浦沢義雄」\|journal=豪快演義\|date=2012\|pages=86~~-~~87}}<~~/~~ref~~>. He is known from his comical scenarios.		{{nihongo\|'''Yoshio Urasawa'''\|浦沢義雄\|Urasawa Yoshio}}, born 21 January 1951<ref name="interview"/>, is a renowned Japanese screenplay writer from Tokyo<ref name="interview-2"/>. He is known from his comical scenarios.

	== Biography ==		== Biography ==
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	</div>		</div>

	In late 2019, the ''Detective Conan'' anime production team invited [[Akatsuki Yamatoya]] (Urasawa's disciple) and Yoshio Urasawa into the anime for screenplay writing. As the director [[Yasuichiro Yamamoto]] claimed that both of them are "fast brush strokers", which produce screenplays rather quickly, they recruited them for (screenplay) stock accumulation<ref name="interview-2"/>.		In late 2019, the ''Detective Conan'' anime production team invited [[Akatsuki Yamatoya]] (Urasawa's disciple) and Yoshio Urasawa into the anime for screenplay writing. As the director [[Yasuichiro Yamamoto]] claimed that both of them are "fast brush strokers", which produce screenplays rather quickly, they recruited them for (screenplay) stock accumulation<ref name="interview-3"/>.

	[[File:EP997 9.jpeg\|thumb\|left\|200px\|Tango and Waltz dancing together in Smile Village.]]		[[File:EP997 9.jpeg\|thumb\|left\|200px\|Tango and Waltz dancing together in Smile Village.]]
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	Urasawa's contributions to ''Detective Conan'' are rather rebuttable due to the story style of his works, which consist mostly of comedies; evidently disobeys the classic ''Detective Conan'' story styles. As a result, most times when his script got the chance to be aired, it would obtain several trendings on different social media. A lot of fans do not fancy his scripts and find them insane<ref group="Note">'''Note:''' In one of the interviews, Urasawa proclaimed he is totally aware that ''Detective Conan'' fans get angry over his scripts.</ref>, as Urasawa usually writes some abstract scenes (see [[Yoshio Urasawa #Gallery\|below]]). A typical example would be the [[Intrigue at Smile Village]], in which he invented two characters, named Tango and Waltz, respectively, and they even had a scene dancing on top of the table, considering building their retirement home in space... Nevertheless, several cases written by him do reflect certain social status and issues and could be reluctantly considered meaningful, which befits the criteria of Shakai deduction {{jp\|社会派推理}}. For example, [[The Idol Whose Smile Disappeared]] manifests the negative competition among the idol groups, which is highly coincide with the reality.		Urasawa's contributions to ''Detective Conan'' are rather rebuttable due to the story style of his works, which consist mostly of comedies; evidently disobeys the classic ''Detective Conan'' story styles. As a result, most times when his script got the chance to be aired, it would obtain several trendings on different social media. A lot of fans do not fancy his scripts and find them insane<ref group="Note">'''Note:''' In one of the interviews, Urasawa proclaimed he is totally aware that ''Detective Conan'' fans get angry over his scripts.</ref>, as Urasawa usually writes some abstract scenes (see [[Yoshio Urasawa #Gallery\|below]]). A typical example would be the [[Intrigue at Smile Village]], in which he invented two characters, named Tango and Waltz, respectively, and they even had a scene dancing on top of the table, considering building their retirement home in space... Nevertheless, several cases written by him do reflect certain social status and issues and could be reluctantly considered meaningful, which befits the criteria of Shakai deduction {{jp\|社会派推理}}. For example, [[The Idol Whose Smile Disappeared]] manifests the negative competition among the idol groups, which is highly coincide with the reality.

