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	<id>https://www.detectiveconanworld.com/wiki/index.php?action=history&amp;feed=atom&amp;title=Junichi_Miyashita</id>
	<title>Junichi Miyashita - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://www.detectiveconanworld.com/wiki/index.php?action=history&amp;feed=atom&amp;title=Junichi_Miyashita"/>
	<link rel="alternate" type="text/html" href="https://www.detectiveconanworld.com/wiki/index.php?title=Junichi_Miyashita&amp;action=history"/>
	<updated>2026-06-03T10:39:58Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
	<generator>MediaWiki 1.45.1</generator>
	<entry>
		<id>https://www.detectiveconanworld.com/wiki/index.php?title=Junichi_Miyashita&amp;diff=396090&amp;oldid=prev</id>
		<title>Nakamura: /* Scenarios written */</title>
		<link rel="alternate" type="text/html" href="https://www.detectiveconanworld.com/wiki/index.php?title=Junichi_Miyashita&amp;diff=396090&amp;oldid=prev"/>
		<updated>2025-09-20T15:48:17Z</updated>

		<summary type="html">&lt;p&gt;&lt;span class=&quot;autocomment&quot;&gt;Scenarios written&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 15:48, 20 September 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l31&quot;&gt;Line 31:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 31:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Scenarios written ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Scenarios written ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Number of case scenarios written: &#039;&#039;&#039;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;56&lt;/del&gt;&#039;&#039;&#039; (&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;76 &lt;/del&gt;episodes)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Number of case scenarios written: &#039;&#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;57&lt;/ins&gt;&#039;&#039;&#039; (&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;77 &lt;/ins&gt;episodes)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Columns-list|columns=2|colwidth=10em|content=&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Columns-list|columns=2|colwidth=10em|content=&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[Hijacked Department Store Case]] (Episode 17)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[Hijacked Department Store Case]] (Episode 17)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Nakamura</name></author>
	</entry>
	<entry>
		<id>https://www.detectiveconanworld.com/wiki/index.php?title=Junichi_Miyashita&amp;diff=396085&amp;oldid=prev</id>
		<title>Powerwar: /* Scenarios written */</title>
		<link rel="alternate" type="text/html" href="https://www.detectiveconanworld.com/wiki/index.php?title=Junichi_Miyashita&amp;diff=396085&amp;oldid=prev"/>
		<updated>2025-09-20T15:26:47Z</updated>

		<summary type="html">&lt;p&gt;&lt;span class=&quot;autocomment&quot;&gt;Scenarios written&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 15:26, 20 September 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l89&quot;&gt;Line 89:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 89:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[Kogoro Mouri&amp;#039;s Grand Lecture]] (Episodes 962-964)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[Kogoro Mouri&amp;#039;s Grand Lecture]] (Episodes 962-964)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[The Spiral of Rain and Malice]] (Episode 1062)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[The Spiral of Rain and Malice]] (Episode 1062)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;* [[The Hero of Ishinomaki]] (Episode 1176)&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Powerwar</name></author>
	</entry>
	<entry>
		<id>https://www.detectiveconanworld.com/wiki/index.php?title=Junichi_Miyashita&amp;diff=384754&amp;oldid=prev</id>
		<title>Nakamura: /* References */</title>
		<link rel="alternate" type="text/html" href="https://www.detectiveconanworld.com/wiki/index.php?title=Junichi_Miyashita&amp;diff=384754&amp;oldid=prev"/>
		<updated>2025-04-25T18:40:08Z</updated>

		<summary type="html">&lt;p&gt;&lt;span class=&quot;autocomment&quot;&gt;References&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 18:40, 25 April 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l156&quot;&gt;Line 156:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 156:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;FeaturedArticle&lt;/del&gt;|February 6, 2024}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;AOTM&lt;/ins&gt;|February 6, 2024}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{DEFAULTSORT:Miyashita, Junichi}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{DEFAULTSORT:Miyashita, Junichi}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Nakamura</name></author>
	</entry>
	<entry>
		<id>https://www.detectiveconanworld.com/wiki/index.php?title=Junichi_Miyashita&amp;diff=383862&amp;oldid=prev</id>
		<title>BOBO: /* References */</title>
		<link rel="alternate" type="text/html" href="https://www.detectiveconanworld.com/wiki/index.php?title=Junichi_Miyashita&amp;diff=383862&amp;oldid=prev"/>
		<updated>2025-04-14T00:14:36Z</updated>

		<summary type="html">&lt;p&gt;&lt;span class=&quot;autocomment&quot;&gt;References&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
