Volume 34 - Revision history

ZA1: /* Golden Apple Case */

2026-06-24T07:31:58Z

Golden Apple Case

← Older revision		Revision as of 07:31, 24 June 2026
Line 324:		Line 324:
	==== File 350 - Golden Apple 1 ====		==== File 350 - Golden Apple 1 ====

	[[Conan Edogawa\|Conan]] is the first to rush to [[Ran Mouri\|Ran]]'s side, soon followed by [[Jugo Yokomizo]], who opts to drive her directly to a hospital across the [[Wikipedia: Yokohama Bay Bridge\|Yokohama Bay Bridge]]. Ran's vision begins to warp as she sees Conan's image turn into [[Shinichi Kudo\|Shinichi]]. She remarks about feeling inadequate, remembering a time she was saved by him before.<br>~~[[File:CH350_StatueOfLiberty.png\|thumb\|right\|200px\|The Statue of Liberty.]]~~		[[Conan Edogawa\|Conan]] is the first to rush to [[Ran Mouri\|Ran]]'s side, soon followed by [[Jugo Yokomizo]], who opts to drive her directly to a hospital across the [[Wikipedia: Yokohama Bay Bridge\|Yokohama Bay Bridge]]. Ran's vision begins to warp as she sees Conan's image turn into [[Shinichi Kudo\|Shinichi]]. She remarks about feeling inadequate, remembering a time she was saved by him before.<br>
	A vintage car speeds down an [[Wikipedia: Brooklyn Bridge\|imposing bridge]] towards a [[Wikipedia: New York City\|city that never sleeps]]. In the backseat, Ran emerges from her nap just in time to notice the [[Wikipedia: Statue of Liberty\|Statue of Liberty]] in the distance. Her fellow passenger, Shinichi explains that New Yorkers call the landmark "Miss Liberty." Upset about slumbering through a significant portion of the [[Wikipedia: Manhattan\|Manhattan]] view, Ran voices her complaints, adding that the murder case on the plane ride to [[Wikipedia: Los Angeles\|Los Angeles]] suppressed her ability to find proper rest.<ref name="Shinichi's_First_Murder_Case"> Shinichi's First Murder Case (Manga: [[Volume_21#Shinichi's_First_Murder_Case\|Volume 21: 204-207]])</ref> Shinichi places partial blame the driver, [[Yukiko Kudo\|Yukiko]], for expediting their arrival in New York by a day. She responds that she had no choice, mentioning their sudden acquisition of musical tickets to the new [[Wikipedia: Broadway theatre\|Broadway]] show, Golden Apple.<br>[[File:CH350_SuperStunt.png\|thumb\|left\|230px\|Shinichi and Ran perform a daring stunt.]]		A vintage car speeds down an [[Wikipedia: Brooklyn Bridge\|imposing bridge]] towards a [[Wikipedia: New York City\|city that never sleeps]]. In the backseat, Ran emerges from her nap just in time to notice the [[Wikipedia: Statue of Liberty\|Statue of Liberty]] in the distance. Her fellow passenger, Shinichi explains that New Yorkers call the landmark "Miss Liberty." Upset about slumbering through a significant portion of the [[Wikipedia: Manhattan\|Manhattan]] view, Ran voices her complaints, adding that the murder case on the plane ride to [[Wikipedia: Los Angeles\|Los Angeles]] suppressed her ability to find proper rest.<ref name="Shinichi's_First_Murder_Case"> Shinichi's First Murder Case (Manga: [[Volume_21#Shinichi's_First_Murder_Case\|Volume 21: 204-207]])</ref> Shinichi places partial blame the driver, [[Yukiko Kudo\|Yukiko]], for expediting their arrival in New York by a day. She responds that she had no choice, mentioning their sudden acquisition of musical tickets to the new [[Wikipedia: Broadway theatre\|Broadway]] show, Golden Apple.<br>[[File:CH350_SuperStunt.png\|thumb\|left\|230px\|Shinichi and Ran perform a daring stunt.]]
	Ran notices the abundance of police cars patrolling the streets, which Shinichi attributes to the at-large Japanese serial killer, who specifically targets young women. Yukiko assures the worried girl that he is only active past midnight and that it is still currently 18:00. Her son corrects her, stating that due to [[Wikipedia: Daylight saving time\|daylight saving hours]], the time is 19:00. Surprised in her lapse, Yukiko fears they will be late to a special meeting she arranged with a friend one hour before the musical showing. With no other choice, Yukiko kicks her [[Wikipedia: Jaguar E-Type\|Jaguar E-Type]] into high gear and races down through the busy traffic. Noting an upcoming tight turn, the she enlists Shinichi and Ran to perform a special action to help distribute weight. Ran, oblivious to what the woman means, blindly follows Shinichi's instructions to join him in the front seat. A few moments later, the car arrives at the turn and achieves lift-off on its left half. Simultaneously, to Ran's shock and horror, Shinichi lifts both her and himself out of the car window—their torsos sticking out of the vehicle like a pair of surfers riding a wild wave. With the bend successfully cleared, Shinichi laughs off their action, eliciting an infuriated response from a panic-stricken Ran.<br>		Ran notices the abundance of police cars patrolling the streets, which Shinichi attributes to the at-large Japanese serial killer, who specifically targets young women. Yukiko assures the worried girl that he is only active past midnight and that it is still currently 18:00. Her son corrects her, stating that due to [[Wikipedia: Daylight saving time\|daylight saving hours]], the time is 19:00. Surprised in her lapse, Yukiko fears they will be late to a special meeting she arranged with a friend one hour before the musical showing. With no other choice, Yukiko kicks her [[Wikipedia: Jaguar E-Type\|Jaguar E-Type]] into high gear and races down through the busy traffic. Noting an upcoming tight turn, the she enlists Shinichi and Ran to perform a special action to help distribute weight. Ran, oblivious to what the woman means, blindly follows Shinichi's instructions to join him in the front seat. A few moments later, the car arrives at the turn and achieves lift-off on its left half. Simultaneously, to Ran's shock and horror, Shinichi lifts both her and himself out of the car window—their torsos sticking out of the vehicle like a pair of surfers riding a wild wave. With the bend successfully cleared, Shinichi laughs off their action, eliciting an infuriated response from a panic-stricken Ran.<br>[[File:CH350_SharonVineyard.png\|thumb\|right\|150px\|"An angel never smiled upon me, not even once."]]
	The group arrives at the theatre in the nick of time, only to be pulled over by a patrolling officer. He informs Yukiko about her excessive speed limit infringement, but is stopped by a large bald man with a mustache, a New York City Police Captain, Radish Redwood. He explains that Yukiko is one of their undercover agents, and that she was naturally speeding in an attempt to catch a fleeing criminal.<br>~~[[File:CH350_SharonVineyard.png\|thumb\|right\|150px\|"An angel never smiled upon me, not even once."]]~~		The group arrives at the theatre in the nick of time, only to be pulled over by a patrolling officer. He informs Yukiko about her excessive speed limit infringement, but is stopped by a large bald man with a mustache, a New York City Police Captain, Radish Redwood. He explains that Yukiko is one of their undercover agents, and that she was naturally speeding in an attempt to catch a fleeing criminal.<br>
	Saved from a serious traffic-related offense, Yukiko profusely expresses her gratitude to Redwood. The captain, however, says she should be thanking someone else. He tugs at the base of his neck, revealing himself to be a disguised [[Sharon Vineyard]]. Shinichi is bewildered by her abilities to masquerade a police captain, leading Yukiko to explain that the two actresses had previously been given a series of lessons in disguise by a [[Toichi Kuroba\|famous Japanese magician]] in order to prepare for their respective film roles. Ran voices her amazement about the honor of meeting such a famous celebrity in New York, directing her gratitude towards a metaphorical God. Sharon remains expressionless, asking if there truly is a God in this world. If such a supreme entity exists, then those who toil in their work and lives would be properly compensated. "An angel never smiled upon me, not even once," she says with a solemn smile, marking the beginning of a gruesome series of unfortunate events.		Saved from a serious traffic-related offense, Yukiko profusely expresses her gratitude to Redwood. The captain, however, says she should be thanking someone else. He tugs at the base of his neck, revealing himself to be a disguised [[Sharon Vineyard]]. Shinichi is bewildered by her abilities to masquerade a police captain, leading Yukiko to explain that the two actresses had previously been given a series of lessons in disguise by a [[Toichi Kuroba\|famous Japanese magician]] in order to prepare for their respective film roles. Ran voices her amazement about the honor of meeting such a famous celebrity in New York, directing her gratitude towards a metaphorical God. Sharon remains expressionless, asking if there truly is a God in this world. If such a supreme entity exists, then those who toil in their work and lives would be properly compensated. "An angel never smiled upon me, not even once," she says with a solemn smile, marking the beginning of a gruesome series of unfortunate events.