	Urasawa's main style in his works must be comedy mystery {{jp\|バカミステリー}}, which is quite pronounced as his forte is to progress plots in a hilarious manner. Apart from Shakai Detective Fiction, he has written [[wikipedia:Armchair detective\|Armchair Detective]] deduction for once, which is a form that is fairly rare in ''Detective Conan''. Some elements from Honkaku deduction {{jp\|本格派推理}} also appeared in his [[Ballad of the Woman Who Loved Cake]]; and notably, his [[The Shopping Center in Love]] paid tribute to the renowned [[Sherlock Holmes]] short story ''[[wikipedia:The Red-Headed League\|Red-Headed League]]'', written by [[Conan Doyle]]. In addition, the director Yasuichiro Yamamoto absolutely appreciates Urasawa's works; he even claimed in an interview that his scripts are "surrealism" and can create a sense of addiction<ref name="interview-3"/>. This can also be seen in the staff team of Urasawa's episodes; Yamamoto served as the storyboard artist for some of them. Moreover, Yamamoto was the one who came up with the idea of "the victim drowned midst the red bean paste", he said, particularly that "innovative" devise reminded him of [[Wealthy Daughter Murder Case]]<ref name="hiroaki"/>.		Urasawa's main style in his works must be comedy mystery {{jp\|バカミステリー}}, which is quite pronounced as his forte is to progress plots in a hilarious manner. Apart from Shakai Detective Fiction, he has written [[wikipedia:Armchair detective\|Armchair Detective]] deduction for once, which is a form that is fairly rare in ''Detective Conan''. Some elements from Honkaku deduction {{jp\|本格派推理}} also appeared in his [[Ballad of the Woman Who Loved Cake]]; and notably, his [[The Shopping Center in Love]] paid tribute to the renowned [[Sherlock Holmes]] short story ''[[wikipedia:The Red-Headed League\|Red-Headed League]]'', written by [[Conan Doyle]]. In addition, the director Yasuichiro Yamamoto absolutely appreciates Urasawa's works; he even claimed in an interview that his scripts are "surrealism" and can create a sense of addiction<ref name="interview-4"/>. This can also be seen in the staff team of Urasawa's episodes; Yamamoto served as the storyboard artist for some of them. Moreover, Yamamoto was the one who came up with the idea of "the victim drowned midst the red bean paste", he said, particularly that "innovative" devise reminded him of [[Wealthy Daughter Murder Case]]<ref name="hiroaki"/>.

	== Scenarios written ==		== Scenarios written ==
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	<references>		<references>
	<ref name="interview">{{cite journal\|title=「オペレッタ狸御殿脚本家インタビュー浦沢義雄」\|journal=『宇宙船』Vol.118（2005年5月号）\|date=May 1, 2005\|pages=85}}</ref>		<ref name="interview">{{cite journal\|title=「オペレッタ狸御殿脚本家インタビュー浦沢義雄」\|journal=『宇宙船』Vol.118（2005年5月号）\|date=May 1, 2005\|pages=85}}</ref>
			<ref name="interview-2">{{cite journal\|title=豪快演義 2012「WRITER INTERVIEW_04 浦沢義雄」\|journal=豪快演義\|date=2012\|pages=86-87}}</ref>
	<ref name="BTS">{{cite journal\|title=「スーパー戦隊制作の裏舞台浦沢義雄」\|journal=スーパー戦隊 Official Mook 20世紀\|date=August 9, 2018\|pages=32}}</ref>		<ref name="BTS">{{cite journal\|title=「スーパー戦隊制作の裏舞台浦沢義雄」\|journal=スーパー戦隊 Official Mook 20世紀\|date=August 9, 2018\|pages=32}}</ref>
	<ref name="comedy">{{cite journal\|title=「がんばれいわ!!ロボコン」\|journal=『宇宙船』vol.169（SUMMER 2020.夏）\|date=August 3, 2020\|pages=98-99}}</ref>		<ref name="comedy">{{cite journal\|title=「がんばれいわ!!ロボコン」\|journal=『宇宙船』vol.169（SUMMER 2020.夏）\|date=August 3, 2020\|pages=98-99}}</ref>
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	<ref name="amazon">[https://www.amazon.co.jp/%E3%81%9F%E3%81%BE%E3%81%94%E5%92%8C%E5%B0%9A-%E6%B5%A6%E6%B2%A2-%E7%BE%A9%E9%9B%84/dp/4898150861 たまご和尚 - 浦沢義雄 (著)]</ref>		<ref name="amazon">[https://www.amazon.co.jp/%E3%81%9F%E3%81%BE%E3%81%94%E5%92%8C%E5%B0%9A-%E6%B5%A6%E6%B2%A2-%E7%BE%A9%E9%9B%84/dp/4898150861 たまご和尚 - 浦沢義雄 (著)]</ref>
	<ref name="shinchan">[[wikipedia:ja:クレヨンしんちゃんバカうまっ!B級グルメサバイバル!!\|クレヨンしんちゃんバカうまっ!B級グルメサバイバル!!]]</ref>		<ref name="shinchan">[[wikipedia:ja:クレヨンしんちゃんバカうまっ!B級グルメサバイバル!!\|クレヨンしんちゃんバカうまっ!B級グルメサバイバル!!]]</ref>
	<ref name="interview-2">[https://news.livedoor.com/article/detail/17644685/ 『名探偵コナン』の挑戦山本×米倉対談]</ref>		<ref name="interview-3">[https://news.livedoor.com/article/detail/17644685/ 『名探偵コナン』の挑戦山本×米倉対談]</ref>
	<ref name="interview-3">[https://cloud.sbsub.com/uploads/2021/03/146_auto_83cf81d4ly1goizm9bqv1j20u011xu0z.jpg Animage 04/2021 山本×諏訪×寺島×米倉月光編対談]</ref>		<ref name="interview-4">[https://cloud.sbsub.com/uploads/2021/03/146_auto_83cf81d4ly1goizm9bqv1j20u011xu0z.jpg Animage 04/2021 山本×諏訪×寺島×米倉月光編対談]</ref>
	<ref name="hiroaki">[https://twitter.com/hamohamohamo/status/1464578763669213192 高木啓明 - Twitter]</ref>		<ref name="hiroaki">[https://twitter.com/hamohamohamo/status/1464578763669213192 高木啓明 - Twitter]</ref>
	</references>		</references>