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				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 00:14, 14 April 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l144&quot;&gt;Line 144:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 144:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# [http://www.animenewsnetwork.com/encyclopedia/people.php?id=8815 Junichi Miyashita - Anime News Network]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# [http://www.animenewsnetwork.com/encyclopedia/people.php?id=8815 Junichi Miyashita - Anime News Network]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# [https://seesaawiki.jp/w/radioi_34/d/%cc%be%c3%b5%c4%e5%a5%b3%a5%ca%a5%f3%a1%ca%a5%b7%a5%ea%a1%bc%a5%ba%a5%ea%a5%b9%a5%c8%a1%cb &amp;#039;&amp;#039;&amp;#039;Detective Conan Staff Listing&amp;#039;&amp;#039;&amp;#039;]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# [https://seesaawiki.jp/w/radioi_34/d/%cc%be%c3%b5%c4%e5%a5%b3%a5%ca%a5%f3%a1%ca%a5%b7%a5%ea%a1%bc%a5%ba%a5%ea%a5%b9%a5%c8%a1%cb &amp;#039;&amp;#039;&amp;#039;Detective Conan Staff Listing&amp;#039;&amp;#039;&amp;#039;]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{textbox|&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{textbox&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|width=100%&lt;/ins&gt;|&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;references&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;references&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;ref name=&amp;quot;interview&amp;quot;&amp;gt;{{cite journal|title=「特別対談 宮下隼一×野中剛」|journal=『宇宙船』vol.152（SPRING 2016.春）|date=April 1, 2016|isbn=978-4-7986-1218-8}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;ref name=&amp;quot;interview&amp;quot;&amp;gt;{{cite journal|title=「特別対談 宮下隼一×野中剛」|journal=『宇宙船』vol.152（SPRING 2016.春）|date=April 1, 2016|isbn=978-4-7986-1218-8}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>BOBO</name></author>
	</entry>
	<entry>
		<id>https://www.detectiveconanworld.com/wiki/index.php?title=Junichi_Miyashita&amp;diff=383856&amp;oldid=prev</id>
		<title>BOBO: Finally! No more ridiculously long links</title>
		<link rel="alternate" type="text/html" href="https://www.detectiveconanworld.com/wiki/index.php?title=Junichi_Miyashita&amp;diff=383856&amp;oldid=prev"/>
		<updated>2025-04-13T23:39:38Z</updated>

		<summary type="html">&lt;p&gt;Finally! No more ridiculously long links&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 23:39, 13 April 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l141&quot;&gt;Line 141:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 141:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== References ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== References ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# [[wikipedia:ja:宮下隼一|宮下隼一 - Wikipedia]] &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;(Japanese)&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# [[wikipedia:ja:宮下隼一|宮下隼一 - Wikipedia]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# [http://www.animenewsnetwork.com/encyclopedia/people.php?id=8815 Junichi Miyashita - Anime News Network]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# [http://www.animenewsnetwork.com/encyclopedia/people.php?id=8815 Junichi Miyashita - Anime News Network]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# [https://seesaawiki.jp/w/radioi_34/d/%cc%be%c3%b5%c4%e5%a5%b3%a5%ca%a5%f3%a1%ca%a5%b7%a5%ea%a1%bc%a5%ba%a5%ea%a5%b9%a5%c8%a1%cb &amp;#039;&amp;#039;&amp;#039;Detective Conan Staff Listing&amp;#039;&amp;#039;&amp;#039;]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# [https://seesaawiki.jp/w/radioi_34/d/%cc%be%c3%b5%c4%e5%a5%b3%a5%ca%a5%f3%a1%ca%a5%b7%a5%ea%a1%bc%a5%ba%a5%ea%a5%b9%a5%c8%a1%cb &amp;#039;&amp;#039;&amp;#039;Detective Conan Staff Listing&amp;#039;&amp;#039;&amp;#039;]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>BOBO</name></author>
	</entry>
	<entry>
		<id>https://www.detectiveconanworld.com/wiki/index.php?title=Junichi_Miyashita&amp;diff=383852&amp;oldid=prev</id>
		<title>BOBO at 23:34, 13 April 2025</title>
		<link rel="alternate" type="text/html" href="https://www.detectiveconanworld.com/wiki/index.php?title=Junichi_Miyashita&amp;diff=383852&amp;oldid=prev"/>
		<updated>2025-04-13T23:34:07Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 23:34, 13 April 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l32&quot;&gt;Line 32:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 32:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Scenarios written ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Scenarios written ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Number of case scenarios written: &amp;#039;&amp;#039;&amp;#039;56&amp;#039;&amp;#039;&amp;#039; (76 episodes)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Number of case scenarios written: &amp;#039;&amp;#039;&amp;#039;56&amp;#039;&amp;#039;&amp;#039; (76 episodes)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;col-begin}}&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Columns&lt;/ins&gt;-&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;list|columns=&lt;/ins&gt;2&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|colwidth=10em|content=&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{col&lt;/del&gt;-2&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;}}&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[Hijacked Department Store Case]] (Episode 17)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[Hijacked Department Store Case]] (Episode 17)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[The Mysterious Woman With Amnesia