ZA1: /* File 340 - Time to Pick the Apple */

2026-06-22T08:45:00Z

File 340 - Time to Pick the Apple

← Older revision		Revision as of 08:45, 22 June 2026
Line 78:		Line 78:
	Kuniyoshi admits guilt, saying he began embezzling to improve his family's financial situation.		Kuniyoshi admits guilt, saying he began embezzling to improve his family's financial situation.
	</spoiler>		</spoiler>
			<br>
	[[File:CH340_XXX.png\|thumb\|left\|125px\|Ran signs her message to Shinichi off with "xxx."]]		[[File:CH340_XXX.png\|thumb\|left\|125px\|Ran signs her message to Shinichi off with "xxx."]]
	With the case solved, Conan rejoins Jodie and Sonoko, asking them to tell him what X means. Sonoko tells him to ask Ran, who appears to be busy timidly writing a text message to [[Shinichi Kudo\|someone]]. Conan approaches her and asks for the meaning of X, catching her in a daze. She frantically euphemizes X as a symbol that means "no good," an explanation Conan appears to accept. The group then exits the department store and parts ways, with Jodie warning the girls about stalkers. As Conan, Ran, and Sonoko make their way home, Jodie turns around and quietly observes them, wondering if "it almost time to pick the apple." <br>[[File:CH340_Dartboard.png\|thumb\|right\|225px\|"X marks the target spot..."]]		With the case solved, Conan rejoins Jodie and Sonoko, asking them to tell him what X means. Sonoko tells him to ask Ran, who appears to be busy timidly writing a text message to [[Shinichi Kudo\|someone]]. Conan approaches her and asks for the meaning of X, catching her in a daze. She frantically euphemizes X as a symbol that means "no good," an explanation Conan appears to accept. The group then exits the department store and parts ways, with Jodie warning the girls about stalkers. As Conan, Ran, and Sonoko make their way home, Jodie turns around and quietly observes them, wondering if "it almost time to pick the apple." <br>[[File:CH340_Dartboard.png\|thumb\|right\|225px\|"X marks the target spot..."]]

ZA1: /* File 350 - Golden Apple 1 */

2026-06-15T03:32:46Z

File 350 - Golden Apple 1

← Older revision		Revision as of 03:32, 15 June 2026
Line 327:		Line 327:
	Ran notices the abundance of police cars patrolling the streets, which Shinichi attributes to the at-large Japanese serial killer, who specifically targets young women. Yukiko assures the worried girl that he is only active past midnight and that it is still currently 18:00. Her son corrects her, stating that due to [[Wikipedia: Daylight saving time\|daylight saving hours]], the time is 19:00. Surprised in her lapse, Yukiko fears they will be late to a special meeting she arranged with a friend one hour before the musical showing. With no other choice, Yukiko kicks her [[Wikipedia: Jaguar E-Type\|Jaguar E-Type]] into high gear and races down through the busy traffic. Noting an upcoming tight turn, the she enlists Shinichi and Ran to perform a special action to help distribute weight. Ran, oblivious to what the woman means, blindly follows Shinichi's instructions to join him in the front seat. A few moments later, the car arrives at the turn and achieves lift-off on its left half. Simultaneously, to Ran's shock and horror, Shinichi lifts both her and himself out of the car window—their torsos sticking out of the vehicle like a pair of surfers riding a wild wave. With the bend successfully cleared, Shinichi laughs off their action, eliciting an infuriated response from a panic-stricken Ran.<br>		Ran notices the abundance of police cars patrolling the streets, which Shinichi attributes to the at-large Japanese serial killer, who specifically targets young women. Yukiko assures the worried girl that he is only active past midnight and that it is still currently 18:00. Her son corrects her, stating that due to [[Wikipedia: Daylight saving time\|daylight saving hours]], the time is 19:00. Surprised in her lapse, Yukiko fears they will be late to a special meeting she arranged with a friend one hour before the musical showing. With no other choice, Yukiko kicks her [[Wikipedia: Jaguar E-Type\|Jaguar E-Type]] into high gear and races down through the busy traffic. Noting an upcoming tight turn, the she enlists Shinichi and Ran to perform a special action to help distribute weight. Ran, oblivious to what the woman means, blindly follows Shinichi's instructions to join him in the front seat. A few moments later, the car arrives at the turn and achieves lift-off on its left half. Simultaneously, to Ran's shock and horror, Shinichi lifts both her and himself out of the car window—their torsos sticking out of the vehicle like a pair of surfers riding a wild wave. With the bend successfully cleared, Shinichi laughs off their action, eliciting an infuriated response from a panic-stricken Ran.<br>
	The group arrives at the theatre in the nick of time, only to be pulled over by a patrolling officer. He informs Yukiko about her excessive speed limit infringement, but is stopped by a large bald man with a mustache, a New York City Police Captain, Radish Redwood. He explains that Yukiko is one of their undercover agents, and that she was naturally speeding in an attempt to catch a fleeing criminal.<br>[[File:CH350_SharonVineyard.png\|thumb\|right\|150px\|"An angel never smiled upon me, not even once."]]		The group arrives at the theatre in the nick of time, only to be pulled over by a patrolling officer. He informs Yukiko about her excessive speed limit infringement, but is stopped by a large bald man with a mustache, a New York City Police Captain, Radish Redwood. He explains that Yukiko is one of their undercover agents, and that she was naturally speeding in an attempt to catch a fleeing criminal.<br>[[File:CH350_SharonVineyard.png\|thumb\|right\|150px\|"An angel never smiled upon me, not even once."]]
	Saved from a serious traffic-related offense, Yukiko profusely expresses her gratitude to Redwood. The captain, however, says she should be thanking someone else. He tugs at the base of his neck, revealing himself to be a disguised [[Sharon Vineyard]]. Shinichi bewildered by her abilities to masquerade a police captain, leading Yukiko to explain that the two actresses had previously been given a series of lessons in disguise by a [[Toichi Kuroba\|famous Japanese magician]] in order to prepare for their respective film roles. Ran voices her amazement about the honor of meeting such a famous celebrity in New York, directing her gratitude towards a metaphorical God. Sharon remains expressionless, asking if there truly is a God in this world. If such a supreme entity exists, then those who toil in their work and lives would be properly compensated. "An angel never smiled upon me, not even once," she says with a solemn smile, marking the beginning of a gruesome series of unfortunate events.		Saved from a serious traffic-related offense, Yukiko profusely expresses her gratitude to Redwood. The captain, however, says she should be thanking someone else. He tugs at the base of his neck, revealing himself to be a disguised [[Sharon Vineyard]]. Shinichi is bewildered by her abilities to masquerade a police captain, leading Yukiko to explain that the two actresses had previously been given a series of lessons in disguise by a [[Toichi Kuroba\|famous Japanese magician]] in order to prepare for their respective film roles. Ran voices her amazement about the honor of meeting such a famous celebrity in New York, directing her gratitude towards a metaphorical God. Sharon remains expressionless, asking if there truly is a God in this world. If such a supreme entity exists, then those who toil in their work and lives would be properly compensated. "An angel never smiled upon me, not even once," she says with a solemn smile, marking the beginning of a gruesome series of unfortunate events.

