Special Volume 4 - Revision history

Rudykaita: /* File 5 */

2026-08-12T02:24:15Z

File 5

← Older revision		Revision as of 02:24, 12 August 2026
Line 115:		Line 115:
	Meguire was virtually powerless to do anything in regards to Seiichi’s palette box, but with this ace in effect, two things happen: one, the strict privacy laws that Seiichi cowardly hid behind no longer apply, and two, Meguire has the immediate authority to seize the box without a pre-signed warrant under the aforementioned legal doctrine. In actuality, the choice to use Exigent Circumstances didn’t appear out of nowhere: an immediate threat MUST be present and proven harmful and life-theatening. In case Seiichi is wondering, yes, the possession of lethal arsine gas in a palette box would highly likely trigger the exigent circumstances doctrine. This situation falls squarely under the public safety emergency exception due to the extreme and immediate threat the material poses to human life. Before the events of the resolution even began, there were talks between Richard and Meguire in regards to Seiichi’s palette box. After the formula and circumstances were analyzed, it made perfect sense to seize the box within the boundaries of the law, secure it, and have it taken outside. The law states that neither Richard nor Inspector Meguire are obligated to inform Seiichi that palette box was seized. The law has an immediate obligation to secure and neutralize active poisons or volatile chemical hazards at a crime scene to protect the public, the maids, and themselves from lethal arsine gas exposure. Meguire already has the poisonous palette box bagged, tagged, and safety waiting outside the mansion for the Fire Department Hazardous Materials Unit (HazMat) with armed forces.		Meguire was virtually powerless to do anything in regards to Seiichi’s palette box, but with this ace in effect, two things happen: one, the strict privacy laws that Seiichi cowardly hid behind no longer apply, and two, Meguire has the immediate authority to seize the box without a pre-signed warrant under the aforementioned legal doctrine. In actuality, the choice to use Exigent Circumstances didn’t appear out of nowhere: an immediate threat MUST be present and proven harmful and life-theatening. In case Seiichi is wondering, yes, the possession of lethal arsine gas in a palette box would highly likely trigger the exigent circumstances doctrine. This situation falls squarely under the public safety emergency exception due to the extreme and immediate threat the material poses to human life. Before the events of the resolution even began, there were talks between Richard and Meguire in regards to Seiichi’s palette box. After the formula and circumstances were analyzed, it made perfect sense to seize the box within the boundaries of the law, secure it, and have it taken outside. The law states that neither Richard nor Inspector Meguire are obligated to inform Seiichi that palette box was seized. The law has an immediate obligation to secure and neutralize active poisons or volatile chemical hazards at a crime scene to protect the public, the maids, and themselves from lethal arsine gas exposure. Meguire already has the poisonous palette box bagged, tagged, and safety waiting outside the mansion for the Fire Department Hazardous Materials Unit (HazMat) with armed forces.

	Seiichi grows hesitant, cautiously taking a step back, and Conan capitalizes forward with a brutal barrage of psychological attacks, menacingly stating that Seiichi likes to choke sick defenseless women in their sleep with lethal gas, but can’t stand to face reality when the law requires him to give his life in exchange and to look himself in the mirror to face the reality of his own creation: Seiichi Hashimoto is NOT a master painter, he is a pathetic narcissistic murderer who used a banned historical toxic sludge because his feelings were hurt over his mundane drawing. The reason why Seiichi is hesitant is because it had already been mentioned: two palette boxes were found in the luggage from two suspects, Dr. Gennori, and the other from Seiichi. Dr. Gennori’s is genuinely innocent and safe to open, but what about Seiichi’s? Yes, there were harmless ~~paintsi~~ and brushes, but were they really harmless as he claims? The short answer is no, they are lethally laced with mold and paints to give off the same fatal fumes that murdered Fumiko. Seiichi couldn’t very well have trashed these certain tools in the garbage and gone about his day because someone somewhere would have gotten ahold of them and pieced it all together, eventually linking him to this cold blooded murder. He also feared of tying them in a garbage bag, throwing them in the woods and retrieving it later to destroy; as a precaution, the Inspector did in fact have a thorough sweep of the estate and everywhere within a 5 mile radius of it, leaving Seiichi indefinitely stuck with the “smoking gun.” They were sealed off to protect himself. The tip off came from one of Meguire’s men, “there were paintbrushes loaded with paint all the way to the ferrule.”		Seiichi grows hesitant, cautiously taking a step back, and Conan capitalizes forward with a brutal barrage of psychological attacks, menacingly stating that Seiichi likes to choke sick defenseless women in their sleep with lethal gas, but can’t stand to face reality when the law requires him to give his life in exchange and to look himself in the mirror to face the reality of his own creation: Seiichi Hashimoto is NOT a master painter, he is a pathetic narcissistic murderer who used a banned historical toxic sludge because his feelings were hurt over his mundane drawing. The reason why Seiichi is hesitant is because it had already been mentioned: two palette boxes were found in the luggage from two suspects, Dr. Gennori, and the other from Seiichi. Dr. Gennori’s is genuinely innocent and safe to open, but what about Seiichi’s? Yes, there were harmless paints and brushes, but were they really harmless as he claims? The short answer is no, they are lethally laced with mold and paints to give off the same fatal fumes that murdered Fumiko. Seiichi couldn’t very well have trashed these certain tools in the garbage and gone about his day because someone somewhere would have gotten ahold of them and pieced it all together, eventually linking him to this cold blooded murder. He also feared of tying them in a garbage bag, throwing them in the woods and retrieving it later to destroy; as a precaution, the Inspector did in fact have a thorough sweep of the estate and everywhere within a 5 mile radius of it, leaving Seiichi indefinitely stuck with the “smoking gun.” They were sealed off to protect himself. The tip off came from one of Meguire’s men, “there were paintbrushes loaded with paint all the way to the ferrule.”

	Conan states that while no one there is an art student, that’s one of the things a painter of international recognition should never do. Painters keep paint on the bottom two-thirds of the bristles. Paint dried inside the metal band (ferrule) is almost impossible to remove and splits the brush head permanently. It wasn’t much, but it was enough to stand out. The formula is complete: Seiichi has the weapons, plus the access of the crime scene, plus his direct paints and mold applications that released the poison that caused her death, and adding in the time for which said mold and paints were applied, equals a painting of absolute justice for Fumiko, and a lifetime of punishment and atonement for Seiichi. Conan yields back, putting his bow tie back around his neck.		Conan states that while no one there is an art student, that’s one of the things a painter of international recognition should never do. Painters keep paint on the bottom two-thirds of the bristles. Paint dried inside the metal band (ferrule) is almost impossible to remove and splits the brush head permanently. It wasn’t much, but it was enough to stand out. The formula is complete: Seiichi has the weapons, plus the access of the crime scene, plus his direct paints and mold applications that released the poison that caused her death, and adding in the time for which said mold and paints were applied, equals a painting of absolute justice for Fumiko, and a lifetime of punishment and atonement for Seiichi. Conan yields back, putting his bow tie back around his neck.

Rudykaita: /* File 5 */

2026-08-12T02:22:48Z

File 5

← Older revision		Revision as of 02:22, 12 August 2026
Line 115:		Line 115:
	Meguire was virtually powerless to do anything in regards to Seiichi’s palette box, but with this ace in effect, two things happen: one, the strict privacy laws that Seiichi cowardly hid behind no longer apply, and two, Meguire has the immediate authority to seize the box without a pre-signed warrant under the aforementioned legal doctrine. In actuality, the choice to use Exigent Circumstances didn’t appear out of nowhere: an immediate threat MUST be present and proven harmful and life-theatening. In case Seiichi is wondering, yes, the possession of lethal arsine gas in a palette box would highly likely trigger the exigent circumstances doctrine. This situation falls squarely under the public safety emergency exception due to the extreme and immediate threat the material poses to human life. Before the events of the resolution even began, there were talks between Richard and Meguire in regards to Seiichi’s palette box. After the formula and circumstances were analyzed, it made perfect sense to seize the box within the boundaries of the law, secure it, and have it taken outside. The law states that neither Richard nor Inspector Meguire are obligated to inform Seiichi that palette box was seized. The law has an immediate obligation to secure and neutralize active poisons or volatile chemical hazards at a crime scene to protect the public, the maids, and themselves from lethal arsine gas exposure. Meguire already has the poisonous palette box bagged, tagged, and safety waiting outside the mansion for the Fire Department Hazardous Materials Unit (HazMat) with armed forces.		Meguire was virtually powerless to do anything in regards to Seiichi’s palette box, but with this ace in effect, two things happen: one, the strict privacy laws that Seiichi cowardly hid behind no longer apply, and two, Meguire has the immediate authority to seize the box without a pre-signed warrant under the aforementioned legal doctrine. In actuality, the choice to use Exigent Circumstances didn’t appear out of nowhere: an immediate threat MUST be present and proven harmful and life-theatening. In case Seiichi is wondering, yes, the possession of lethal arsine gas in a palette box would highly likely trigger the exigent circumstances doctrine. This situation falls squarely under the public safety emergency exception due to the extreme and immediate threat the material poses to human life. Before the events of the resolution even began, there were talks between Richard and Meguire in regards to Seiichi’s palette box. After the formula and circumstances were analyzed, it made perfect sense to seize the box within the boundaries of the law, secure it, and have it taken outside. The law states that neither Richard nor Inspector Meguire are obligated to inform Seiichi that palette box was seized. The law has an immediate obligation to secure and neutralize active poisons or volatile chemical hazards at a crime scene to protect the public, the maids, and themselves from lethal arsine gas exposure. Meguire already has the poisonous palette box bagged, tagged, and safety waiting outside the mansion for the Fire Department Hazardous Materials Unit (HazMat) with armed forces.