Case]] (Episode 24)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[The Mysterious Woman With Amnesia Case]] (Episode 24)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l62&quot;&gt;Line 62:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 61:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[Rainbow Color Kidnapping]] (Episode 562)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[Rainbow Color Kidnapping]] (Episode 562)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[The Seven Wonders of the Hiroshima Miyajima Tour]] (Episodes 594-595)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[The Seven Wonders of the Hiroshima Miyajima Tour]] (Episodes 594-595)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{col-2}}&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[The Crime with Zero Possibility to be Proven]] (Episode 570)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[The Crime with Zero Possibility to be Proven]] (Episode 570)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[A Friend of Justice]] (Episode 599)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[A Friend of Justice]] (Episode 599)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l91&quot;&gt;Line 91:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 89:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[Kogoro Mouri&amp;#039;s Grand Lecture]] (Episodes 962-964)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[Kogoro Mouri&amp;#039;s Grand Lecture]] (Episodes 962-964)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[The Spiral of Rain and Malice]] (Episode 1062)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* [[The Spiral of Rain and Malice]] (Episode 1062)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{col-end&lt;/del&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Scenarios adapted from the manga ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Scenarios adapted from the manga ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l144&quot;&gt;Line 144:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 142:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== References ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== References ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# [[wikipedia:ja:宮下隼一|宮下隼一 - Wikipedia]] (Japanese)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# [[wikipedia:ja:宮下隼一|宮下隼一 - Wikipedia]] (Japanese)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# [http://www.animenewsnetwork.com/encyclopedia/people.php?id=8815 Anime News Network]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# [http://www.animenewsnetwork.com/encyclopedia/people.php?id=8815 &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Junichi Miyashita - &lt;/ins&gt;Anime News Network]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;# [https://seesaawiki.jp/w/radioi_34/d/%cc%be%c3%b5%c4%e5%a5%b3%a5%ca%a5%f3%a1%ca%a5%b7%a5%ea%a1%bc%a5%ba%a5%ea%a5%b9%a5%c8%a1%cb &#039;&#039;&#039;Detective Conan Staff Listing&#039;&#039;&#039;]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{textbox|&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;references&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;references&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;ref name=&amp;quot;interview&amp;quot;&amp;gt;{{cite journal|title=「特別対談 宮下隼一×野中剛」|journal=『宇宙船』vol.152（SPRING 2016.春）|date=April 1, 2016|isbn=978-4-7986-1218-8}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;ref name=&amp;quot;interview&amp;quot;&amp;gt;{{cite journal|title=「特別対談 宮下隼一×野中剛」|journal=『宇宙船』vol.152（SPRING 2016.春）|date=April 1, 2016|isbn=978-4-7986-1218-8}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l154&quot;&gt;Line 154:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 154:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;ref name=&amp;quot;novel-2&amp;quot;&amp;gt;[https://niihama.mypl.net/shop/00000354628/news?d=1498948 鷺山京子、宮下隼一、扇澤延男の短編小説を連続配信します！]&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;ref name=&amp;quot;novel-2&amp;quot;&amp;gt;[https://niihama.mypl.net/shop/00000354628/news?d=1498948 鷺山京子、宮下隼一、扇澤延男の短編小説を連続配信します！]&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;/references&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;/references&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{FeaturedArticle|February 6, 2024}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{FeaturedArticle|February 6, 2024}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>BOBO</name></author>
	</entry>
	<entry>
		<id>https://www.detectiveconanworld.com/wiki/index.php?title=Junichi_Miyashita&amp;diff=366397&amp;oldid=prev</id>
		<title>BOBO at 20:43, 3 May 2024</title>
		<link rel="alternate" type="text/html" href="https://www.detectiveconanworld.com/wiki/index.php?title=Junichi_Miyashita&amp;diff=366397&amp;oldid=prev"/>