	==== People ====		==== People ====

ZA1: /* File 341 - The Hint That Was Against... */

2026-06-14T23:25:37Z

File 341 - The Hint That Was Against...

← Older revision		Revision as of 23:25, 14 June 2026
Line 108:		Line 108:
	==== File 341 - The Hint That Was Against... ====		==== File 341 - The Hint That Was Against... ====
	[[File:CH341_ChrisVineyardVermouth.png\|thumb\|right\|200px\|Conan deduces that Chris Vineyard is a member of the Black Organization.]]		[[File:CH341_ChrisVineyardVermouth.png\|thumb\|right\|200px\|Conan deduces that Chris Vineyard is a member of the Black Organization.]]
	[[Hiroshi Agasa\|Agasa]] expresses incredible shock upon hearing that files pertaining to cases [[Kogoro Mouri]] solved have been stolen from the police headquarters.<ref name="Missing_Watch_Case"> Missing Watch Case (Manga: [[Volume_33#Missing_Watch_Case\|Volume 33: 335-337]])</ref> [[Conan Edogawa\|Conan]] admits that the concurrent death of [[Shinichi Kudo]] and the rise of the Sleeping Kogoro is a suspicious coincidence that may have caught the attention of the [[Black Organization]]. Agasa pettily recalls Conan keeping the concerning news a secret from him when [[Wataru Takagi\|Takagi]] initially relayed the information, to which Conan responds he did so because of [[Ai Haibara\|Haibara]] was present. He remarks that she is prone to panicking, adding that he promised to protect her if things go awry. Meanwhile, Haibara eavesdrops on the conversation from the basement staircase with a desolate expression.<br>		[[Hiroshi Agasa\|Agasa]] expresses incredible shock upon hearing that files pertaining to cases [[Kogoro Mouri]] solved have been stolen from the police headquarters.<ref name="Missing_Watch_Case"> Missing Watch Case (Manga: [[Volume_33#Missing_Watch_Case\|Volume 33: 335-337]])</ref> [[Conan Edogawa\|Conan]] admits that the concurrent death of [[Shinichi Kudo]] and the rise of the Sleeping Kogoro is a suspicious coincidence that may have caught the attention of the [[Black Organization]]. Agasa pettily recalls Conan keeping the concerning news a secret from him when [[Wataru Takagi\|Takagi]] initially relayed the information, to which Conan responds he did so because [[Ai Haibara\|Haibara]] was present. He remarks that she is prone to panicking, adding that he promised to protect her if things go awry. Meanwhile, Haibara eavesdrops on the conversation from the basement staircase with a desolate expression.<br>
	Conan mentions how the document thief later returned the files to the police, noting the action's strangeness. [[Heiji Hattori\|Heiji]] floats the idea of it being a trap—a means of luring Shinichi out to investigate. Conan has a surprised reaction to Heiji's sudden appearance, later learning Agasa had called him to aid in brainstorming solutions to their dilemma. Heiji deduces that Conan has figured out a major mystery with respect to the organization, and encourages him to share his findings. Conan points to the incident involving [[Pisco]] at the [[Haido City Hotel]].<ref name="Hotel_Party_Murder_Case"> Hotel Party Murder Case (Manga: [[Volume_24#Hotel_Party_Murder_Case\|Volume 24: 238-242]])</ref> He reiterates his theory about there being an accomplice within the six remaining suspects, who helped Pisco evade suspicion during the interrogation. Among the six celebrity suspects, only one of them had ceased their public activities following the incident: the American movie star, [[Chris Vineyard]].<br>[[File:CH341_JodieMeeting.png\|thumb\|left\|120px\|Jodie welcomes Conan and Heiji to her apartment.]]		Conan mentions how the document thief later returned the files to the police, noting the action's strangeness. [[Heiji Hattori\|Heiji]] floats the idea of it being a trap—a means of luring Shinichi out to investigate. Conan has a surprised reaction to Heiji's sudden appearance, later learning Agasa had called him to aid in brainstorming solutions to their dilemma. Heiji deduces that Conan has figured out a major mystery with respect to the organization, and encourages him to share his findings. Conan points to the incident involving [[Pisco]] at the [[Haido City Hotel]].<ref name="Hotel_Party_Murder_Case"> Hotel Party Murder Case (Manga: [[Volume_24#Hotel_Party_Murder_Case\|Volume 24: 238-242]])</ref> He reiterates his theory about there being an accomplice within the six remaining suspects, who helped Pisco evade suspicion during the interrogation. Among the six celebrity suspects, only one of them had ceased their public activities following the incident: the American movie star, [[Chris Vineyard]].<br>[[File:CH341_JodieMeeting.png\|thumb\|left\|120px\|Jodie welcomes Conan and Heiji to her apartment.]]
	Conan then tasks Agasa with infiltrating a Chris Vineyard fan website to gather information on the actress, adding that he will draw less attention as an older man. Based on Conan's urgency, Heiji also deduces that there is a suspicious foreigner in Conan's life, leading Agasa to mention [[Jodie Starling\|Jodie]]. Despite Conan's reluctance to talk about her, Heiji recklessly proposes that they visit her.<br>		Conan then tasks Agasa with infiltrating a Chris Vineyard fan website to gather information on the actress, adding that he will draw less attention as an older man. Based on Conan's urgency, Heiji also deduces that there is a suspicious foreigner in Conan's life, leading Agasa to mention [[Jodie Starling\|Jodie]]. Despite Conan's reluctance to talk about her, Heiji recklessly proposes that they visit her.<br>
	After learning Jodie's address from [[Ran Mouri\|Ran]], Conan and Heiji find themselves unexpectedly staring up at a towering apartment building. The two ascend the building and locate unit 2104, labeled "Jodie Saintemillion." While the boys bicker about not having drafted a viable excuse to visit her unannounced, Heiji accidentally presses the doorbell, which alerts Jodie to their presence. A nearby door then opens and three inebriated individuals, Chika Shimoda, Michiya Nakamachi, and Noboru Kawakami, exit while discussing their awkward interaction with the apartment tenant, "Takai." A considerable amount of time passes as Jodie finally opens her door, clad in nothing but a bathrobe. The two boys suppress their frisson and enter the apartment, agreeing to eat food at a nearby restaurant. Before leaving, Heiji and Conan ask for the bathroom. Upon entering, they meticulously inspect every inch of the room, as Jodie eavesdrops on their clandestine operation with a smirk.<br>[[File:CH341_FlyingNeighbor.png\|thumb\|right\|140px\|A man suddenly crashes onto the pavement.]]		After learning Jodie's address from [[Ran Mouri\|Ran]], Conan and Heiji find themselves unexpectedly staring up at a towering apartment building. The two ascend the building and locate unit 2104, labeled "Jodie Saintemillion." While the boys bicker about not having drafted a viable excuse to visit her unannounced, Heiji accidentally presses the doorbell, which alerts Jodie to their presence. A nearby door then opens and three inebriated individuals, Chika Shimoda, Michiya Nakamachi, and Noboru Kawakami, exit while discussing their awkward interaction with the apartment tenant, "Takai." A considerable amount of time passes as Jodie finally opens her door, clad in nothing but a bathrobe. The two boys suppress their frisson and enter the apartment, agreeing to eat food at a nearby restaurant. Before leaving, Heiji and Conan ask for the bathroom. Upon entering, they meticulously inspect every inch of the room, as Jodie eavesdrops on their clandestine operation with a smirk.<br>[[File:CH341_FlyingNeighbor.png\|thumb\|right\|140px\|A man suddenly crashes onto the pavement.]]
	Afterward, the group makes their way down to the ground floor, where Jodie comically assumes Heiji is also a foreigner due to his darker skin and [[Wikipedia: Kansai dialect\|"unusual" Japanese]], angering the boy. Once outside, they notice Shimoda taking photographs of the building alone. Suddenly, a small phone drops on the pavement, followed by a much larger human being.		Afterward, the group makes their way down to the ground floor, where Jodie comically assumes Heiji is also a foreigner due to his darker skin and [[Wikipedia: Kansai dialect\|"unusual" Japanese]], angering the boy. Once outside, they notice Shimoda taking photographs of the building alone. Suddenly, a small phone drops on the pavement, followed by a much larger human being.