	Seiichi grows hesitant, cautiously taking a step back, and Conan capitalizes forward, menacingly stating that Seiichi likes to choke sick defenseless women in their sleep with lethal gas, but can’t stand to face reality when the law requires him to give his life in exchange and to look himself in the mirror to face the reality of his own creation: Seiichi Hashimoto is NOT a master painter, he is a pathetic narcissistic murderer who used a banned historical toxic sludge because his feelings were hurt over his mundane drawing. The reason why Seiichi is hesitant is because it had already been mentioned: two palette boxes were found in the luggage from two suspects, Dr. Gennori, and the other from Seiichi. Dr. Gennori’s is genuinely innocent and safe to open, but what about Seiichi’s? Yes, there were harmless paintsi and brushes, but were they really harmless as he claims? The short answer is no, they are lethally laced with mold and paints to give off the same fatal fumes that murdered Fumiko. Seiichi couldn’t very well have trashed these certain tools in the garbage and gone about his day because someone somewhere would have gotten ahold of them and pieced it all together, eventually linking him to this cold blooded murder. He also feared of tying them in a garbage bag, throwing them in the woods and retrieving it later to destroy; as a precaution, the Inspector did in fact have a thorough sweep of the estate and everywhere within a 5 mile radius of it, leaving Seiichi indefinitely stuck with the “smoking gun.” They were sealed off to protect himself. The tip off came from one of Meguire’s men, “there were paintbrushes loaded with paint all the way to the ferrule.”		Seiichi grows hesitant, cautiously taking a step back, and Conan capitalizes forward with a brutal barrage of psychological attacks, menacingly stating that Seiichi likes to choke sick defenseless women in their sleep with lethal gas, but can’t stand to face reality when the law requires him to give his life in exchange and to look himself in the mirror to face the reality of his own creation: Seiichi Hashimoto is NOT a master painter, he is a pathetic narcissistic murderer who used a banned historical toxic sludge because his feelings were hurt over his mundane drawing. The reason why Seiichi is hesitant is because it had already been mentioned: two palette boxes were found in the luggage from two suspects, Dr. Gennori, and the other from Seiichi. Dr. Gennori’s is genuinely innocent and safe to open, but what about Seiichi’s? Yes, there were harmless paintsi and brushes, but were they really harmless as he claims? The short answer is no, they are lethally laced with mold and paints to give off the same fatal fumes that murdered Fumiko. Seiichi couldn’t very well have trashed these certain tools in the garbage and gone about his day because someone somewhere would have gotten ahold of them and pieced it all together, eventually linking him to this cold blooded murder. He also feared of tying them in a garbage bag, throwing them in the woods and retrieving it later to destroy; as a precaution, the Inspector did in fact have a thorough sweep of the estate and everywhere within a 5 mile radius of it, leaving Seiichi indefinitely stuck with the “smoking gun.” They were sealed off to protect himself. The tip off came from one of Meguire’s men, “there were paintbrushes loaded with paint all the way to the ferrule.”

	Conan states that while no one there is an art student, that’s one of the things a painter of international recognition should never do. Painters keep paint on the bottom two-thirds of the bristles. Paint dried inside the metal band (ferrule) is almost impossible to remove and splits the brush head permanently. It wasn’t much, but it was enough to stand out. The formula is complete: Seiichi has the weapons, plus the access of the crime scene, plus his direct paints and mold applications that released the poison that caused her death, and adding in the time for which said mold and paints were applied, equals a painting of absolute justice for Fumiko, and a lifetime of punishment and atonement for Seiichi. Conan yields back, putting his bow tie back around his neck.		Conan states that while no one there is an art student, that’s one of the things a painter of international recognition should never do. Painters keep paint on the bottom two-thirds of the bristles. Paint dried inside the metal band (ferrule) is almost impossible to remove and splits the brush head permanently. It wasn’t much, but it was enough to stand out. The formula is complete: Seiichi has the weapons, plus the access of the crime scene, plus his direct paints and mold applications that released the poison that caused her death, and adding in the time for which said mold and paints were applied, equals a painting of absolute justice for Fumiko, and a lifetime of punishment and atonement for Seiichi. Conan yields back, putting his bow tie back around his neck.

	Seiichi kindly asks the room if they know who is he, then asks again, before exploding in a rage filled rant that he is the Master Painter, Seiichi Hashimoto. Seiichi violently snaps, taking offense of Richard’s barrage of psychological attacks to his ego and psyche l. His work is his life, his passion, and his legacy. He confesses to brutally murdering Fumiko, because she simply stated that she didn’t like the painting Seiichi did and wanted him to remake it. Seiichi continues, with veins popping out of his neck and at the top of his lungs, asking the room if Richard knows who he is and what he’s capable of.		Seiichi kindly asks the room if they know who is he, then asks again, before exploding in a rage filled rant that he is the Master Painter, Seiichi Hashimoto. Seiichi violently snaps, taking offense of Richard’s barrage of psychological attacks to his ego and psyche. His work is his life, his passion, and his legacy. He confesses to brutally murdering Fumiko, because she simply stated that she didn’t like the painting Seiichi did and wanted him to remake it. Seiichi continues, with veins popping out of his neck and at the top of his lungs, asking the room if Richard knows who he is and what he’s capable of.

	Seiichi cruelly mocks the maids for their grief, calling their act worthless. He turns his attention to the grief stricken Rachel who is still emotionally devastated from the Scheele’s Green story. Seiichi tells Rachel, who he fully blames for his rightfully earned arrest, that he wished her bonquet of flowers died along with Fumiko. Fully consumed by his self-driven maniacal self image and narcissism, Seiichi continues to gloat, failing to realize the Inspector placing him in handcuffs and escorts him out. Conan states that he knows a man of Seiichi’s caliber can’t be brought down with traditional methods, psychological warfare and torture of Seiichi’s psyche was needed in order to shatter his narcissistic armor. He has successfully ridden the streets of another psychopathic monster from committing more harm. As a bonus, he takes full pride to know that Matilda (the 1891 19-year-old Scheele’s Green victim) got the peaceful spiritual send off that was wrongfully denied to her for more than a century.		Seiichi cruelly mocks the maids for their grief, calling their act worthless. He turns his attention to the grief stricken Rachel who is still emotionally devastated from the Scheele’s Green story. Seiichi tells Rachel, who he fully blames for his rightfully earned arrest, that he wished her bonquet of flowers died along with Fumiko. Fully consumed by his self-driven maniacal self image and narcissism, Seiichi continues to gloat, failing to realize the Inspector placing him in handcuffs and escorts him out. Conan states that he knows a man of Seiichi’s caliber can’t be brought down with traditional methods, psychological warfare and torture of Seiichi’s psyche was needed in order to shatter his narcissistic armor. He has successfully ridden the streets of another psychopathic monster from committing more harm. As a bonus, he takes full pride to know that Matilda (the 1891 19-year-old Scheele’s Green victim) got the peaceful spiritual send off that was wrongfully denied to her for more than a century.