		<updated>2024-05-03T20:43:43Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 20:43, 3 May 2024&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l11&quot;&gt;Line 11:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 11:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| footnotes           =&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| footnotes           =&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{nihongo|&#039;&#039;&#039;Junichi Miyashita&#039;&#039;&#039;|宮下 隼一|Miyashita Jun&#039;ichi}}, born August 12, 1956&amp;lt;ref name=&quot;interview&quot;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;gt;{{cite journal|title=「特別対談 宮下隼一×野中剛」|journal=『宇宙船』vol.152（SPRING 2016.春）|date=April 1, 2016|isbn=978-4-7986-1218-8}}&amp;lt;&lt;/del&gt;/&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;ref&lt;/del&gt;&amp;gt;, is a Japanese screenplay writer from Tokyo. After graduating from university, Miyashita started a career as assistant director, but later specialized in scriptwriting, starting in the 1970s in police TV dramas, and later shifting to &#039;&#039;[[wikipedia:Tokusatsu|Tokusatsu]]&#039;&#039;. He first started scriptwriting for anime series in 1984, and was a writer for &#039;&#039;[[Detective Conan]]&#039;&#039; as early as the series&#039; inception in 1996. Having written more than fifty scripts for the series, he is one of its more prolific writers, and is known for creating cases focusing on kidnappings and character development, being however less creative with tricks. Since the late 2010s, he has been less involved in the series, but has provided significant contributions, including to the compilation movies released before big screen releases of the annual movies.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{nihongo|&#039;&#039;&#039;Junichi Miyashita&#039;&#039;&#039;|宮下 隼一|Miyashita Jun&#039;ichi}}, born August 12, 1956&amp;lt;ref name=&quot;interview&quot;/&amp;gt;, is a Japanese screenplay writer from Tokyo. After graduating from university, Miyashita started a career as assistant director, but later specialized in scriptwriting, starting in the 1970s in police TV dramas, and later shifting to &#039;&#039;[[wikipedia:Tokusatsu|Tokusatsu]]&#039;&#039;. He first started scriptwriting for anime series in 1984, and was a writer for &#039;&#039;[[Detective Conan]]&#039;&#039; as early as the series&#039; inception in 1996. Having written more than fifty scripts for the series, he is one of its more prolific writers, and is known for creating cases focusing on kidnappings and character development, being however less creative with tricks. Since the late 2010s, he has been less involved in the series, but has provided significant contributions, including to the compilation movies released before big screen releases of the annual movies.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Biography ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Biography ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Junichi Miyashita graduated from Yokohama Broadcasting Technical School {{jp|横浜放送映画専門学院}}&amp;lt;ref name=&quot;interview&quot;/&amp;gt;, currently known as [[wikipedia:Japan Institute of the Moving Image|Japan Institute of the Moving Image]], where he was classmates with [[wikipedia:ja:岸間信明|Nobuaki Kishima]] {{jp|岸間 信明}} and [[wikipedia:ja:平野靖士|Yasushi Hirano]] {{jp|平野 靖士}}, who are also screenwriters. Miyashita&#039;s first intention was to be a director, therefore, he worked as an assistant director for TV movies, but after writing scripts for Ishihara Promotion {{jp|石原プロモーション}}, he took this opportunity and studied under the Japanese screenwriter [[wikipedia:ja:永原秀一|Shuichi Nagahara]] {{jp|永原 秀一}}. After that, he debuted in the 7th episode of the Japanese TV series &#039;&#039;[[wikipedia:Seibu Keisatsu|Seibu Keisatsu]]&#039;&#039; {{jp|西部警察}} in 1979&amp;lt;ref name=&quot;interview&quot;/&amp;gt;&amp;lt;ref name=&quot;BTS&quot;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;gt;{{cite journal|title=「スーパー戦隊制作の裏舞台 宮下隼一」|journal=『スーパー戦隊 Official Mook 21世紀 vol.2 忍風戦隊ハリケンジャー』講談社〈講談社シリーズMOOK〉|date=June 9, 2017|isbn=978-4-06-509513-3}}&amp;lt;&lt;/del&gt;/&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;ref&lt;/del&gt;&amp;gt;&amp;lt;ref name=&quot;interview-2&quot;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;gt;{{cite journal|title=「特別対談 堀長文×野中剛」|journal=『宇宙船』Vol.147（WINTER 2015.冬）|date=December 29, 2014|isbn=978-4-7986-0942-3}}&amp;lt;&lt;/del&gt;/&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;ref&lt;/del&gt;&amp;gt;. Not long afterwards, under the recommendation of the producer from [[wikipedia:TV Asahi|TV Asahi]], he participated in the screenplay writing of some of the episodes of the second part of the TV series &#039;&#039;[[wikipedia:Tokusō Saizensen|Tokusō Saizensen]]&#039;&#039; {{jp|特捜最前線}}&amp;lt;ref name=&quot;BTS&quot;/&amp;gt;. Later on, the producer of &#039;&#039;Tokusō Saizensen&#039;&#039;, [[wikipedia:ja:阿部征司|Seiji Abe]] {{jp|阿部 征司}} introduced Miyashita to [[wikipedia:ja:堀長文|Nagafumi Hori]] {{jp|堀 長文}}, who was one of the producers of the series &#039;&#039;[[wikipedia:Kamen Rider Black|Kamen Rider Black]]&#039;&#039; {{jp|仮面ライダーBLACK}}&amp;lt;ref name=&quot;BTS&quot;/&amp;gt;. As a result, Miyashita became the screenwriter for a [[wikipedia:Tokusatsu|Tokusatsu]] for the first time. From 1990 onwards, he served as the screenwriter for the &quot;Metal Hero series&quot;. He was notably the main screenwriter for &#039;&#039;[[wikipedia:Special Rescue Police Winspector|Special Rescue Police Winspector]]&#039;&#039; {{jp|特警ウインスペクター}}, &#039;&#039;[[wikipedia:Special Rescue Exceedraft|Special Rescue Exceedraft]]&#039;&#039; {{jp|特捜エクシードラフト}}, and &#039;&#039;[[wikipedia:B-Fighter Kabuto|B-Fighter Kabuto]]&#039;&#039; {{jp|ビーファイターカブト}}. He held this position for five years&amp;lt;ref name=&quot;interview&quot;/&amp;gt;, until &#039;&#039;[[wikipedia:Tetsuwan Tantei Robotack|Tetsuwan Tantei Robotack]]&#039;&#039; {{jp|テツワン探偵ロボタック}} in 1999&amp;lt;ref name=&quot;interview-2&quot;/&amp;gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Junichi