	==== File 342 - The Flying Neighbor ====		==== File 342 - The Flying Neighbor ====

ZA1: /* File 343 - Who Are You? */

2026-06-14T23:08:09Z

File 343 - Who Are You?

← Older revision		Revision as of 23:08, 14 June 2026
Line 132:		Line 132:
	Kawakami wished to avenge Hirai's death.		Kawakami wished to avenge Hirai's death.
	</spoiler>		</spoiler>
	[[File:CH343_HeijiEnglish.png\|thumb\|~~left~~\|200px\|Heiji deduces that Jodie is actually fluent in Japanese.]]		[[File:CH343_HeijiEnglish.png\|thumb\|right\|200px\|Heiji deduces that Jodie is actually fluent in Japanese.]]
	As the group wraps their investigation and experiment, Heiji returns Jodie's camera that he had held onto while she participated in the simulation. Jodie asks why Heiji feigns his inability to speak English. When accused of not being "a normal high schooler," Heiji responded, "yes, I am a normal high schooler," intend of "no, I am a normal high schooler," the latter of which is more in-line with Japanese grammatical structure. Therefore, Heiji's correct choice of words shows his advanced knowledge of the English language. In response, Heiji, in English, similarly accuses Jodie of feigning her inability to fluently communicate in Japanese. He explains that although her use intonations are flawed, her grammar is perfect, a sign she is attempting to diminish her abilities. As Heiji and Conan part ways with the teacher, Jodie realizes that the experiment the boys conducted was not to elucidate the events leading to Takai's murder, but rather to take a temporary hold of her possessions. She checks her camera, finding its film roll missing.<br>[[File:CH343_JodieCabinet.png\|thumb\|right\|225px\|Photos of Shinichi, Conan, and Ran occupy the space behind Jodie's mirror. ]]		As the group wraps their investigation and experiment, Heiji returns Jodie's camera that he had held onto while she participated in the simulation. Jodie asks why Heiji feigns his inability to speak English. When accused of not being "a normal high schooler," Heiji responded, "yes, I am a normal high schooler," intend of "no, I am a normal high schooler," the latter of which is more in-line with Japanese grammatical structure. Therefore, Heiji's correct choice of words shows his advanced knowledge of the English language. In response, Heiji, in English, similarly accuses Jodie of feigning her inability to fluently communicate in Japanese. He explains that although her use intonations are flawed, her grammar is perfect, a sign she is attempting to diminish her abilities. As Heiji and Conan part ways with the teacher, Jodie realizes that the experiment the boys conducted was not to elucidate the events leading to Takai's murder, but rather to take a temporary hold of her possessions. She checks her camera, finding its film roll missing.<br>[[File:CH343_JodieCabinet.png\|thumb\|right\|225px\|Photos of Shinichi, Conan, and Ran occupy the space behind Jodie's mirror. ]]
	On the walk home, Heiji admits that Jodie is suspicious. Conan recalls that despite her wet body and hair, her bathroom showed signs of her recently drying herself, suggesting that she had already finished her shower prior to their arrival, and had quickly re-drenched herself to buy herself time to hide something. Still, Heiji assumes her innocence, adding that her facial appearance greatly differs from that of Chris Vineyard. Conan, however, remains skeptical, questioning the authenticity of Jodie's face. Internally, he comments that there are two more "suspicious individuals."<br>		On the walk home, Heiji admits that Jodie is suspicious. Conan recalls that despite her wet body and hair, her bathroom showed signs of her recently drying herself, suggesting that she had already finished her shower prior to their arrival, and had quickly re-drenched herself to buy herself time to hide something. Still, Heiji assumes her innocence, adding that her facial appearance greatly differs from that of Chris Vineyard. Conan, however, remains skeptical, questioning the authenticity of Jodie's face. Internally, he comments that there are two more "suspicious individuals."<br>

ZA1: /* File 343 - Who Are You? */

2026-06-14T23:07:52Z

File 343 - Who Are You?

← Older revision		Revision as of 23:07, 14 June 2026
Line 132:		Line 132:
	Kawakami wished to avenge Hirai's death.		Kawakami wished to avenge Hirai's death.
	</spoiler>		</spoiler>
	As the group wraps their investigation and experiment, Heiji returns Jodie's camera that he had held onto while she participated in the simulation. Jodie asks why Heiji feigns his inability to speak English. When accused of not being "a normal high schooler," Heiji responded, "yes, I am a normal high schooler," intend of "no, I am a normal high schooler," the latter of which is more in-line with Japanese grammatical structure. Therefore, Heiji's correct choice of words shows his advanced knowledge of the English language. In response, Heiji, in English, similarly accuses Jodie of feigning her inability to fluently communicate in Japanese. He explains that although her use intonations are flawed, her grammar is perfect, a sign she is attempting to diminish her abilities. As Heiji and Conan part ways with the teacher, Jodie realizes that the experiment the boys conducted was not to elucidate the events leading to Takai's murder, but rather to take a temporary hold of her possessions. She checks her camera, finding its film roll missing.<br>~~[[File:CH343_HeijiEnglish.png\|thumb\|left\|200px\|Heiji deduces that Jodie is actually fluent in Japanese.]]~~[[File:CH343_JodieCabinet.png\|thumb\|right\|225px\|Photos of Shinichi, Conan, and Ran occupy the space behind Jodie's mirror. ]]		[[File:CH343_HeijiEnglish.png\|thumb\|left\|200px\|Heiji deduces that Jodie is actually fluent in Japanese.]]
			As the group wraps their investigation and experiment, Heiji returns Jodie's camera that he had held onto while she participated in the simulation. Jodie asks why Heiji feigns his inability to speak English. When accused of not being "a normal high schooler," Heiji responded, "yes, I am a normal high schooler," intend of "no, I am a normal high schooler," the latter of which is more in-line with Japanese grammatical structure. Therefore, Heiji's correct choice of words shows his advanced knowledge of the English language. In response, Heiji, in English, similarly accuses Jodie of feigning her inability to fluently communicate in Japanese. He explains that although her use intonations are flawed, her grammar is perfect, a sign she is attempting to diminish her abilities. As Heiji and Conan part ways with the teacher, Jodie realizes that the experiment the boys conducted was not to elucidate the events leading to Takai's murder, but rather to take a temporary hold of her possessions. She checks her camera, finding its film roll missing.<br>[[File:CH343_JodieCabinet.png\|thumb\|right\|225px\|Photos of Shinichi, Conan, and Ran occupy the space behind Jodie's mirror. ]]
	On the walk home, Heiji admits that Jodie is suspicious. Conan recalls that despite her wet body and hair, her bathroom showed signs of her recently drying herself, suggesting that she had already finished her shower prior to their arrival, and had quickly re-drenched herself to buy herself time to hide something. Still, Heiji assumes her innocence, adding that her facial appearance greatly differs from that of Chris Vineyard. Conan, however, remains skeptical, questioning the authenticity of Jodie's face. Internally, he comments that there are two more "suspicious individuals."<br>		On the walk home, Heiji admits that Jodie is suspicious. Conan recalls that despite her wet body and hair, her bathroom showed signs of her recently drying herself, suggesting that she had already finished her shower prior to their arrival, and had quickly re-drenched herself to buy herself time to hide something. Still, Heiji assumes her innocence, adding that her facial appearance greatly differs from that of Chris Vineyard. Conan, however, remains skeptical, questioning the authenticity of Jodie's face. Internally, he comments that there are two more "suspicious individuals."<br>
	Back at Jodie's apartment, the woman comments on Heiji Hattori, finding him intriguing. She arrives at her bathroom sink and pulls back the mirror, revealing a several photographs of Ran, Conan, and Shinichi at the [[Teitan High School]] Festival.<ref name="School_Play_Murder_Case"> School Play Murder Case (Manga: [[Volume_26#School_Play_Murder_Case\|Volume 26: 255-257]])</ref>		Back at Jodie's apartment, the woman comments on Heiji Hattori, finding him intriguing. She arrives at her bathroom sink and pulls back the mirror, revealing a several photographs of Ran, Conan, and Shinichi at the [[Teitan High School]] Festival.<ref name="School_Play_Murder_Case"> School Play Murder Case (Manga: [[Volume_26#School_Play_Murder_Case\|Volume 26: 255-257]])</ref>

ZA1: /* File 343 - Who Are You? */

2026-06-14T23:07:29Z

File 343 - Who Are You?