Rudykaita: /* File 5 */

2026-08-01T19:19:12Z

File 5

← Older revision		Revision as of 19:19, 1 August 2026
Line 121:		Line 121:
	Seiichi kindly asks the room if they know who is he, then asks again, before exploding in a rage filled rant that he is the Master Painter, Seiichi Hashimoto. Seiichi violently snaps, taking offense of Richard’s barrage of psychological attacks to his ego and psyche l. His work is his life, his passion, and his legacy. He confesses to brutally murdering Fumiko, because she simply stated that she didn’t like the painting Seiichi did and wanted him to remake it. Seiichi continues, with veins popping out of his neck and at the top of his lungs, asking the room if Richard knows who he is and what he’s capable of.		Seiichi kindly asks the room if they know who is he, then asks again, before exploding in a rage filled rant that he is the Master Painter, Seiichi Hashimoto. Seiichi violently snaps, taking offense of Richard’s barrage of psychological attacks to his ego and psyche l. His work is his life, his passion, and his legacy. He confesses to brutally murdering Fumiko, because she simply stated that she didn’t like the painting Seiichi did and wanted him to remake it. Seiichi continues, with veins popping out of his neck and at the top of his lungs, asking the room if Richard knows who he is and what he’s capable of.

	Seiichi cruelly mocks the maids for their grief, calling their act worthless. He turns his attention to the grief stricken Rachel who is still emotionally devastated from the Scheele’s Green story. Seiichi tells Rachel, who he fully blames for his rightfully earned arrest, that he wished her bonquet of flowers died along with Fumiko. Fully consumed by his self-driven maniacal self image and narcissism, Seiichi continues to gloat, failing to realize the Inspector placing him in handcuffs and escorts him out. Conan states that he knows a man of Seiichi’s caliber can’t be brought down with traditional methods, psychological warfare and torture of Seiichi’s psyche was needed in order to shatter his narcissistic armor. He has successfully ridden the streets of another psychopathic ~~minsters~~ from committing more harm. As a bonus, he takes full pride to know that Matilda (the 1891 19-year-old Scheele’s Green victim) got the peaceful spiritual send off that was wrongfully denied to her for more than a century.		Seiichi cruelly mocks the maids for their grief, calling their act worthless. He turns his attention to the grief stricken Rachel who is still emotionally devastated from the Scheele’s Green story. Seiichi tells Rachel, who he fully blames for his rightfully earned arrest, that he wished her bonquet of flowers died along with Fumiko. Fully consumed by his self-driven maniacal self image and narcissism, Seiichi continues to gloat, failing to realize the Inspector placing him in handcuffs and escorts him out. Conan states that he knows a man of Seiichi’s caliber can’t be brought down with traditional methods, psychological warfare and torture of Seiichi’s psyche was needed in order to shatter his narcissistic armor. He has successfully ridden the streets of another psychopathic monster from committing more harm. As a bonus, he takes full pride to know that Matilda (the 1891 19-year-old Scheele’s Green victim) got the peaceful spiritual send off that was wrongfully denied to her for more than a century.

	The flowers that Rachel gave Fumiko have fully bloomed, releasing clusters of pollen from the petals, blowing outside and disappearing into the mountains of the now peaceful countryside, almost as if Fumiko and Matilda’s spirits was finally set free and Fumiko-sama knowing her killer was brought to absolute justice. </spoiler>		The flowers that Rachel gave Fumiko have fully bloomed, releasing clusters of pollen from the petals, blowing outside and disappearing into the mountains of the now peaceful countryside, almost as if Fumiko and Matilda’s spirits was finally set free and Fumiko-sama knowing her killer was brought to absolute justice. </spoiler>

Rudykaita: /* File 5 */

2026-08-01T16:45:17Z

File 5

Rudykaita: /* File 5 */

2026-07-29T14:03:11Z

File 5

Rudykaita: /* File 5 */

2026-07-29T00:33:03Z

File 5

← Older revision		Revision as of 00:33, 29 July 2026
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	}}		}}

	Within minutes, Inspector Meguire arrives on the scene and secures the area, while his team has already put in work: the deceased’s name is Fumiko Asaka-sama, her cause of death appears to be necrosis due to poisoning. No poisonous substances have been yet to be discovered in the venomous species and the time of passing is estimated at 3AM, this early morning. He has already made headway into the case and has talked with a few of Fumiko’s maidens in the mansion with three suspects in mind: the first suspect is Gennori Sugita, Fumiko’s bedside doctor. The hospital works for is financially collapsing to rebuild the hospital’s struggling management team and the building itself, none of which will happen. He has since been working by her side believing she doesn’t have long left. Seiichi Hashimoto is a world renowned painter but hasn’t won any international painting competitions in years. As a result, Fumiko has repeatedly threatened to cut off funding but has employed him to work on personal projects to keep food on the table. Finally, Koichi Saito is Fumiko’s younger, more physically fit lover. He has been overheard by Fumiko’s maids making marriage proposals to the deceased, but Fumiko had determined through independent reports that Koichi is involved with other women and he is more likely after her wealth than anything else.		Within minutes, Inspector Meguire arrives on the scene and secures the area, while his team has already put in work: the deceased’s name is Fumiko Asaka-sama, her cause of death appears to be necrosis due to poisoning. No poisonous substances have been yet to be discovered in the venomous species and the time of passing is estimated at 3AM, this early morning. Inspector Meguire has his female forensic do a physical exhaustive search of Fumiko’s body to find any hidden entry points for poison while the investigation team moves outside to search for any poisonous materials. He has already made headway into the case and has talked with a few of Fumiko’s maidens in the mansion with three suspects in mind: the first suspect is Gennori Sugita, Fumiko’s bedside doctor. The hospital works for is financially collapsing to rebuild the hospital’s struggling management team and the building itself, none of which will happen. He has since been working by her side believing she doesn’t have long left. Seiichi Hashimoto is a world renowned painter but hasn’t won any international painting competitions in years. As a result, Fumiko has repeatedly threatened to cut off funding but has employed him to work on personal projects to keep food on the table. Finally, Koichi Saito is Fumiko’s younger, more physically fit lover. He has been overheard by Fumiko’s maids making marriage proposals to the deceased, but Fumiko had determined through independent reports that Koichi is involved with other women and he is more likely after her wealth than anything else.

	Inspector Meguire states that all 3 men have more than enough motivation to warrant further investigation and that each suspect will be interrogated in a separate room. Conan wonders how the killer was able to deliver the poison and make Fumiko drink it while Richard becomes suspicious of Gennori because of his occupation. Rachel smiles at Conan because “he’s so smart.” Actually, Conan realizes that Fumiko’s room doesn’t need a key, which means anyone could have walked in uncontested. Rachel notices the massive painting of Adam and Eve on the ceiling above Fumiko’s bed before shifting her attention to the bonquet of flowers she gifted Fumiko with at the beginning of the function. Conan sees the painting as well, noting a color that he’s never seen before.		Inspector Meguire states that all 3 men have more than enough motivation to warrant further investigation and that each suspect will be interrogated in a separate room. Conan wonders how the killer was able to deliver the poison and make Fumiko drink it while Richard becomes suspicious of Gennori because of his occupation. Rachel smiles at Conan because “he’s so smart.” Actually, Conan realizes that Fumiko’s room doesn’t need a key, which means anyone could have walked in uncontested. Rachel notices the massive painting of Adam and Eve on the ceiling above Fumiko’s bed before shifting her attention to the bonquet of flowers she gifted Fumiko with at the beginning of the function. Conan sees the painting as well, noting a color that he’s never seen before.
Line 111:		Line 111:
	Seiichi claims innocence and denies any involvement in Fumiko-sama’s murder and claims to have only painted with the tools he came with. He claims his words are truthful and that only he can give permission for the police to search the inside of his palette box due to privacy laws. Conan (though Richard) states his patience has been rewarded because now he can play his “Ace”, otherwise called the legal doctrine of ''Exigent Circumstances and Immediate Threat to Public Safety''.		Seiichi claims innocence and denies any involvement in Fumiko-sama’s murder and claims to have only painted with the tools he came with. He claims his words are truthful and that only he can give permission for the police to search the inside of his palette box due to privacy laws. Conan (though Richard) states his patience has been rewarded because now he can play his “Ace”, otherwise called the legal doctrine of ''Exigent Circumstances and Immediate Threat to Public Safety''.