Miyashita graduated from Yokohama Broadcasting Technical School {{jp|横浜放送映画専門学院}}&amp;lt;ref name=&quot;interview&quot;/&amp;gt;, currently known as [[wikipedia:Japan Institute of the Moving Image|Japan Institute of the Moving Image]], where he was classmates with [[wikipedia:ja:岸間信明|Nobuaki Kishima]] {{jp|岸間 信明}} and [[wikipedia:ja:平野靖士|Yasushi Hirano]] {{jp|平野 靖士}}, who are also screenwriters. Miyashita&#039;s first intention was to be a director, therefore, he worked as an assistant director for TV movies, but after writing scripts for Ishihara Promotion {{jp|石原プロモーション}}, he took this opportunity and studied under the Japanese screenwriter [[wikipedia:ja:永原秀一|Shuichi Nagahara]] {{jp|永原 秀一}}. After that, he debuted in the 7th episode of the Japanese TV series &#039;&#039;[[wikipedia:Seibu Keisatsu|Seibu Keisatsu]]&#039;&#039; {{jp|西部警察}} in 1979&amp;lt;ref name=&quot;interview&quot;/&amp;gt;&amp;lt;ref name=&quot;BTS&quot;/&amp;gt;&amp;lt;ref name=&quot;interview-2&quot;/&amp;gt;. Not long afterwards, under the recommendation of the producer from [[wikipedia:TV Asahi|TV Asahi]], he participated in the screenplay writing of some of the episodes of the second part of the TV series &#039;&#039;[[wikipedia:Tokusō Saizensen|Tokusō Saizensen]]&#039;&#039; {{jp|特捜最前線}}&amp;lt;ref name=&quot;BTS&quot;/&amp;gt;. Later on, the producer of &#039;&#039;Tokusō Saizensen&#039;&#039;, [[wikipedia:ja:阿部征司|Seiji Abe]] {{jp|阿部 征司}} introduced Miyashita to [[wikipedia:ja:堀長文|Nagafumi Hori]] {{jp|堀 長文}}, who was one of the producers of the series &#039;&#039;[[wikipedia:Kamen Rider Black|Kamen Rider Black]]&#039;&#039; {{jp|仮面ライダーBLACK}}&amp;lt;ref name=&quot;BTS&quot;/&amp;gt;. As a result, Miyashita became the screenwriter for a [[wikipedia:Tokusatsu|Tokusatsu]] for the first time. From 1990 onwards, he served as the screenwriter for the &quot;Metal Hero series&quot;. He was notably the main screenwriter for &#039;&#039;[[wikipedia:Special Rescue Police Winspector|Special Rescue Police Winspector]]&#039;&#039; {{jp|特警ウインスペクター}}, &#039;&#039;[[wikipedia:Special Rescue Exceedraft|Special Rescue Exceedraft]]&#039;&#039; {{jp|特捜エクシードラフト}}, and &#039;&#039;[[wikipedia:B-Fighter Kabuto|B-Fighter Kabuto]]&#039;&#039; {{jp|ビーファイターカブト}}. He held this position for five years&amp;lt;ref name=&quot;interview&quot;/&amp;gt;, until &#039;&#039;[[wikipedia:Tetsuwan Tantei Robotack|Tetsuwan Tantei Robotack]]&#039;&#039; {{jp|テツワン探偵ロボタック}} in 1999&amp;lt;ref name=&quot;interview-2&quot;/&amp;gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1984, Miyashita served as the screenwriter of the second season of the anime series &#039;&#039;[[wikipedia:List of Cat&#039;s Eye episodes|Cat&#039;s Eye]]&#039;&#039; {{jp|キャッツ・アイ}}. Because of this anime, he later on participated frequently in those works that were produced by [[TMS Entertainment]]. This made him become one of the veteran screenwriters in the &#039;&#039;[[Detective Conan]]&#039;&#039; [[anime]]. Meanwhile, Miyashita also participated in the flagship company established by [[wikipedia:Noboru Sugimura|Noboru Sugimura]] and others, in which he attempted to create some game scenarios as well&amp;lt;ref name=&quot;interview-2&quot;/&amp;gt;. Miyashita married in 2002&amp;lt;ref&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;gt;{{cite web|title&lt;/del&gt;=&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;忍風戦隊ハリケンジャー 第13話|url=https://web.archive.org/web/20121019051311/http://tvarc.toei.co.jp/tv/user/program/browse3.asp?Command=Old&amp;amp;StrNum=13&amp;amp;SID=160|website=東映|date=2002|access-date=2023-09-20}}&amp;lt;&lt;/del&gt;/&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;ref&lt;/del&gt;&amp;gt;, and started teaching screenwriting at Tokyo Artist University {{jp|東京作家大学}}&amp;lt;ref name=&quot;interview&quot;/&amp;gt;. He also created several webinars, such as &#039;&#039;Try to create reasoning techniques&#039;&#039;&amp;lt;ref&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;gt;[https://www.tokyo-writer.jp/online/miyashita 宮下隼一『ミステリーの手法で書いてみよう』]&amp;lt;&lt;/del&gt;/&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;ref&lt;/del&gt;&amp;gt;. In 2018, he published his first novel, named &#039;&#039;Where the Starving Heart Goes.&#039;&#039; {{jp|餓える心臓の往くところ。}}, released by Shinnami Publishing&amp;lt;ref&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;gt;[https:/&lt;/del&gt;/&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;www.tokyo-writer.jp/blog/%E5%AE%AE%E4%B8%8B%E5%85%88%E7%94%9F-%E4%BD%9C%E3%83%BB%E3%80%8C%E9%A4%93%E3%81%88%E3%82%8B%E5%BF%83%E8%87%93%E3%81%AE%E5%BE%80%E3%81%8F%E3%81%A8%E3%81%93%E3%82%8D%E3%80%8D.html 宮下先生 作・「餓える心臓の往くところ」]&amp;lt;/ref&lt;/del&gt;&amp;gt;&amp;lt;ref&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;gt;[https://niihama.mypl.net/shop/00000354628/news?d&lt;/del&gt;=&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;1498948 鷺山京子、宮下隼一、扇澤延男の短編小説を連続配信します！]