← Older revision		Revision as of 23:07, 14 June 2026
Line 132:		Line 132:
	Kawakami wished to avenge Hirai's death.		Kawakami wished to avenge Hirai's death.
	</spoiler>		</spoiler>
	~~<br>~~		As the group wraps their investigation and experiment, Heiji returns Jodie's camera that he had held onto while she participated in the simulation. Jodie asks why Heiji feigns his inability to speak English. When accused of not being "a normal high schooler," Heiji responded, "yes, I am a normal high schooler," intend of "no, I am a normal high schooler," the latter of which is more in-line with Japanese grammatical structure. Therefore, Heiji's correct choice of words shows his advanced knowledge of the English language. In response, Heiji, in English, similarly accuses Jodie of feigning her inability to fluently communicate in Japanese. He explains that although her use intonations are flawed, her grammar is perfect, a sign she is attempting to diminish her abilities. As Heiji and Conan part ways with the teacher, Jodie realizes that the experiment the boys conducted was not to elucidate the events leading to Takai's murder, but rather to take a temporary hold of her possessions. She checks her camera, finding its film roll missing.<br>[[File:CH343_HeijiEnglish.png\|thumb\|left\|200px\|Heiji deduces that Jodie is actually fluent in Japanese.]][[File:CH343_JodieCabinet.png\|thumb\|right\|225px\|Photos of Shinichi, Conan, and Ran occupy the space behind Jodie's mirror. ]]
	[[File:CH343_HeijiEnglish.png\|thumb\|left\|200px\|Heiji deduces that Jodie is actually fluent in Japanese.]][[File:CH343_JodieCabinet.png\|thumb\|right\|225px\|Photos of Shinichi, Conan, and Ran occupy the space behind Jodie's mirror. ]]
	As the group wraps their investigation and experiment, Heiji returns Jodie's camera that he had held onto while she participated in the simulation. Jodie asks why Heiji feigns his inability to speak English. When accused of not being "a normal high schooler," Heiji responded, "yes, I am a normal high schooler," intend of "no, I am a normal high schooler," the latter of which is more in-line with Japanese grammatical structure. Therefore, Heiji's correct choice of words shows his advanced knowledge of the English language. In response, Heiji, in English, similarly accuses Jodie of feigning her inability to fluently communicate in Japanese. He explains that although her use intonations are flawed, her grammar is perfect, a sign she is attempting to diminish her abilities. As Heiji and Conan part ways with the teacher, Jodie realizes that the experiment the boys conducted was not to elucidate the events leading to Takai's murder, but rather to take a temporary hold of her possessions. She checks her camera, finding its film roll missing.<br>
	On the walk home, Heiji admits that Jodie is suspicious. Conan recalls that despite her wet body and hair, her bathroom showed signs of her recently drying herself, suggesting that she had already finished her shower prior to their arrival, and had quickly re-drenched herself to buy herself time to hide something. Still, Heiji assumes her innocence, adding that her facial appearance greatly differs from that of Chris Vineyard. Conan, however, remains skeptical, questioning the authenticity of Jodie's face. Internally, he comments that there are two more "suspicious individuals."<br>		On the walk home, Heiji admits that Jodie is suspicious. Conan recalls that despite her wet body and hair, her bathroom showed signs of her recently drying herself, suggesting that she had already finished her shower prior to their arrival, and had quickly re-drenched herself to buy herself time to hide something. Still, Heiji assumes her innocence, adding that her facial appearance greatly differs from that of Chris Vineyard. Conan, however, remains skeptical, questioning the authenticity of Jodie's face. Internally, he comments that there are two more "suspicious individuals."<br>
	Back at Jodie's apartment, the woman comments on Heiji Hattori, finding him intriguing. She arrives at her bathroom sink and pulls back the mirror, revealing a several photographs of Ran, Conan, and Shinichi at the [[Teitan High School]] Festival.<ref name="School_Play_Murder_Case"> School Play Murder Case (Manga: [[Volume_26#School_Play_Murder_Case\|Volume 26: 255-257]])</ref>		Back at Jodie's apartment, the woman comments on Heiji Hattori, finding him intriguing. She arrives at her bathroom sink and pulls back the mirror, revealing a several photographs of Ran, Conan, and Shinichi at the [[Teitan High School]] Festival.<ref name="School_Play_Murder_Case"> School Play Murder Case (Manga: [[Volume_26#School_Play_Murder_Case\|Volume 26: 255-257]])</ref>

ZA1: /* File 343 - Who Are You? */

2026-06-14T23:06:51Z

File 343 - Who Are You?

← Older revision		Revision as of 23:06, 14 June 2026
Line 132:		Line 132:
	Kawakami wished to avenge Hirai's death.		Kawakami wished to avenge Hirai's death.
	</spoiler>		</spoiler>
			<br>
	[[File:CH343_HeijiEnglish.png\|thumb\|left\|200px\|Heiji deduces that Jodie is actually fluent in Japanese.]][[File:CH343_JodieCabinet.png\|thumb\|right\|225px\|Photos of Shinichi, Conan, and Ran occupy the space behind Jodie's mirror. ]]		[[File:CH343_HeijiEnglish.png\|thumb\|left\|200px\|Heiji deduces that Jodie is actually fluent in Japanese.]][[File:CH343_JodieCabinet.png\|thumb\|right\|225px\|Photos of Shinichi, Conan, and Ran occupy the space behind Jodie's mirror. ]]
	As the group wraps their investigation and experiment, Heiji returns Jodie's camera that he had held onto while she participated in the simulation. Jodie asks why Heiji feigns his inability to speak English. When accused of not being "a normal high schooler," Heiji responded, "yes, I am a normal high schooler," intend of "no, I am a normal high schooler," the latter of which is more in-line with Japanese grammatical structure. Therefore, Heiji's correct choice of words shows his advanced knowledge of the English language. In response, Heiji, in English, similarly accuses Jodie of feigning her inability to fluently communicate in Japanese. He explains that although her use intonations are flawed, her grammar is perfect, a sign she is attempting to diminish her abilities. As Heiji and Conan part ways with the teacher, Jodie realizes that the experiment the boys conducted was not to elucidate the events leading to Takai's murder, but rather to take a temporary hold of her possessions. She checks her camera, finding its film roll missing.<br>		As the group wraps their investigation and experiment, Heiji returns Jodie's camera that he had held onto while she participated in the simulation. Jodie asks why Heiji feigns his inability to speak English. When accused of not being "a normal high schooler," Heiji responded, "yes, I am a normal high schooler," intend of "no, I am a normal high schooler," the latter of which is more in-line with Japanese grammatical structure. Therefore, Heiji's correct choice of words shows his advanced knowledge of the English language. In response, Heiji, in English, similarly accuses Jodie of feigning her inability to fluently communicate in Japanese. He explains that although her use intonations are flawed, her grammar is perfect, a sign she is attempting to diminish her abilities. As Heiji and Conan part ways with the teacher, Jodie realizes that the experiment the boys conducted was not to elucidate the events leading to Takai's murder, but rather to take a temporary hold of her possessions. She checks her camera, finding its film roll missing.<br>
	On the walk home, Heiji admits that Jodie is suspicious. Conan recalls that despite her wet body and hair, her bathroom showed signs of her recently drying herself, suggesting that she had already finished her shower prior to their arrival, and had quickly re-drenched herself to buy herself time to hide something. Still, Heiji assumes her innocence, adding that her facial appearance greatly differs from that of Chris Vineyard. Conan, however, remains skeptical, questioning the authenticity of Jodie's face. Internally, he comments that there are two more "suspicious individuals."<br>		On the walk home, Heiji admits that Jodie is suspicious. Conan recalls that despite her wet body and hair, her bathroom showed signs of her recently drying herself, suggesting that she had already finished her shower prior to their arrival, and had quickly re-drenched herself to buy herself time to hide something. Still, Heiji assumes her innocence, adding that her facial appearance greatly differs from that of Chris Vineyard. Conan, however, remains skeptical, questioning the authenticity of Jodie's face. Internally, he comments that there are two more "suspicious individuals."<br>
	Back at Jodie's apartment, the woman comments on Heiji Hattori, finding him intriguing. She arrives at her bathroom sink and pulls back the mirror, revealing a several photographs of Ran, Conan, and Shinichi at the [[Teitan High School]] Festival.<ref name="School_Play_Murder_Case"> School Play Murder Case (Manga: [[Volume_26#School_Play_Murder_Case\|Volume 26: 255-257]])</ref>		Back at Jodie's apartment, the woman comments on Heiji Hattori, finding him intriguing. She arrives at her bathroom sink and pulls back the mirror, revealing a several photographs of Ran, Conan, and Shinichi at the [[Teitan High School]] Festival.<ref name="School_Play_Murder_Case"> School Play Murder Case (Manga: [[Volume_26#School_Play_Murder_Case\|Volume 26: 255-257]])</ref>