	At first, Inspector Meguire was virtually powerless to do anything in regards to Seiichi’s palette box, but with this ace in effect, two things happen: one, the strict privacy laws that Seiichi cowardly hid behind no longer apply, and two, Meguire has the immediate authority to seize the box without a pre-signed warrant under the aforementioned legal doctrine. In actuality, the choice to use Exigent Circumstances didn’t appear out of nowhere: an immediate threat MUST be present and proven harmful and life-theatening. In case Seiichi is wondering ~~Yes~~, the possession of lethal arsine gas in a palette box would highly likely trigger the exigent circumstances doctrine. This situation falls squarely under the public safety emergency exception due to the extreme and immediate threat the material poses to human life. Before the events of the resolution even began, there were talks between Richard and Meguire in regards to Seiichi’s palette box. After the formula and circumstances were analyzed, it made perfect sense to seize the box within the boundaries of the law, secure it, and have it taken outside. The law has an immediate obligation to secure and neutralize active poisons or volatile chemical hazards at a crime scene to protect the public, the maids, and themselves from lethal arsine gas exposure. Meguire already has the poisonous palette box bagged, tagged, and safety waiting outside the mansion for the Fire Department Hazardous Materials Unit (HazMat) ~~immediately~~.		At first, Inspector Meguire was virtually powerless to do anything in regards to Seiichi’s palette box, but with this ace in effect, two things happen: one, the strict privacy laws that Seiichi cowardly hid behind no longer apply, and two, Meguire has the immediate authority to seize the box without a pre-signed warrant under the aforementioned legal doctrine. In actuality, the choice to use Exigent Circumstances didn’t appear out of nowhere: an immediate threat MUST be present and proven harmful and life-theatening. In case Seiichi is wondering, yes, the possession of lethal arsine gas in a palette box would highly likely trigger the exigent circumstances doctrine. This situation falls squarely under the public safety emergency exception due to the extreme and immediate threat the material poses to human life. Before the events of the resolution even began, there were talks between Richard and Meguire in regards to Seiichi’s palette box. After the formula and circumstances were analyzed, it made perfect sense to seize the box within the boundaries of the law, secure it, and have it taken outside. The law states that neither Richard nor Inspector Meguire are obligated to inform Seiichi that palette box was seized. The law has an immediate obligation to secure and neutralize active poisons or volatile chemical hazards at a crime scene to protect the public, the maids, and themselves from lethal arsine gas exposure. Meguire already has the poisonous palette box bagged, tagged, and safety waiting outside the mansion for the Fire Department Hazardous Materials Unit (HazMat) with armed forces.

	Seiichi grows hesitant and Conan capitalizes, ~~calling his bluff~~, ~~stating innocent men have nothing~~ to ~~hide~~ and the ~~truth shall set him free~~, ~~there~~ is ~~no need for~~ a ~~look of concern~~. The reason why Seiichi is hesitant is because it had already been mentioned: two palette boxes were found in the luggage from two suspects, Dr. Gennori, and the other from Seiichi. Dr. Gennori’s is genuinely innocent and safe to open, but what about Seiichi’s? Yes, there were harmless paints and brushes, but were they really harmless as he claims? The short answer is no, they are lethally laced with mold and paints to give off the same fatal fumes that murdered Fumiko. Seiichi couldn’t very well have trashed these certain tools in the garbage and gone about his day because someone somewhere would have gotten ahold of them and pieced it all together, eventually linking him to this cold blooded murder. They were sealed off to protect himself. The tip off came from one of Meguire’s men, “there were paintbrushes loaded with paint all the way to the ferrule.”		Seiichi grows hesitant and Conan capitalizes, menacingly stating that Seiichi likes to choke sick defenseless women in their sleep with lethal gas, but can’t stand to face reality when the law requires him to give his life in exchange and to look himself in the mirror to face the reality of his own creation: Seiichi Hashimoto is NOT a master painter, he is a narcissistic psychotic murderer who used a banned toxic sludge because his feelings were hurt over his mundane drawing. The reason why Seiichi is hesitant is because it had already been mentioned: two palette boxes were found in the luggage from two suspects, Dr. Gennori, and the other from Seiichi. Dr. Gennori’s is genuinely innocent and safe to open, but what about Seiichi’s? Yes, there were harmless paints and brushes, but were they really harmless as he claims? The short answer is no, they are lethally laced with mold and paints to give off the same fatal fumes that murdered Fumiko. Seiichi couldn’t very well have trashed these certain tools in the garbage and gone about his day because someone somewhere would have gotten ahold of them and pieced it all together, eventually linking him to this cold blooded murder. He also feared of tying them in a garbage bag, throwing them in the woods and retrieving it later to destroy; as a precaution, the Inspector did in fact have a thorough sweep of the estate and everywhere within a 5 mile radius of it, leaving Seiichi indefinitely stuck with the “smoking gun.” They were sealed off to protect himself. The tip off came from one of Meguire’s men, “there were paintbrushes loaded with paint all the way to the ferrule.”

	Conan states that while no one there is an art student, that’s one of the things a painter of international recognition should never do. Painters keep paint on the bottom two-thirds of the bristles. Paint dried inside the metal band (ferrule) is almost impossible to remove and splits the brush head permanently. It wasn’t much, but it was enough to stand out. The formula is complete: Seiichi has the weapons, plus the access of the crime scene, plus his direct paints and mold applications that released the poison that caused her death, and adding in the time for which said mold and paints were applied, equals a painting of absolute justice for Fumiko, and a lifetime of punishment and atonement for Seiichi. Conan yields back, putting his bow tie back around his neck.		Conan states that while no one there is an art student, that’s one of the things a painter of international recognition should never do. Painters keep paint on the bottom two-thirds of the bristles. Paint dried inside the metal band (ferrule) is almost impossible to remove and splits the brush head permanently. It wasn’t much, but it was enough to stand out. The formula is complete: Seiichi has the weapons, plus the access of the crime scene, plus his direct paints and mold applications that released the poison that caused her death, and adding in the time for which said mold and paints were applied, equals a painting of absolute justice for Fumiko, and a lifetime of punishment and atonement for Seiichi. Conan yields back, putting his bow tie back around his neck.

Rudykaita: /* File 5 */

2026-07-28T22:57:37Z

File 5

← Older revision		Revision as of 22:57, 28 July 2026
Line 109:		Line 109:
	It is because of those brutal side effects and mounting death tolls that Scheele’s Green was discontinued. As a professional painter of global recognition, Seiichi knows ALL too well of the horrors of Scheele’s Green; it is taught more often as a lesson in art history than a modern day painting technique.		It is because of those brutal side effects and mounting death tolls that Scheele’s Green was discontinued. As a professional painter of global recognition, Seiichi knows ALL too well of the horrors of Scheele’s Green; it is taught more often as a lesson in art history than a modern day painting technique.

	Seiichi claims innocence and denies any involvement in Fumiko-sama’s murder and claims to have only painted with the tools he came with. He claims his words are truthful and that only he can give permission for the police to search the inside of his palette box due to privacy laws. Conan (though Richard) states his patience has been rewarded because now he can play his “Ace”, otherwise called the legal doctrine of Exigent Circumstances and Immediate Threat to Public Safety. At first, Inspector Meguire was virtually powerless to do anything in regards to Seiichi’s palette box, but with this ace in effect, two things happen: one, the strict privacy laws that Seiichi cowardly hid behind no longer apply, and two, Meguire has the immediate authority to seize the box without a pre-signed warrant under the aforementioned legal doctrine. The law has an immediate obligation to secure and neutralize active poisons or volatile chemical hazards at a crime scene to protect the public, the maids, and themselves from lethal arsine gas exposure. Meguire has the poisonous palette box bagged, tagged, and safety waiting outside the mansion for the Fire Department Hazardous Materials Unit (HazMat) immediately.		Seiichi claims innocence and denies any involvement in Fumiko-sama’s murder and claims to have only painted with the tools he came with. He claims his words are truthful and that only he can give permission for the police to search the inside of his palette box due to privacy laws. Conan (though Richard) states his patience has been rewarded because now he can play his “Ace”, otherwise called the legal doctrine of ''Exigent Circumstances and Immediate Threat to Public Safety''.

	Seiichi grows hesitant and Conan capitalizes, calling his bluff, stating innocent men have nothing to hide and the truth shall set him free, ~~considering if he was truly innocent~~. The reason why Seiichi is hesitant is because it had already been mentioned: two palette boxes were found in the luggage from two suspects, Dr. Gennori, and the other from Seiichi. Dr. Gennori’s is genuinely innocent and safe to open, but what about Seiichi’s? Yes, there were harmless paints and brushes, but were they really harmless as he claims? The short answer is no, they are lethally laced with mold and paints to give off the same fatal fumes that murdered Fumiko. Seiichi couldn’t very well have trashed these certain tools in the garbage and gone about his day because someone somewhere would have gotten ahold of them and pieced it all together, eventually linking him to this cold blooded murder. They were sealed off to protect himself. The tip off came from one of Meguire’s men, “there were paintbrushes loaded with paint all the way to the ferrule.”		At first, Inspector Meguire was virtually powerless to do anything in regards to Seiichi’s palette box, but with this ace in effect, two things happen: one, the strict privacy laws that Seiichi cowardly hid behind no longer apply, and two, Meguire has the immediate authority to seize the box without a pre-signed warrant under the aforementioned legal doctrine. In actuality, the choice to use Exigent Circumstances didn’t appear out of nowhere: an immediate threat MUST be present and proven harmful and life-theatening. In case Seiichi is wondering Yes, the possession of lethal arsine gas in a palette box would highly likely trigger the exigent circumstances doctrine. This situation falls squarely under the public safety emergency exception due to the extreme and immediate threat the material poses to human life. Before the events of the resolution even began, there were talks between Richard and Meguire in regards to Seiichi’s palette box. After the formula and circumstances were analyzed, it made perfect sense to seize the box within the boundaries of the law, secure it, and have it taken outside. The law has an immediate obligation to secure and neutralize active poisons or volatile chemical hazards at a crime scene to protect the public, the maids, and themselves from lethal arsine gas exposure. Meguire already has the poisonous palette box bagged, tagged, and safety waiting outside the mansion for the Fire Department Hazardous Materials Unit (HazMat) immediately.