&amp;lt;&lt;/del&gt;/&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;ref&lt;/del&gt;&amp;gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1984, Miyashita served as the screenwriter of the second season of the anime series &#039;&#039;[[wikipedia:List of Cat&#039;s Eye episodes|Cat&#039;s Eye]]&#039;&#039; {{jp|キャッツ・アイ}}. Because of this anime, he later on participated frequently in those works that were produced by [[TMS Entertainment]]. This made him become one of the veteran screenwriters in the &#039;&#039;[[Detective Conan]]&#039;&#039; [[anime]]. Meanwhile, Miyashita also participated in the flagship company established by [[wikipedia:Noboru Sugimura|Noboru Sugimura]] and others, in which he attempted to create some game scenarios as well&amp;lt;ref name=&quot;interview-2&quot;/&amp;gt;. Miyashita married in 2002&amp;lt;ref &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;name&lt;/ins&gt;=&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&quot;marriage&quot;&lt;/ins&gt;/&amp;gt;, and started teaching screenwriting at Tokyo Artist University {{jp|東京作家大学}}&amp;lt;ref name=&quot;interview&quot;/&amp;gt;. He also created several webinars, such as &#039;&#039;Try to create reasoning techniques&#039;&#039;&amp;lt;ref &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;name=&quot;web&quot;&lt;/ins&gt;/&amp;gt;. In 2018, he published his first novel, named &#039;&#039;Where the Starving Heart Goes.&#039;&#039; {{jp|餓える心臓の往くところ。}}, released by Shinnami Publishing&amp;lt;ref &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;name=&quot;novel&quot;&lt;/ins&gt;/&amp;gt;&amp;lt;ref &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;name&lt;/ins&gt;=&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&quot;novel-2&quot;&lt;/ins&gt;/&amp;gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Style analysis ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Style analysis ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Tamanosuke Ito Before.jpg|thumb|right|200px|left|Tamanosuke Ito.]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Tamanosuke Ito Before.jpg|thumb|right|200px|left|Tamanosuke Ito.]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;As a veteran staff in &#039;&#039;Detective Conan&#039;&#039; who has joined the production since its genesis in 1996, Miyashita&#039;s styles within his scripts vary a lot. One can find orthodox Honkaku deductions, adventure deductions, social Shakai deductions, among others. Additionally, &#039;&#039;&#039;Miyashita loves writing abduction cases&#039;&#039;&#039;, which is influenced by his early work as a screenwriter for criminal TV dramas. All his works are more inclined towards the traditional style and do not contain complicated tricks, but instead mostly contain character enrichment and story devising. Another aspect of his personal style of writing is that he tends to mingle adventure elements into a deduction story. An example would be [[The Traveling Drama Troupe Murder Case]] in terms of the complexity of different theme elements. Due to his main focus being the plot and adventure, tricks and deductions are usually neglected in his scripts. Incidentally, Miyashita sometimes also fancies making a certain character the centre and extending them to make character-centered stories; he &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;had &lt;/del&gt;done this with the [[Detective Boys]], [[Ran Mouri]], [[Kogoro Mouri]], and [[Conan Edogawa]] already. Also, a character created by him, named [[Tamanosuke Ito]], is very memorable and popular among the &#039;&#039;Detective Conan&#039;&#039; fandom as well.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;As a veteran staff in &#039;&#039;Detective Conan&#039;&#039; who has joined the production since its genesis in 1996, Miyashita&#039;s styles within his scripts vary a lot. One can find orthodox Honkaku deductions, adventure deductions, social Shakai deductions, among others. Additionally, &#039;&#039;&#039;Miyashita loves writing abduction cases&#039;&#039;&#039;, which is influenced by his early work as a screenwriter for criminal TV dramas. All his works are more inclined towards the traditional style and do not contain complicated tricks, but instead mostly contain character enrichment and story devising. Another aspect of his personal style of writing is that he tends to mingle adventure elements into a deduction story. An example would be [[The Traveling Drama Troupe Murder Case]] in terms of the complexity of different theme elements. Due to his main focus being the plot and adventure, tricks and deductions are usually neglected in his scripts. Incidentally, Miyashita sometimes also fancies making a certain character the centre and extending them to make character-centered stories; he &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;has &lt;/ins&gt;done this with the [[Detective Boys]], [[Ran Mouri]], [[Kogoro Mouri]], and [[Conan Edogawa]] already. Also, a character created by him, named [[Tamanosuke Ito]], is very memorable and popular among the &#039;&#039;Detective Conan&#039;&#039; fandom as well.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Despite the wide array of styles used in his works, the timeline of his compositions can still be divided into three parts:&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Despite the wide array of styles used in his works, the timeline of his compositions can still be divided into three parts:&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l145&quot;&gt;Line 145:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 145:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# [[wikipedia:ja:宮下隼一|宮下隼一 - Wikipedia]] (Japanese)&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# [[wikipedia:ja:宮下隼一|宮下隼一 - Wikipedia]] (Japanese)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# [http://www.animenewsnetwork.com/encyclopedia/people.php?id=8815 Anime News Network]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;# [http://www.animenewsnetwork.com/encyclopedia/people.php?id=8815 Anime News Network]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;references/&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;references&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;ref name=&quot;interview&quot;&amp;gt;{{cite journal|title=「特別対談 宮下隼一×野中剛」|journal=『宇宙船』vol.152（SPRING 2016.