BOBO: /* References */

2024-05-03T21:06:20Z

References

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	<ref name="interview-2">[https://news.livedoor.com/article/detail/17644685/ 『名探偵コナン』の挑戦山本×米倉対談]</ref>		<ref name="interview-2">[https://news.livedoor.com/article/detail/17644685/ 『名探偵コナン』の挑戦山本×米倉対談]</ref>
	<ref name="interview-3">[https://cloud.sbsub.com/uploads/2021/03/146_auto_83cf81d4ly1goizm9bqv1j20u011xu0z.jpg Animage 04/2021 山本×諏訪×寺島×米倉月光編対談]</ref>		<ref name="interview-3">[https://cloud.sbsub.com/uploads/2021/03/146_auto_83cf81d4ly1goizm9bqv1j20u011xu0z.jpg Animage 04/2021 山本×諏訪×寺島×米倉月光編対談]</ref>
	ref name="hiroaki">[https://twitter.com/hamohamohamo/status/1464578763669213192 高木啓明 - Twitter]</ref>		<ref name="hiroaki">[https://twitter.com/hamohamohamo/status/1464578763669213192 高木啓明 - Twitter]</ref>
	</references>		</references>
	<references group="Note"/>		<references group="Note"/>

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	In his early life, Yoshio Urasawa studied under screenwriters [[wikipedia:Atsushi Yamatoya\|Atsushi Yamatoya]] {{jp\|大和屋竺}} and [[wikipedia:Seijun Suzuki\|Seijun Suzuki]] {{jp\|鈴木清順}}. He then debuted in 1979 in the 68th episode of the anime ''[[wikipedia:Lupin the Third\|Lupin the Third: Season 2]]'' {{jp\|ルパン三世 PARTII}}<ref name="interview"/><ref name="BTS"/>.		In his early life, Yoshio Urasawa studied under screenwriters [[wikipedia:Atsushi Yamatoya\|Atsushi Yamatoya]] {{jp\|大和屋竺}} and [[wikipedia:Seijun Suzuki\|Seijun Suzuki]] {{jp\|鈴木清順}}. He then debuted in 1979 in the 68th episode of the anime ''[[wikipedia:Lupin the Third\|Lupin the Third: Season 2]]'' {{jp\|ルパン三世 PARTII}}<ref name="interview"/><ref name="BTS"/>.

	He also showed his ability to write comedy from 1981 to 1993, in which he participated in the production of the entire ''[[wikipedia:Toei Fushigi Comedy Series\|Toei Fushigi Comedy Series]]'' {{jp\|東映不思議コメディーシリーズ}} as the screenplay<ref name="comedy"/>. Incidentally, he is the only person who was involved in the screenplay writing for the entire series, for which he has written more than 400 scripts; some famous ones were ''Pettonton'' {{jp\|ペットントン}}, ''Bishoujo Kamen Poitrin'' {{jp\|美少女仮面ポワトリン}}, ''Mysterious Girl Nile Na Thutmose'' {{jp\|不思議少女ナイルなトトメス}}, and ''Sing! Dairyu Miyagi'' {{jp\|うたう!大龍宮城}}. Apart from screenplay writing, Urasawa also composed several lyrics for background music in that series~~, including ''Dokincho! Nemurin'' {{jp\|どきんちょ!ネムリン}} and ''Utau! Dairyu Miyagi'' {{jp\|うたう!大龍宮城}}~~. Owing to this relation, Urasawa's later works contained similar styles with the works produced by Toei; examples would be his ~~''Akuma-kun'' {{jp\|悪魔くん}} and~~ ''Sandaime wa Onyanko Ojosama?!'' {{jp\|三代目はおニャン子お嬢さま?!}}.		He also showed his ability to write comedy from 1981 to 1993, in which he participated in the production of the entire ''[[wikipedia:Toei Fushigi Comedy Series\|Toei Fushigi Comedy Series]]'' {{jp\|東映不思議コメディーシリーズ}} as the screenplay<ref name="comedy"/>. Incidentally, he is the only person who was involved in the screenplay writing for the entire series, for which he has written more than 400 scripts. Apart from screenplay writing, Urasawa also composed several lyrics for background music in that series. Owing to this relation, Urasawa's later works contained similar styles with the works produced by Toei; examples would be his ''Sandaime wa Onyanko Ojosama?!'' {{jp\|三代目はおニャン子お嬢さま?!}}.