	==== People ====		==== People ====

Smeagol17 at 18:00, 15 April 2026

2026-04-15T18:00:37Z

← Older revision		Revision as of 18:00, 15 April 2026
Line 9:		Line 9:
	\| english-isbn = 1-4215-2885-1		\| english-isbn = 1-4215-2885-1
	\| english-publisher = [[Viz Media]]		\| english-publisher = [[Viz Media]]
	\| detective = [[~~Akakabu Kenji~~]]		\| detective = [[Shigeru Hiragi]]
	\| keyhole = [[Jugo Yokomizo]]		\| keyhole = [[Jugo Yokomizo]]
	\| prev-volume = Volume 33		\| prev-volume = Volume 33

Sedritsugu: /* File 350 - Golden Apple 1 */

2025-09-02T11:49:15Z

File 350 - Golden Apple 1

← Older revision		Revision as of 11:49, 2 September 2025
Line 327:		Line 327:
	Ran notices the abundance of police cars patrolling the streets, which Shinichi attributes to the at-large Japanese serial killer, who specifically targets young women. Yukiko assures the worried girl that he is only active past midnight and that it is still currently 18:00. Her son corrects her, stating that due to [[Wikipedia: Daylight saving time\|daylight saving hours]], the time is 19:00. Surprised in her lapse, Yukiko fears they will be late to a special meeting she arranged with a friend one hour before the musical showing. With no other choice, Yukiko kicks her [[Wikipedia: Jaguar E-Type\|Jaguar E-Type]] into high gear and races down through the busy traffic. Noting an upcoming tight turn, the she enlists Shinichi and Ran to perform a special action to help distribute weight. Ran, oblivious to what the woman means, blindly follows Shinichi's instructions to join him in the front seat. A few moments later, the car arrives at the turn and achieves lift-off on its left half. Simultaneously, to Ran's shock and horror, Shinichi lifts both her and himself out of the car window—their torsos sticking out of the vehicle like a pair of surfers riding a wild wave. With the bend successfully cleared, Shinichi laughs off their action, eliciting an infuriated response from a panic-stricken Ran.<br>		Ran notices the abundance of police cars patrolling the streets, which Shinichi attributes to the at-large Japanese serial killer, who specifically targets young women. Yukiko assures the worried girl that he is only active past midnight and that it is still currently 18:00. Her son corrects her, stating that due to [[Wikipedia: Daylight saving time\|daylight saving hours]], the time is 19:00. Surprised in her lapse, Yukiko fears they will be late to a special meeting she arranged with a friend one hour before the musical showing. With no other choice, Yukiko kicks her [[Wikipedia: Jaguar E-Type\|Jaguar E-Type]] into high gear and races down through the busy traffic. Noting an upcoming tight turn, the she enlists Shinichi and Ran to perform a special action to help distribute weight. Ran, oblivious to what the woman means, blindly follows Shinichi's instructions to join him in the front seat. A few moments later, the car arrives at the turn and achieves lift-off on its left half. Simultaneously, to Ran's shock and horror, Shinichi lifts both her and himself out of the car window—their torsos sticking out of the vehicle like a pair of surfers riding a wild wave. With the bend successfully cleared, Shinichi laughs off their action, eliciting an infuriated response from a panic-stricken Ran.<br>
	The group arrives at the theatre in the nick of time, only to be pulled over by a patrolling officer. He informs Yukiko about her excessive speed limit infringement, but is stopped by a large bald man with a mustache, a New York City Police Captain, Radish Redwood. He explains that Yukiko is one of their undercover agents, and that she was naturally speeding in an attempt to catch a fleeing criminal.<br>[[File:CH350_SharonVineyard.png\|thumb\|right\|150px\|"An angel never smiled upon me, not even once."]]		The group arrives at the theatre in the nick of time, only to be pulled over by a patrolling officer. He informs Yukiko about her excessive speed limit infringement, but is stopped by a large bald man with a mustache, a New York City Police Captain, Radish Redwood. He explains that Yukiko is one of their undercover agents, and that she was naturally speeding in an attempt to catch a fleeing criminal.<br>[[File:CH350_SharonVineyard.png\|thumb\|right\|150px\|"An angel never smiled upon me, not even once."]]
	Saved from a serious traffic-related offense, Yukiko profusely expresses her gratitude to ~~Radish~~. The captain, however, says she should be thanking someone else. He tugs at the base of his neck, revealing himself to be a disguised [[Sharon Vineyard]]. Shinichi bewildered by her abilities to masquerade a police captain, leading Yukiko to explain that the two actresses had previously been given a series of lessons in disguise by a [[Toichi Kuroba\|famous Japanese magician]] in order to prepare for their respective film roles. Ran voices her amazement about the honor of meeting such a famous celebrity in New York, directing her gratitude towards a metaphorical God. Sharon remains expressionless, asking if there truly is a God in this world. If such a supreme entity exists, then those who toil in their work and lives would be properly compensated. "An angel never smiled upon me, not even once," she says with a solemn smile, marking the beginning of a gruesome series of unfortunate events.		Saved from a serious traffic-related offense, Yukiko profusely expresses her gratitude to Redwood. The captain, however, says she should be thanking someone else. He tugs at the base of his neck, revealing himself to be a disguised [[Sharon Vineyard]]. Shinichi bewildered by her abilities to masquerade a police captain, leading Yukiko to explain that the two actresses had previously been given a series of lessons in disguise by a [[Toichi Kuroba\|famous Japanese magician]] in order to prepare for their respective film roles. Ran voices her amazement about the honor of meeting such a famous celebrity in New York, directing her gratitude towards a metaphorical God. Sharon remains expressionless, asking if there truly is a God in this world. If such a supreme entity exists, then those who toil in their work and lives would be properly compensated. "An angel never smiled upon me, not even once," she says with a solemn smile, marking the beginning of a gruesome series of unfortunate events.