春）|date=April 1, 2016|isbn=978-4-7986-1218-8}}&amp;lt;&lt;/ins&gt;/&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;ref&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;ref name=&quot;BTS&quot;&amp;gt;{{cite journal|title=「スーパー戦隊制作の裏舞台 宮下隼一」|journal=『スーパー戦隊 Official Mook 21世紀 vol.2 忍風戦隊ハリケンジャー』講談社〈講談社シリーズMOOK〉|date=June 9, 2017|isbn=978-4-06-509513-3}}&amp;lt;/ref&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;ref name=&quot;interview-2&quot;&amp;gt;{{cite journal|title=「特別対談 堀長文×野中剛」|journal=『宇宙船』Vol.147（WINTER 2015.冬）|date=December 29, 2014|isbn=978-4-7986-0942-3}}&amp;lt;/ref&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;ref name=&quot;marriage&quot;&amp;gt;{{cite web|title=忍風戦隊ハリケンジャー 第13話|url=https://web.archive.org/web/20121019051311/http://tvarc.toei.co.jp/tv/user/program/browse3.asp?Command=Old&amp;amp;StrNum=13&amp;amp;SID=160|website=東映|date=2002|access-date=2023-09-20}}&amp;lt;/ref&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;ref name=&quot;web&quot;&amp;gt;[https://www.tokyo-writer.jp/online/miyashita 宮下隼一『ミステリーの手法で書いてみよう』]&amp;lt;/ref&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;ref name=&quot;novel&quot;&amp;gt;[https://www.tokyo-writer.jp/blog/%E5%AE%AE%E4%B8%8B%E5%85%88%E7%94%9F-%E4%BD%9C%E3%83%BB%E3%80%8C%E9%A4%93%E3%81%88%E3%82%8B%E5%BF%83%E8%87%93%E3%81%AE%E5%BE%80%E3%81%8F%E3%81%A8%E3%81%93%E3%82%8D%E3%80%8D.html 宮下先生 作・「餓える心臓の往くところ」]&amp;lt;/ref&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;ref name=&quot;novel-2&quot;&amp;gt;[https://niihama.mypl.net/shop/00000354628/news?d=1498948 鷺山京子、宮下隼一、扇澤延男の短編小説を連続配信します！]&amp;lt;/ref&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;/references&lt;/ins&gt;&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{FeaturedArticle|February 6, 2024}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{FeaturedArticle|February 6, 2024}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>BOBO</name></author>
	</entry>
	<entry>
		<id>https://www.detectiveconanworld.com/wiki/index.php?title=Junichi_Miyashita&amp;diff=366392&amp;oldid=prev</id>
		<title>BOBO at 20:22, 3 May 2024</title>
		<link rel="alternate" type="text/html" href="https://www.detectiveconanworld.com/wiki/index.php?title=Junichi_Miyashita&amp;diff=366392&amp;oldid=prev"/>
		<updated>2024-05-03T20:22:44Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 20:22, 3 May 2024&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l8&quot;&gt;Line 8:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 8:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| position            = Screenplay &amp;lt;br&amp;gt; Organizer&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| position            = Screenplay &amp;lt;br&amp;gt; Organizer&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| years-active        = 1979-present&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| years-active        = 1979-present&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| aliases             = &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Zyuniti Miyasita {{jp|宮下 潤一}}&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| aliases             = &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;宮下潤一&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| footnotes           =&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| footnotes           =&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>BOBO</name></author>
	</entry>
	<entry>
		<id>https://www.detectiveconanworld.com/wiki/index.php?title=Junichi_Miyashita&amp;diff=366391&amp;oldid=prev</id>
		<title>BOBO: Undo revision 366350 by BOBO (talk)</title>
		<link rel="alternate" type="text/html" href="https://www.detectiveconanworld.com/wiki/index.php?title=Junichi_Miyashita&amp;diff=366391&amp;oldid=prev"/>
		<updated>2024-05-03T20:22:16Z</updated>

		<summary type="html">&lt;p&gt;Undo revision 366350 by &lt;a href=&quot;/wiki/Special:Contributions/BOBO&quot; title=&quot;Special:Contributions/BOBO&quot;&gt;BOBO&lt;/a&gt; (&lt;a href=&quot;/wiki/User_talk:BOBO&quot; title=&quot;User talk:BOBO&quot;&gt;talk&lt;/a&gt;)&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 20:22, 3 May 2024&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l8&quot;&gt;Line 8:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 8:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| position            = Screenplay &amp;lt;br&amp;gt; Organizer&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| position            = Screenplay &amp;lt;br&amp;gt; Organizer&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| years-active        = 1979-present&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| years-active        = 1979-present&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| aliases             = Zyuniti Miyasita &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;small&amp;gt;(&lt;/del&gt;{{&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;lang|ja&lt;/del&gt;|宮下 潤一}}&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;)&amp;lt;/small&amp;gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| aliases             = Zyuniti Miyasita {{&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;jp&lt;/ins&gt;|宮下 