			Seiichi grows hesitant and Conan capitalizes, calling his bluff, stating innocent men have nothing to hide and the truth shall set him free, there is no need for a look of concern. The reason why Seiichi is hesitant is because it had already been mentioned: two palette boxes were found in the luggage from two suspects, Dr. Gennori, and the other from Seiichi. Dr. Gennori’s is genuinely innocent and safe to open, but what about Seiichi’s? Yes, there were harmless paints and brushes, but were they really harmless as he claims? The short answer is no, they are lethally laced with mold and paints to give off the same fatal fumes that murdered Fumiko. Seiichi couldn’t very well have trashed these certain tools in the garbage and gone about his day because someone somewhere would have gotten ahold of them and pieced it all together, eventually linking him to this cold blooded murder. They were sealed off to protect himself. The tip off came from one of Meguire’s men, “there were paintbrushes loaded with paint all the way to the ferrule.”

	Conan states that while no one there is an art student, that’s one of the things a painter of international recognition should never do. Painters keep paint on the bottom two-thirds of the bristles. Paint dried inside the metal band (ferrule) is almost impossible to remove and splits the brush head permanently. It wasn’t much, but it was enough to stand out. The formula is complete: Seiichi has the weapons, plus the access of the crime scene, plus his direct paints and mold applications that released the poison that caused her death, and adding in the time for which said mold and paints were applied, equals a painting of absolute justice for Fumiko, and a lifetime of punishment and atonement for Seiichi. Conan yields back, putting his bow tie back around his neck.		Conan states that while no one there is an art student, that’s one of the things a painter of international recognition should never do. Painters keep paint on the bottom two-thirds of the bristles. Paint dried inside the metal band (ferrule) is almost impossible to remove and splits the brush head permanently. It wasn’t much, but it was enough to stand out. The formula is complete: Seiichi has the weapons, plus the access of the crime scene, plus his direct paints and mold applications that released the poison that caused her death, and adding in the time for which said mold and paints were applied, equals a painting of absolute justice for Fumiko, and a lifetime of punishment and atonement for Seiichi. Conan yields back, putting his bow tie back around his neck.

Rudykaita: /* File 5 */

2026-07-17T02:39:17Z

File 5

← Older revision		Revision as of 02:39, 17 July 2026
Line 109:		Line 109:
	It is because of those brutal side effects and mounting death tolls that Scheele’s Green was discontinued. As a professional painter of global recognition, Seiichi knows ALL too well of the horrors of Scheele’s Green; it is taught more often as a lesson in art history than a modern day painting technique.		It is because of those brutal side effects and mounting death tolls that Scheele’s Green was discontinued. As a professional painter of global recognition, Seiichi knows ALL too well of the horrors of Scheele’s Green; it is taught more often as a lesson in art history than a modern day painting technique.

	Seiichi claims innocence and denies any involvement in Fumiko-sama’s murder and claims to have only painted with the tools he came with. He claims his words are truthful and that only he can give permission for the police to search the inside of his palette box due to privacy laws. Conan (though Richard) states his patience has been rewarded because now he can play his “Ace”, otherwise called the legal doctrine of Exigent Circumstances and Immediate Threat to Public Safety. At first, Inspector Meguire was virtually powerless to do anything in regards to Seiichi’s palette box, but with this ace in effect, two things happen: one, the strict privacy laws that Seiichi cowardly hid behind no longer apply, and two, Meguire has the immediate authority to seize the box without a pre-signed warrant under the aforementioned legal doctrine. The law has an immediate obligation to secure and neutralize active poisons or volatile chemical hazards at a crime scene to protect the public, the maids, and themselves from lethal arsine gas exposure.		Seiichi claims innocence and denies any involvement in Fumiko-sama’s murder and claims to have only painted with the tools he came with. He claims his words are truthful and that only he can give permission for the police to search the inside of his palette box due to privacy laws. Conan (though Richard) states his patience has been rewarded because now he can play his “Ace”, otherwise called the legal doctrine of Exigent Circumstances and Immediate Threat to Public Safety. At first, Inspector Meguire was virtually powerless to do anything in regards to Seiichi’s palette box, but with this ace in effect, two things happen: one, the strict privacy laws that Seiichi cowardly hid behind no longer apply, and two, Meguire has the immediate authority to seize the box without a pre-signed warrant under the aforementioned legal doctrine. The law has an immediate obligation to secure and neutralize active poisons or volatile chemical hazards at a crime scene to protect the public, the maids, and themselves from lethal arsine gas exposure. Meguire has the poisonous palette box bagged, tagged, and safety waiting outside the mansion for the Fire Department Hazardous Materials Unit (HazMat) immediately.

	Seiichi grows hesitant and Conan capitalizes, calling his bluff, stating innocent men have nothing to hide and the truth shall set him free, considering if he was truly innocent. The reason why Seiichi is hesitant is because it had already been mentioned: two palette boxes were found in the luggage from two suspects, Dr. Gennori, and the other from Seiichi. Dr. Gennori’s is genuinely innocent and safe to open, but what about Seiichi’s? Yes, there were harmless paints and brushes, but were they really harmless as he claims? The short answer is no, they are lethally laced with mold and paints to give off the same fatal fumes that murdered Fumiko. Seiichi couldn’t very well have trashed these certain tools in the garbage and gone about his day because someone somewhere would have gotten ahold of them and pieced it all together, eventually linking him to this cold blooded murder. They were sealed off to protect himself. The tip off came from one of Meguire’s men, “there were paintbrushes loaded with paint all the way to the ferrule.”		Seiichi grows hesitant and Conan capitalizes, calling his bluff, stating innocent men have nothing to hide and the truth shall set him free, considering if he was truly innocent. The reason why Seiichi is hesitant is because it had already been mentioned: two palette boxes were found in the luggage from two suspects, Dr. Gennori, and the other from Seiichi. Dr. Gennori’s is genuinely innocent and safe to open, but what about Seiichi’s? Yes, there were harmless paints and brushes, but were they really harmless as he claims? The short answer is no, they are lethally laced with mold and paints to give off the same fatal fumes that murdered Fumiko. Seiichi couldn’t very well have trashed these certain tools in the garbage and gone about his day because someone somewhere would have gotten ahold of them and pieced it all together, eventually linking him to this cold blooded murder. They were sealed off to protect himself. The tip off came from one of Meguire’s men, “there were paintbrushes loaded with paint all the way to the ferrule.”

	Conan states that while no one there is an art student, that’s one of the things a painter of international recognition should never do. Painters keep paint on the bottom two-thirds of the bristles. Paint dried inside the metal band (ferrule) is almost impossible to remove and splits the brush head permanently. It wasn’t much, but it was enough to stand out. The formula is complete: Seiichi has the weapons, plus the access of the crime scene, plus his direct paints and mold applications that released the poison that caused her death, and adding in the time for which said mold and paints were applied, equals a painting of absolute justice for Fumiko, and a lifetime of punishment and atonement for Seiichi. Conan yields back, putting his bow tie back around his neck ~~as Meguire has the poisonous palette box bagged, tagged, and safety waiting outside the mansion for the Fire Department Hazardous Materials Unit (HazMat)~~.		Conan states that while no one there is an art student, that’s one of the things a painter of international recognition should never do. Painters keep paint on the bottom two-thirds of the bristles. Paint dried inside the metal band (ferrule) is almost impossible to remove and splits the brush head permanently. It wasn’t much, but it was enough to stand out. The formula is complete: Seiichi has the weapons, plus the access of the crime scene, plus his direct paints and mold applications that released the poison that caused her death, and adding in the time for which said mold and paints were applied, equals a painting of absolute justice for Fumiko, and a lifetime of punishment and atonement for Seiichi. Conan yields back, putting his bow tie back around his neck.