	==== People ====		==== People ====

← Older revision		Revision as of 07:31, 24 June 2026
Line 324:		Line 324:
	==== File 350 - Golden Apple 1 ====		==== File 350 - Golden Apple 1 ====

	[[Conan Edogawa\|Conan]] is the first to rush to [[Ran Mouri\|Ran]]'s side, soon followed by [[Jugo Yokomizo]], who opts to drive her directly to a hospital across the [[Wikipedia: Yokohama Bay Bridge\|Yokohama Bay Bridge]]. Ran's vision begins to warp as she sees Conan's image turn into [[Shinichi Kudo\|Shinichi]]. She remarks about feeling inadequate, remembering a time she was saved by him before.<br>~~[[File:CH350_StatueOfLiberty.png\|thumb\|right\|200px\|The Statue of Liberty.]]~~		[[Conan Edogawa\|Conan]] is the first to rush to [[Ran Mouri\|Ran]]'s side, soon followed by [[Jugo Yokomizo]], who opts to drive her directly to a hospital across the [[Wikipedia: Yokohama Bay Bridge\|Yokohama Bay Bridge]]. Ran's vision begins to warp as she sees Conan's image turn into [[Shinichi Kudo\|Shinichi]]. She remarks about feeling inadequate, remembering a time she was saved by him before.<br>
	A vintage car speeds down an [[Wikipedia: Brooklyn Bridge\|imposing bridge]] towards a [[Wikipedia: New York City\|city that never sleeps]]. In the backseat, Ran emerges from her nap just in time to notice the [[Wikipedia: Statue of Liberty\|Statue of Liberty]] in the distance. Her fellow passenger, Shinichi explains that New Yorkers call the landmark "Miss Liberty." Upset about slumbering through a significant portion of the [[Wikipedia: Manhattan\|Manhattan]] view, Ran voices her complaints, adding that the murder case on the plane ride to [[Wikipedia: Los Angeles\|Los Angeles]] suppressed her ability to find proper rest.<ref name="Shinichi's_First_Murder_Case"> Shinichi's First Murder Case (Manga: [[Volume_21#Shinichi's_First_Murder_Case\|Volume 21: 204-207]])</ref> Shinichi places partial blame the driver, [[Yukiko Kudo\|Yukiko]], for expediting their arrival in New York by a day. She responds that she had no choice, mentioning their sudden acquisition of musical tickets to the new [[Wikipedia: Broadway theatre\|Broadway]] show, Golden Apple.<br>[[File:CH350_SuperStunt.png\|thumb\|left\|230px\|Shinichi and Ran perform a daring stunt.]]		A vintage car speeds down an [[Wikipedia: Brooklyn Bridge\|imposing bridge]] towards a [[Wikipedia: New York City\|city that never sleeps]]. In the backseat, Ran emerges from her nap just in time to notice the [[Wikipedia: Statue of Liberty\|Statue of Liberty]] in the distance. Her fellow passenger, Shinichi explains that New Yorkers call the landmark "Miss Liberty." Upset about slumbering through a significant portion of the [[Wikipedia: Manhattan\|Manhattan]] view, Ran voices her complaints, adding that the murder case on the plane ride to [[Wikipedia: Los Angeles\|Los Angeles]] suppressed her ability to find proper rest.<ref name="Shinichi's_First_Murder_Case"> Shinichi's First Murder Case (Manga: [[Volume_21#Shinichi's_First_Murder_Case\|Volume 21: 204-207]])</ref> Shinichi places partial blame the driver, [[Yukiko Kudo\|Yukiko]], for expediting their arrival in New York by a day. She responds that she had no choice, mentioning their sudden acquisition of musical tickets to the new [[Wikipedia: Broadway theatre\|Broadway]] show, Golden Apple.<br>[[File:CH350_SuperStunt.png\|thumb\|left\|230px\|Shinichi and Ran perform a daring stunt.]]
	Ran notices the abundance of police cars patrolling the streets, which Shinichi attributes to the at-large Japanese serial killer, who specifically targets young women. Yukiko assures the worried girl that he is only active past midnight and that it is still currently 18:00. Her son corrects her, stating that due to [[Wikipedia: Daylight saving time\|daylight saving hours]], the time is 19:00. Surprised in her lapse, Yukiko fears they will be late to a special meeting she arranged with a friend one hour before the musical showing. With no other choice, Yukiko kicks her [[Wikipedia: Jaguar E-Type\|Jaguar E-Type]] into high gear and races down through the busy traffic. Noting an upcoming tight turn, the she enlists Shinichi and Ran to perform a special action to help distribute weight. Ran, oblivious to what the woman means, blindly follows Shinichi's instructions to join him in the front seat. A few moments later, the car arrives at the turn and achieves lift-off on its left half. Simultaneously, to Ran's shock and horror, Shinichi lifts both her and himself out of the car window—their torsos sticking out of the vehicle like a pair of surfers riding a wild wave. With the bend successfully cleared, Shinichi laughs off their action, eliciting an infuriated response from a panic-stricken Ran.<br>		Ran notices the abundance of police cars patrolling the streets, which Shinichi attributes to the at-large Japanese serial killer, who specifically targets young women. Yukiko assures the worried girl that he is only active past midnight and that it is still currently 18:00. Her son corrects her, stating that due to [[Wikipedia: Daylight saving time\|daylight saving hours]], the time is 19:00. Surprised in her lapse, Yukiko fears they will be late to a special meeting she arranged with a friend one hour before the musical showing. With no other choice, Yukiko kicks her [[Wikipedia: Jaguar E-Type\|Jaguar E-Type]] into high gear and races down through the busy traffic. Noting an upcoming tight turn, the she enlists Shinichi and Ran to perform a special action to help distribute weight. Ran, oblivious to what the woman means, blindly follows Shinichi's instructions to join him in the front seat. A few moments later, the car arrives at the turn and achieves lift-off on its left half. Simultaneously, to Ran's shock and horror, Shinichi lifts both her and himself out of the car window—their torsos sticking out of the vehicle like a pair of surfers riding a wild wave. With the bend successfully cleared, Shinichi laughs off their action, eliciting an infuriated response from a panic-stricken Ran.<br>[[File:CH350_SharonVineyard.png\|thumb\|right\|150px\|"An angel never smiled upon me, not even once."]]
	The group arrives at the theatre in the nick of time, only to be pulled over by a patrolling officer. He informs Yukiko about her excessive speed limit infringement, but is stopped by a large bald man with a mustache, a New York City Police Captain, Radish Redwood. He explains that Yukiko is one of their undercover agents, and that she was naturally speeding in an attempt to catch a fleeing criminal.<br>~~[[File:CH350_SharonVineyard.png\|thumb\|right\|150px\|"An angel never smiled upon me, not even once."]]~~		The group arrives at the theatre in the nick of time, only to be pulled over by a patrolling officer. He informs Yukiko about her excessive speed limit infringement, but is stopped by a large bald man with a mustache, a New York City Police Captain, Radish Redwood. He explains that Yukiko is one of their undercover agents, and that she was naturally speeding in an attempt to catch a fleeing criminal.<br>
	Saved from a serious traffic-related offense, Yukiko profusely expresses her gratitude to Redwood. The captain, however, says she should be thanking someone else. He tugs at the base of his neck, revealing himself to be a disguised [[Sharon Vineyard]]. Shinichi is bewildered by her abilities to masquerade a police captain, leading Yukiko to explain that the two actresses had previously been given a series of lessons in disguise by a [[Toichi Kuroba\|famous Japanese magician]] in order to prepare for their respective film roles. Ran voices her amazement about the honor of meeting such a famous celebrity in New York, directing her gratitude towards a metaphorical God. Sharon remains expressionless, asking if there truly is a God in this world. If such a supreme entity exists, then those who toil in their work and lives would be properly compensated. "An angel never smiled upon me, not even once," she says with a solemn smile, marking the beginning of a gruesome series of unfortunate events.		Saved from a serious traffic-related offense, Yukiko profusely expresses her gratitude to Redwood. The captain, however, says she should be thanking someone else. He tugs at the base of his neck, revealing himself to be a disguised [[Sharon Vineyard]]. Shinichi is bewildered by her abilities to masquerade a police captain, leading Yukiko to explain that the two actresses had previously been given a series of lessons in disguise by a [[Toichi Kuroba\|famous Japanese magician]] in order to prepare for their respective film roles. Ran voices her amazement about the honor of meeting such a famous celebrity in New York, directing her gratitude towards a metaphorical God. Sharon remains expressionless, asking if there truly is a God in this world. If such a supreme entity exists, then those who toil in their work and lives would be properly compensated. "An angel never smiled upon me, not even once," she says with a solemn smile, marking the beginning of a gruesome series of unfortunate events.