	During the 1980 period, he was also active under the alias "うらさわよしお", and wrote some scripts for the first season of ''[[wikipedia:ja:世にも奇妙な物語\|Tales of the Unusual]]'' {{jp\|世にも奇妙な物語}} back then. From 1993 onwards, he was in charge of the anime ''[[wikipedia:Nintama Rantarō\|Nintama Rantarō]]'' {{jp\|忍たま乱太郎}}, whose duration lasted for roughly one fourth of a century, and Urasawa was responsible for 90% of the organizer/screenplay work, which was thus regarded as one of his representative works<ref name="NHK"/>. Other than the anime version, Urasawa even wrote scripts for the movies of that series in 2011. In 2003, he published his novel ''Tamago Osho'' {{jp\|たまご和尚}}<ref name="amazon"/>, illustrated by Tamura Noboru {{jp\|タムラノボル}}. Afterwards, starting July 2009, he began to write scripts for live-action drama, the TV Tokyo late-night programme, ''We Are Angels! NO ANGEL NO LUCK'' {{jp\|俺たちは天使だ! NO ANGEL NO LUCK}}. After that, he concentrated on animation works and returned to the anime series ''Nintama Rantarō''. He also wrote a script for a Crayon Shin-chan movie in 2013: ''[[wikipedia:Crayon Shin-chan: Very Tasty! B-class Gourmet Survival!!\|Crayon Shin-chan: Very Tasty! B-class Gourmet Survival!!]]'' {{jp\|クレヨンしんちゃんバカうまっ!B級グルメサバイバル!!}}<ref name="shinchan"/>.		During the 1980 period, he was also active under the alias "うらさわよしお", and wrote some scripts for the first season of ''[[wikipedia:ja:世にも奇妙な物語\|Tales of the Unusual]]'' {{jp\|世にも奇妙な物語}} back then. From 1993 onwards, he was in charge of the anime ''[[wikipedia:Nintama Rantarō\|Nintama Rantarō]]'' {{jp\|忍たま乱太郎}}, whose duration lasted for roughly one fourth of a century, and Urasawa was responsible for 90% of the organizer/screenplay work, which was thus regarded as one of his representative works<ref name="NHK"/>. Other than the anime version, Urasawa even wrote scripts for the movies of that series in 2011. In 2003, he published his novel ''Tamago Osho'' {{jp\|たまご和尚}}<ref name="amazon"/>, illustrated by Tamura Noboru {{jp\|タムラノボル}}. Afterwards, starting July 2009, he began to write scripts for live-action drama, the TV Tokyo late-night programme, ''We Are Angels! NO ANGEL NO LUCK'' {{jp\|俺たちは天使だ! NO ANGEL NO LUCK}}. After that, he concentrated on animation works and returned to the anime series ''Nintama Rantarō''. He also wrote a script for a Crayon Shin-chan movie in 2013: ''[[wikipedia:Crayon Shin-chan: Very Tasty! B-class Gourmet Survival!!\|Crayon Shin-chan: Very Tasty! B-class Gourmet Survival!!]]'' {{jp\|クレヨンしんちゃんバカうまっ!B級グルメサバイバル!!}}<ref name="shinchan"/>.

Yoshio Urasawa - Revision history

Jefflie: /* Scenarios written */

Powerwar: /* Scenarios written */

R0o0di: twitter => X

BOBO at 17:30, 14 April 2025

BOBO: /* Style analysis */

BOBO: /* Scenarios written */ Highly probable

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BOBO: Removing some unnecessary lines I put few months ago, so that the description is more *concise*

BOBO at 21:08, 3 May 2024

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BOBO: Removing some unnecessary lines I put few months ago, so that the description is more concise