	Seiichi kindly asks the room if they know who is he, then asks again, before exploding in a rage filled rant that he is the Master Painter, Seiichi Hashimoto. His work is his life, his passion, and his legacy. He confesses to brutally murdering Fumiko, because she simply stated that she didn’t like the painting Seiichi did and wanted him to remake it. Seiichi continues, with veins popping out of his neck and at the top of his lungs, asking the room if Richard knows who he is and what he’s capable of.		Seiichi kindly asks the room if they know who is he, then asks again, before exploding in a rage filled rant that he is the Master Painter, Seiichi Hashimoto. His work is his life, his passion, and his legacy. He confesses to brutally murdering Fumiko, because she simply stated that she didn’t like the painting Seiichi did and wanted him to remake it. Seiichi continues, with veins popping out of his neck and at the top of his lungs, asking the room if Richard knows who he is and what he’s capable of.

Rudykaita: /* File 5 */

2026-07-17T02:28:24Z

File 5

← Older revision		Revision as of 02:28, 17 July 2026
Line 117:		Line 117:
	Seiichi kindly asks the room if they know who is he, then asks again, before exploding in a rage filled rant that he is the Master Painter, Seiichi Hashimoto. His work is his life, his passion, and his legacy. He confesses to brutally murdering Fumiko, because she simply stated that she didn’t like the painting Seiichi did and wanted him to remake it. Seiichi continues, with veins popping out of his neck and at the top of his lungs, asking the room if Richard knows who he is and what he’s capable of.		Seiichi kindly asks the room if they know who is he, then asks again, before exploding in a rage filled rant that he is the Master Painter, Seiichi Hashimoto. His work is his life, his passion, and his legacy. He confesses to brutally murdering Fumiko, because she simply stated that she didn’t like the painting Seiichi did and wanted him to remake it. Seiichi continues, with veins popping out of his neck and at the top of his lungs, asking the room if Richard knows who he is and what he’s capable of.

	Seiichi cruelly mocks the maids for their grief, calling their act worthless. He turns his attention to the grief stricken Rachel who is still emotionally devastated from the Scheele’s Green story. Seiichi tells Rachel, who he fully blames for his rightfully earned arrest, that he wished her bonquet of flowers died along with Fumiko. Fully consumed by his self-driven maniacal self image and narcissism, Seiichi continues to gloat, failing to realize the sadden Koichi casually walking up and landing a lightning speed punch which knocks the murderous painter on the ground. He states he has no room to play the righteous hero for even his own intentions were not poor, but firmly believes that Fumiko had every right to live, whether Seiichi agreed with her opinion or not.		Seiichi cruelly mocks the maids for their grief, calling their act worthless. He turns his attention to the grief stricken Rachel who is still emotionally devastated from the Scheele’s Green story. Seiichi tells Rachel, who he fully blames for his rightfully earned arrest, that he wished her bonquet of flowers died along with Fumiko. Fully consumed by his self-driven maniacal self image and narcissism, Seiichi continues to gloat, failing to realize the Inspector placing him in handcuffs and escorts him out. Conan has successfully ridden the streets of another psychopathic narcissist from doing harm, as a bonus, he takes full pride to know that Matilda (the 1891 19-year-old Scheele’s Green victim) got the peaceful spiritual send off that was wrongfully denied to her for more than a century.

	~~Meguire’s men go to arrest Koichi for his actions, but Meguire himself, moved by Koichi’s words, firmly tells them to stand down and look the other way, while he places Seiichi~~ in handcuffs and escorts him out. Conan has successfully ridden the streets of another psychopathic narcissist from doing harm, as a bonus, he takes full pride to know that Matilda (the 1891 19-year-old Scheele’s Green victim) got the peaceful spiritual send off that was wrongfully denied to her for more than a century.

	The flowers that Rachel gave Fumiko have fully bloomed, releasing clusters of pollen from the petals, blowing outside and disappearing into the mountains of the now peaceful countryside, almost as if Fumiko and Matilda’s spirits was finally set free and Fumiko-sama knowing her killer was brought to absolute justice. </spoiler>		The flowers that Rachel gave Fumiko have fully bloomed, releasing clusters of pollen from the petals, blowing outside and disappearing into the mountains of the now peaceful countryside, almost as if Fumiko and Matilda’s spirits was finally set free and Fumiko-sama knowing her killer was brought to absolute justice. </spoiler>

Rudykaita: /* File 5 */

2026-07-16T21:57:03Z

File 5

← Older revision		Revision as of 21:57, 16 July 2026
Line 61:		Line 61:
	\| crime = Murder		\| crime = Murder
	\| image = IMG_0755.jpeg		\| image = IMG_0755.jpeg
	\| location =		\| location = Fumiko’s Mansion inside her bedroom
	\| victim = Fumiko Asaka		\| victim = Fumiko Asaka
	\| age =		\| age =
Line 105:		Line 105:
	Historical records explicitly state that the whites of 19-year-old Matilda Scheurer's eyes turned green before she died. Not only that, but because of her occupation as a fluffer (a specific type of factory laborer whose job was to apply a velvety, lifelike texture or vibrant finish to artificial leaves and flowers) her nail beds went from normal to a terrifying green. Because her eyes were physically coated in a layer of copper arsenite, it completely distorted her vision. On her deathbed, she frantically told her doctor that "everything she looked at was green". She wasn't just hallucinating; she was literally looking at the world through a literal film of toxic green pigment caked over her own eyes before finally being called by the heavens to come to glory.		Historical records explicitly state that the whites of 19-year-old Matilda Scheurer's eyes turned green before she died. Not only that, but because of her occupation as a fluffer (a specific type of factory laborer whose job was to apply a velvety, lifelike texture or vibrant finish to artificial leaves and flowers) her nail beds went from normal to a terrifying green. Because her eyes were physically coated in a layer of copper arsenite, it completely distorted her vision. On her deathbed, she frantically told her doctor that "everything she looked at was green". She wasn't just hallucinating; she was literally looking at the world through a literal film of toxic green pigment caked over her own eyes before finally being called by the heavens to come to glory.

	Everyone in the room, with the exception of Seiichi, is left utterly speechless, shocked, and mortified. ~~It is because~~ of ~~those brutal side effects~~ and ~~mounting death tolls that Scheele’s Green was discontinued~~. ~~As a professional painter of global recognition,~~ Seiichi ~~knows ALL too well of the horrors of Scheele’s Green; it is taught more often as a lesson~~ in ~~art history than a modern day painting technique~~.		Conan pauses. Everyone in the room (including Gennori, Koichi, Meguire and his team), with the exception of Seiichi, is left utterly speechless, shocked, and mortified. One of the maids breaks silence, screams and shouts obscenities at Seiichi, before falling to her knees in despair. Seiichi puts his hands in his pocket and grins.

	Seiichi denies any involvement in Fumiko-sama’s murder and claims to have only painted with the tools he came with. Conan (though Richard) states his patience has been rewarded because now he can play his “Ace”, otherwise called the legal doctrine of Exigent Circumstances and Immediate Threat to Public Safety. At first, Inspector Meguire was virtually powerless to do anything in regards to Seiichi’s palette box, but with this ace in effect, Meguire has the immediate authority to seize the box without a pre-signed warrant under the aforementioned legal doctrine. The law has an immediate obligation to secure and neutralize active poisons or volatile chemical hazards at a crime scene to protect the public, the maids, and themselves from lethal arsine gas exposure.		It is because of those brutal side effects and mounting death tolls that Scheele’s Green was discontinued. As a professional painter of global recognition, Seiichi knows ALL too well of the horrors of Scheele’s Green; it is taught more often as a lesson in art history than a modern day painting technique.

			Seiichi claims innocence and denies any involvement in Fumiko-sama’s murder and claims to have only painted with the tools he came with. He claims his words are truthful and that only he can give permission for the police to search the inside of his palette box due to privacy laws. Conan (though Richard) states his patience has been rewarded because now he can play his “Ace”, otherwise called the legal doctrine of Exigent Circumstances and Immediate Threat to Public Safety. At first, Inspector Meguire was virtually powerless to do anything in regards to Seiichi’s palette box, but with this ace in effect, two things happen: one, the strict privacy laws that Seiichi cowardly hid behind no longer apply, and two, Meguire has the immediate authority to seize the box without a pre-signed warrant under the aforementioned legal doctrine. The law has an immediate obligation to secure and neutralize active poisons or volatile chemical hazards at a crime scene to protect the public, the maids, and themselves from lethal arsine gas exposure.