← Older revision		Revision as of 23:25, 14 June 2026
Line 108:		Line 108:
	==== File 341 - The Hint That Was Against... ====		==== File 341 - The Hint That Was Against... ====
	[[File:CH341_ChrisVineyardVermouth.png\|thumb\|right\|200px\|Conan deduces that Chris Vineyard is a member of the Black Organization.]]		[[File:CH341_ChrisVineyardVermouth.png\|thumb\|right\|200px\|Conan deduces that Chris Vineyard is a member of the Black Organization.]]
	[[Hiroshi Agasa\|Agasa]] expresses incredible shock upon hearing that files pertaining to cases [[Kogoro Mouri]] solved have been stolen from the police headquarters.<ref name="Missing_Watch_Case"> Missing Watch Case (Manga: [[Volume_33#Missing_Watch_Case\|Volume 33: 335-337]])</ref> [[Conan Edogawa\|Conan]] admits that the concurrent death of [[Shinichi Kudo]] and the rise of the Sleeping Kogoro is a suspicious coincidence that may have caught the attention of the [[Black Organization]]. Agasa pettily recalls Conan keeping the concerning news a secret from him when [[Wataru Takagi\|Takagi]] initially relayed the information, to which Conan responds he did so because of [[Ai Haibara\|Haibara]] was present. He remarks that she is prone to panicking, adding that he promised to protect her if things go awry. Meanwhile, Haibara eavesdrops on the conversation from the basement staircase with a desolate expression.<br>		[[Hiroshi Agasa\|Agasa]] expresses incredible shock upon hearing that files pertaining to cases [[Kogoro Mouri]] solved have been stolen from the police headquarters.<ref name="Missing_Watch_Case"> Missing Watch Case (Manga: [[Volume_33#Missing_Watch_Case\|Volume 33: 335-337]])</ref> [[Conan Edogawa\|Conan]] admits that the concurrent death of [[Shinichi Kudo]] and the rise of the Sleeping Kogoro is a suspicious coincidence that may have caught the attention of the [[Black Organization]]. Agasa pettily recalls Conan keeping the concerning news a secret from him when [[Wataru Takagi\|Takagi]] initially relayed the information, to which Conan responds he did so because [[Ai Haibara\|Haibara]] was present. He remarks that she is prone to panicking, adding that he promised to protect her if things go awry. Meanwhile, Haibara eavesdrops on the conversation from the basement staircase with a desolate expression.<br>
	Conan mentions how the document thief later returned the files to the police, noting the action's strangeness. [[Heiji Hattori\|Heiji]] floats the idea of it being a trap—a means of luring Shinichi out to investigate. Conan has a surprised reaction to Heiji's sudden appearance, later learning Agasa had called him to aid in brainstorming solutions to their dilemma. Heiji deduces that Conan has figured out a major mystery with respect to the organization, and encourages him to share his findings. Conan points to the incident involving [[Pisco]] at the [[Haido City Hotel]].<ref name="Hotel_Party_Murder_Case"> Hotel Party Murder Case (Manga: [[Volume_24#Hotel_Party_Murder_Case\|Volume 24: 238-242]])</ref> He reiterates his theory about there being an accomplice within the six remaining suspects, who helped Pisco evade suspicion during the interrogation. Among the six celebrity suspects, only one of them had ceased their public activities following the incident: the American movie star, [[Chris Vineyard]].<br>[[File:CH341_JodieMeeting.png\|thumb\|left\|120px\|Jodie welcomes Conan and Heiji to her apartment.]]		Conan mentions how the document thief later returned the files to the police, noting the action's strangeness. [[Heiji Hattori\|Heiji]] floats the idea of it being a trap—a means of luring Shinichi out to investigate. Conan has a surprised reaction to Heiji's sudden appearance, later learning Agasa had called him to aid in brainstorming solutions to their dilemma. Heiji deduces that Conan has figured out a major mystery with respect to the organization, and encourages him to share his findings. Conan points to the incident involving [[Pisco]] at the [[Haido City Hotel]].<ref name="Hotel_Party_Murder_Case"> Hotel Party Murder Case (Manga: [[Volume_24#Hotel_Party_Murder_Case\|Volume 24: 238-242]])</ref> He reiterates his theory about there being an accomplice within the six remaining suspects, who helped Pisco evade suspicion during the interrogation. Among the six celebrity suspects, only one of them had ceased their public activities following the incident: the American movie star, [[Chris Vineyard]].<br>[[File:CH341_JodieMeeting.png\|thumb\|left\|120px\|Jodie welcomes Conan and Heiji to her apartment.]]
	Conan then tasks Agasa with infiltrating a Chris Vineyard fan website to gather information on the actress, adding that he will draw less attention as an older man. Based on Conan's urgency, Heiji also deduces that there is a suspicious foreigner in Conan's life, leading Agasa to mention [[Jodie Starling\|Jodie]]. Despite Conan's reluctance to talk about her, Heiji recklessly proposes that they visit her.<br>		Conan then tasks Agasa with infiltrating a Chris Vineyard fan website to gather information on the actress, adding that he will draw less attention as an older man. Based on Conan's urgency, Heiji also deduces that there is a suspicious foreigner in Conan's life, leading Agasa to mention [[Jodie Starling\|Jodie]]. Despite Conan's reluctance to talk about her, Heiji recklessly proposes that they visit her.<br>
	After learning Jodie's address from [[Ran Mouri\|Ran]], Conan and Heiji find themselves unexpectedly staring up at a towering apartment building. The two ascend the building and locate unit 2104, labeled "Jodie Saintemillion." While the boys bicker about not having drafted a viable excuse to visit her unannounced, Heiji accidentally presses the doorbell, which alerts Jodie to their presence. A nearby door then opens and three inebriated individuals, Chika Shimoda, Michiya Nakamachi, and Noboru Kawakami, exit while discussing their awkward interaction with the apartment tenant, "Takai." A considerable amount of time passes as Jodie finally opens her door, clad in nothing but a bathrobe. The two boys suppress their frisson and enter the apartment, agreeing to eat food at a nearby restaurant. Before leaving, Heiji and Conan ask for the bathroom. Upon entering, they meticulously inspect every inch of the room, as Jodie eavesdrops on their clandestine operation with a smirk.<br>[[File:CH341_FlyingNeighbor.png\|thumb\|right\|140px\|A man suddenly crashes onto the pavement.]]		After learning Jodie's address from [[Ran Mouri\|Ran]], Conan and Heiji find themselves unexpectedly staring up at a towering apartment building. The two ascend the building and locate unit 2104, labeled "Jodie Saintemillion." While the boys bicker about not having drafted a viable excuse to visit her unannounced, Heiji accidentally presses the doorbell, which alerts Jodie to their presence. A nearby door then opens and three inebriated individuals, Chika Shimoda, Michiya Nakamachi, and Noboru Kawakami, exit while discussing their awkward interaction with the apartment tenant, "Takai." A considerable amount of time passes as Jodie finally opens her door, clad in nothing but a bathrobe. The two boys suppress their frisson and enter the apartment, agreeing to eat food at a nearby restaurant. Before leaving, Heiji and Conan ask for the bathroom. Upon entering, they meticulously inspect every inch of the room, as Jodie eavesdrops on their clandestine operation with a smirk.<br>[[File:CH341_FlyingNeighbor.png\|thumb\|right\|140px\|A man suddenly crashes onto the pavement.]]
	Afterward, the group makes their way down to the ground floor, where Jodie comically assumes Heiji is also a foreigner due to his darker skin and [[Wikipedia: Kansai dialect\|"unusual" Japanese]], angering the boy. Once outside, they notice Shimoda taking photographs of the building alone. Suddenly, a small phone drops on the pavement, followed by a much larger human being.		Afterward, the group makes their way down to the ground floor, where Jodie comically assumes Heiji is also a foreigner due to his darker skin and [[Wikipedia: Kansai dialect\|"unusual" Japanese]], angering the boy. Once outside, they notice Shimoda taking photographs of the building alone. Suddenly, a small phone drops on the pavement, followed by a much larger human being.

	==== File 342 - The Flying Neighbor ====		==== File 342 - The Flying Neighbor ====