	Seiichi grows hesitant and Conan capitalizes, calling his bluff, stating innocent men have nothing to hide and the truth shall set him free, considering if he was truly innocent. The reason why Seiichi is hesitant is because it had already been mentioned: two palette boxes were found in the luggage from two suspects, Dr. Gennori, and the other from Seiichi. Dr. Gennori’s is genuinely innocent and safe to open, but what about Seiichi’s? Yes, there were harmless paints and brushes, but were they really harmless as he claims? The short answer is no, they are lethally laced with mold and paints to give off the same fatal fumes that murdered Fumiko. Seiichi couldn’t very well have trashed these certain tools in the garbage and gone about his day because someone somewhere would have gotten ahold of them and pieced it all together, eventually linking him to this cold blooded murder. They were sealed off to protect himself. The tip off came from one of Meguire’s men, “there were paintbrushes loaded with paint all the way to the ferrule.”		Seiichi grows hesitant and Conan capitalizes, calling his bluff, stating innocent men have nothing to hide and the truth shall set him free, considering if he was truly innocent. The reason why Seiichi is hesitant is because it had already been mentioned: two palette boxes were found in the luggage from two suspects, Dr. Gennori, and the other from Seiichi. Dr. Gennori’s is genuinely innocent and safe to open, but what about Seiichi’s? Yes, there were harmless paints and brushes, but were they really harmless as he claims? The short answer is no, they are lethally laced with mold and paints to give off the same fatal fumes that murdered Fumiko. Seiichi couldn’t very well have trashed these certain tools in the garbage and gone about his day because someone somewhere would have gotten ahold of them and pieced it all together, eventually linking him to this cold blooded murder. They were sealed off to protect himself. The tip off came from one of Meguire’s men, “there were paintbrushes loaded with paint all the way to the ferrule.”

← Older revision		Revision as of 16:45, 1 August 2026
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	To survive the toxic arsenic in the pigment, the fungus metabolized the copper arsenite through a process called biomethylation. The fungus converted the solid arsenic into trimethylarsine gas. This lethal, invisible gas has a distinct garlic-like odor and slowly poisons anyone sleeping or sitting in the room, leading to severe illness and death.		To survive the toxic arsenic in the pigment, the fungus metabolized the copper arsenite through a process called biomethylation. The fungus converted the solid arsenic into trimethylarsine gas. This lethal, invisible gas has a distinct garlic-like odor and slowly poisons anyone sleeping or sitting in the room, leading to severe illness and death.

	The history of Scheele’s Green sounds like a script out of a horror film. People inflicted with this demonic color have vomited green fluid, the dusting of the green powder that landed on their face, when mixed with clear liquid fluids, gave victims the horrid appearance of shedding green tears. A few candles burning in a room released arsenic vapers to a group of people attending parties in Victorian-era London. Those same people had their lives drastically altered and maimed, majority of them cut short.		The history of Scheele’s Green sounds like a script out of a horror film. People inflicted with this demonic color have vomited green fluid, the dusting of the green powder that landed on their face, when mixed with clear liquid fluids, gave victims the horrid appearance of shedding green tears. Some have been documented to suffer from agonizing skin lesions and their pores oozing green liquids. A few candles burning in a room released arsenic vapers to a group of people attending parties in Victorian-era London. Those same people had their lives drastically altered and maimed, majority of them cut short. Autopsies of victims of Scheele’s Green, reveal that even internal organs had a visible shade of green

	The staggering math comes directly from the pioneering work of Dr. A.W. Hofmann, a famous German chemist who published a scathing exposé in 1862 titled "The Dance of Death". An average Victorian ballgown made of green tarlatan fabric contained roughly 58 to 60 grams of pure arsenic. To put that into context, because a lethal dose of arsenic for an adult is only about 0.1 to 0.3 grams, a single fashion-forward dress carried enough poison to kill around 200 people. It is a truly mind-boggling and terrifying statistic to wrap one’s head around. The fact that a woman could walk into a crowded ballroom literally covered in enough lethal material to poison hundreds of people—all in the name of high fashion—perfectly captures the bizarre dangers of the Victorian era.		The staggering math comes directly from the pioneering work of Dr. A.W. Hofmann, a famous German chemist who published a scathing exposé in 1862 titled "The Dance of Death". An average Victorian ballgown made of green tarlatan fabric contained roughly 58 to 60 grams of pure arsenic. To put that into context, because a lethal dose of arsenic for an adult is only about 0.1 to 0.3 grams, a single fashion-forward dress carried enough poison to kill around 200 people. It is a truly mind-boggling and terrifying statistic to wrap one’s head around. The fact that a woman could walk into a crowded ballroom literally covered in enough lethal material to poison hundreds of people—all in the name of high fashion—perfectly captures the bizarre dangers of the Victorian era.
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	Historical records explicitly state that the whites of 19-year-old Matilda Scheurer's eyes turned green before she died. Not only that, but because of her occupation as a fluffer (a specific type of factory laborer whose job was to apply a velvety, lifelike texture or vibrant finish to artificial leaves and flowers) her nail beds went from normal to a terrifying green. Because her eyes were physically coated in a layer of copper arsenite, it completely distorted her vision. On her deathbed, she frantically told her doctor that "everything she looked at was green". She wasn't just hallucinating; she was literally looking at the world through a literal film of toxic green pigment caked over her own eyes before finally being called by the heavens to come to glory.		Historical records explicitly state that the whites of 19-year-old Matilda Scheurer's eyes turned green before she died. Not only that, but because of her occupation as a fluffer (a specific type of factory laborer whose job was to apply a velvety, lifelike texture or vibrant finish to artificial leaves and flowers) her nail beds went from normal to a terrifying green. Because her eyes were physically coated in a layer of copper arsenite, it completely distorted her vision. On her deathbed, she frantically told her doctor that "everything she looked at was green". She wasn't just hallucinating; she was literally looking at the world through a literal film of toxic green pigment caked over her own eyes before finally being called by the heavens to come to glory.

	~~Autopsies of victims of Scheele’s Green, including Matilda, reveal that even internal organs had a visible shade of green.~~ It is because of those brutal side effects and mounting death tolls that Scheele’s Green was discontinued. As a professional painter of global recognition, Seiichi knows ALL too well of the horrors of Scheele’s Green; it is taught more often as a lesson in art history than a modern day painting technique.		It is because of those brutal side effects and mounting death tolls that Scheele’s Green was discontinued. As a professional painter of global recognition, Seiichi knows ALL too well of the horrors of Scheele’s Green; it is taught more often as a lesson in art history than a modern day painting technique.

	Conan pauses. Everyone in the room (including Gennori, Koichi, Meguire and his team), with the exception of Seiichi, is left utterly speechless, shocked, and mortified. One of the maids breaks silence, screams and shouts obscenities at Seiichi, before falling to her knees in despair. Seiichi puts his hands in his pocket and grins.		Conan pauses. Everyone in the room (including Gennori, Koichi, Meguire and his team), with the exception of Seiichi, is left utterly speechless, shocked, and mortified. One of the maids breaks silence, screams and shouts obscenities at Seiichi, before falling to her knees in despair. Seiichi puts his hands in his pocket and grins.
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	Meguire was virtually powerless to do anything in regards to Seiichi’s palette box, but with this ace in effect, two things happen: one, the strict privacy laws that Seiichi cowardly hid behind no longer apply, and two, Meguire has the immediate authority to seize the box without a pre-signed warrant under the aforementioned legal doctrine. In actuality, the choice to use Exigent Circumstances didn’t appear out of nowhere: an immediate threat MUST be present and proven harmful and life-theatening. In case Seiichi is wondering, yes, the possession of lethal arsine gas in a palette box would highly likely trigger the exigent circumstances doctrine. This situation falls squarely under the public safety emergency exception due to the extreme and immediate threat the material poses to human life. Before the events of the resolution even began, there were talks between Richard and Meguire in regards to Seiichi’s palette box. After the formula and circumstances were analyzed, it made perfect sense to seize the box within the boundaries of the law, secure it, and have it taken outside. The law states that neither Richard nor Inspector Meguire are obligated to inform Seiichi that palette box was seized. The law has an immediate obligation to secure and neutralize active poisons or volatile chemical hazards at a crime scene to protect the public, the maids, and themselves from lethal arsine gas exposure. Meguire already has the poisonous palette box bagged, tagged, and safety waiting outside the mansion for the Fire Department Hazardous Materials Unit (HazMat) with armed forces.		Meguire was virtually powerless to do anything in regards to Seiichi’s palette box, but with this ace in effect, two things happen: one, the strict privacy laws that Seiichi cowardly hid behind no longer apply, and two, Meguire has the immediate authority to seize the box without a pre-signed warrant under the aforementioned legal doctrine. In actuality, the choice to use Exigent Circumstances didn’t appear out of nowhere: an immediate threat MUST be present and proven harmful and life-theatening. In case Seiichi is wondering, yes, the possession of lethal arsine gas in a palette box would highly likely trigger the exigent circumstances doctrine. This situation falls squarely under the public safety emergency exception due to the extreme and immediate threat the material poses to human life. Before the events of the resolution even began, there were talks between Richard and Meguire in regards to Seiichi’s palette box. After the formula and circumstances were analyzed, it made perfect sense to seize the box within the boundaries of the law, secure it, and have it taken outside. The law states that neither Richard nor Inspector Meguire are obligated to inform Seiichi that palette box was seized. The law has an immediate obligation to secure and neutralize active poisons or volatile chemical hazards at a crime scene to protect the public, the maids, and themselves from lethal arsine gas exposure. Meguire already has the poisonous palette box bagged, tagged, and safety waiting outside the mansion for the Fire Department Hazardous Materials Unit (HazMat) with armed forces.

	Seiichi grows hesitant and Conan capitalizes, menacingly stating that Seiichi likes to choke sick defenseless women in their sleep with lethal gas, but can’t stand to face reality when the law requires him to give his life in exchange and to look himself in the mirror to face the reality of his own creation: Seiichi Hashimoto is NOT a master painter, he is a narcissistic ~~psychotic~~ murderer who used a banned historical toxic sludge because his feelings were hurt over his mundane drawing. The reason why Seiichi is hesitant is because it had already been mentioned: two palette boxes were found in the luggage from two suspects, Dr. Gennori, and the other from Seiichi. Dr. Gennori’s is genuinely innocent and safe to open, but what about Seiichi’s? Yes, there were harmless paintsi and brushes, but were they really harmless as he claims? The short answer is no, they are lethally laced with mold and paints to give off the same fatal fumes that murdered Fumiko. Seiichi couldn’t very well have trashed these certain tools in the garbage and gone about his day because someone somewhere would have gotten ahold of them and pieced it all together, eventually linking him to this cold blooded murder. He also feared of tying them in a garbage bag, throwing them in the woods and retrieving it later to destroy; as a precaution, the Inspector did in fact have a thorough sweep of the estate and everywhere within a 5 mile radius of it, leaving Seiichi indefinitely stuck with the “smoking gun.” They were sealed off to protect himself. The tip off came from one of Meguire’s men, “there were paintbrushes loaded with paint all the way to the ferrule.”		Seiichi grows hesitant, cautiously taking a step back, and Conan capitalizes forward, menacingly stating that Seiichi likes to choke sick defenseless women in their sleep with lethal gas, but can’t stand to face reality when the law requires him to give his life in exchange and to look himself in the mirror to face the reality of his own creation: Seiichi Hashimoto is NOT a master painter, he is a pathetic narcissistic murderer who used a banned historical toxic sludge because his feelings were hurt over his mundane drawing. The reason why Seiichi is hesitant is because it had already been mentioned: two palette boxes were found in the luggage from two suspects, Dr. Gennori, and the other from Seiichi. Dr. Gennori’s is genuinely innocent and safe to open, but what about Seiichi’s? Yes, there were harmless paintsi and brushes, but were they really harmless as he claims? The short answer is no, they are lethally laced with mold and paints to give off the same fatal fumes that murdered Fumiko. Seiichi couldn’t very well have trashed these certain tools in the garbage and gone about his day because someone somewhere would have gotten ahold of them and pieced it all together, eventually linking him to this cold blooded murder. He also feared of tying them in a garbage bag, throwing them in the woods and retrieving it later to destroy; as a precaution, the Inspector did in fact have a thorough sweep of the estate and everywhere within a 5 mile radius of it, leaving Seiichi indefinitely stuck with the “smoking gun.” They were sealed off to protect himself. The tip off came from one of Meguire’s men, “there were paintbrushes loaded with paint all the way to the ferrule.”

	Conan states that while no one there is an art student, that’s one of the things a painter of international recognition should never do. Painters keep paint on the bottom two-thirds of the bristles. Paint dried inside the metal band (ferrule) is almost impossible to remove and splits the brush head permanently. It wasn’t much, but it was enough to stand out. The formula is complete: Seiichi has the weapons, plus the access of the crime scene, plus his direct paints and mold applications that released the poison that caused her death, and adding in the time for which said mold and paints were applied, equals a painting of absolute justice for Fumiko, and a lifetime of punishment and atonement for Seiichi. Conan yields back, putting his bow tie back around his neck.		Conan states that while no one there is an art student, that’s one of the things a painter of international recognition should never do. Painters keep paint on the bottom two-thirds of the bristles. Paint dried inside the metal band (ferrule) is almost impossible to remove and splits the brush head permanently. It wasn’t much, but it was enough to stand out. The formula is complete: Seiichi has the weapons, plus the access of the crime scene, plus his direct paints and mold applications that released the poison that caused her death, and adding in the time for which said mold and paints were applied, equals a painting of absolute justice for Fumiko, and a lifetime of punishment and atonement for Seiichi. Conan yields back, putting his bow tie back around his neck.
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	Seiichi kindly asks the room if they know who is he, then asks again, before exploding in a rage filled rant that he is the Master Painter, Seiichi Hashimoto. Seiichi violently snaps, taking offense of Richard’s barrage of psychological attacks to his ego and psyche l. His work is his life, his passion, and his legacy. He confesses to brutally murdering Fumiko, because she simply stated that she didn’t like the painting Seiichi did and wanted him to remake it. Seiichi continues, with veins popping out of his neck and at the top of his lungs, asking the room if Richard knows who he is and what he’s capable of.		Seiichi kindly asks the room if they know who is he, then asks again, before exploding in a rage filled rant that he is the Master Painter, Seiichi Hashimoto. Seiichi violently snaps, taking offense of Richard’s barrage of psychological attacks to his ego and psyche l. His work is his life, his passion, and his legacy. He confesses to brutally murdering Fumiko, because she simply stated that she didn’t like the painting Seiichi did and wanted him to remake it. Seiichi continues, with veins popping out of his neck and at the top of his lungs, asking the room if Richard knows who he is and what he’s capable of.

	Seiichi cruelly mocks the maids for their grief, calling their act worthless. He turns his attention to the grief stricken Rachel who is still emotionally devastated from the Scheele’s Green story. Seiichi tells Rachel, who he fully blames for his rightfully earned arrest, that he wished her bonquet of flowers died along with Fumiko. Fully consumed by his self-driven maniacal self image and narcissism, Seiichi continues to gloat, failing to realize the Inspector placing him in handcuffs and escorts him out. Conan has successfully ridden the streets of another psychopathic ~~narcissist~~ from ~~doing~~ harm~~, as~~ a bonus, he takes full pride to know that Matilda (the 1891 19-year-old Scheele’s Green victim) got the peaceful spiritual send off that was wrongfully denied to her for more than a century.		Seiichi cruelly mocks the maids for their grief, calling their act worthless. He turns his attention to the grief stricken Rachel who is still emotionally devastated from the Scheele’s Green story. Seiichi tells Rachel, who he fully blames for his rightfully earned arrest, that he wished her bonquet of flowers died along with Fumiko. Fully consumed by his self-driven maniacal self image and narcissism, Seiichi continues to gloat, failing to realize the Inspector placing him in handcuffs and escorts him out. Conan states that he knows a man of Seiichi’s caliber can’t be brought down with traditional methods, psychological warfare and torture of Seiichi’s psyche was needed in order to shatter his narcissistic armor. He has successfully ridden the streets of another psychopathic minsters from committing more harm. As a bonus, he takes full pride to know that Matilda (the 1891 19-year-old Scheele’s Green victim) got the peaceful spiritual send off that was wrongfully denied to her for more than a century.

	The flowers that Rachel gave Fumiko have fully bloomed, releasing clusters of pollen from the petals, blowing outside and disappearing into the mountains of the now peaceful countryside, almost as if Fumiko and Matilda’s spirits was finally set free and Fumiko-sama knowing her killer was brought to absolute justice. </spoiler>		The flowers that Rachel gave Fumiko have fully bloomed, releasing clusters of pollen from the petals, blowing outside and disappearing into the mountains of the now peaceful countryside, almost as if Fumiko and Matilda’s spirits was finally set free and Fumiko-sama knowing her killer was brought to absolute justice. </spoiler>