潤一}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| footnotes           =&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| footnotes           =&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l14&quot;&gt;Line 14:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 14:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Biography ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Biography ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Junichi Miyashita graduated from Yokohama Broadcasting Technical School &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;small&amp;gt;(&lt;/del&gt;{{&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;lang|ja&lt;/del&gt;|横浜放送映画専門学院}}&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;)&amp;lt;/small&amp;gt;&lt;/del&gt;&amp;lt;ref name=&quot;interview&quot;/&amp;gt;, currently known as [[wikipedia:Japan Institute of the Moving Image|Japan Institute of the Moving Image]], where he was classmates with [[wikipedia:ja:岸間信明|Nobuaki Kishima]] &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;small&amp;gt;(&lt;/del&gt;{{&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;lang|ja&lt;/del&gt;|岸間 信明}}&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;)&amp;lt;/small&amp;gt; &lt;/del&gt;and [[wikipedia:ja:平野靖士|Yasushi Hirano]] &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;small&amp;gt;(&lt;/del&gt;{{&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;lang|ja&lt;/del&gt;|平野 靖士}}&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;)&amp;lt;/small&amp;gt;&lt;/del&gt;, who are also screenwriters. Miyashita&#039;s first intention was to be a director, therefore, he worked as an assistant director for TV movies, but after writing scripts for Ishihara Promotion &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;small&amp;gt;(&lt;/del&gt;{{&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;lang|ja&lt;/del&gt;|石原プロモーション}}&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;)&amp;lt;/small&amp;gt;&lt;/del&gt;, he took this opportunity and studied under the Japanese screenwriter [[wikipedia:ja:永原秀一|Shuichi Nagahara]] &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;small&amp;gt;(&lt;/del&gt;{{&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;lang|ja&lt;/del&gt;|永原 秀一}}&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;)&amp;lt;/small&amp;gt;&lt;/del&gt;. After that, he debuted in the 7th episode of the Japanese TV series &#039;&#039;[[wikipedia:Seibu Keisatsu|Seibu Keisatsu]]&#039;&#039; &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;small&amp;gt;(&lt;/del&gt;{{&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;lang|ja&lt;/del&gt;|西部警察}}&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;)&amp;lt;/small&amp;gt; &lt;/del&gt;in 1979&amp;lt;ref name=&quot;interview&quot;/&amp;gt;&amp;lt;ref name=&quot;BTS&quot;&amp;gt;{{cite journal|title=「スーパー戦隊制作の裏舞台 宮下隼一」|journal=『スーパー戦隊 Official Mook 21世紀 vol.2 忍風戦隊ハリケンジャー』講談社〈講談社シリーズMOOK〉|date=June 9, 2017|isbn=978-4-06-509513-3}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&quot;interview-2&quot;&amp;gt;{{cite journal|title=「特別対談 堀長文×野中剛」|journal=『宇宙船』Vol.147（WINTER 2015.冬）|date=December 29, 2014|isbn=978-4-7986-0942-3}}&amp;lt;/ref&amp;gt;. Not long afterwards, under the recommendation of the producer from [[wikipedia:TV Asahi|TV Asahi]], he participated in the screenplay writing of some of the episodes of the second part of the TV series &#039;&#039;[[wikipedia:Tokusō Saizensen|Tokusō Saizensen]]&#039;&#039; &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;small&amp;gt;(&lt;/del&gt;{{&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;lang|ja&lt;/del&gt;|特捜最前線}}&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;)&amp;lt;/small&amp;gt;&lt;/del&gt;&amp;lt;ref name=&quot;BTS&quot;/&amp;gt;. Later on, the producer of &#039;&#039;Tokusō Saizensen&#039;&#039;, [[wikipedia:ja:阿部征司|Seiji Abe]] &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;small&amp;gt;(&lt;/del&gt;{{&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;lang|ja&lt;/del&gt;|阿部 征司}}&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;)&amp;lt;/small&amp;gt; &lt;/del&gt;introduced Miyashita to [[wikipedia:ja:堀長文|Nagafumi Hori]] &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;small&amp;gt;(&lt;/del&gt;{{&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;lang|ja&lt;/del&gt;|堀 長文}}&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;)&amp;lt;/small&amp;gt;&lt;/del&gt;, who was one of the producers of the series &#039;&#039;[[wikipedia:Kamen Rider Black|Kamen Rider Black]]&#039;&#039; &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;small&amp;gt;(&lt;/del&gt;{{&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;lang|ja&lt;/del&gt;|仮面ライダーBLACK}}&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;)&amp;lt;/small&amp;gt;&lt;/del&gt;&amp;lt;ref name=&quot;BTS&quot;/&amp;gt;. As a result, Miyashita became the screenwriter for a [[wikipedia:Tokusatsu|Tokusatsu]] for the first time. From 1990 onwards, he served as the screenwriter for the &quot;Metal Hero series&quot;. He was notably the main screenwriter for &#039;&#039;[[wikipedia:Special Rescue Police Winspector|Special Rescue Police Winspector]]&#039;&#039; &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;small&amp;gt;(&lt;/del&gt;{{&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;lang|ja&lt;/del&gt;|特警ウインスペクター}}&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;)&amp;lt;/small&amp;gt;&lt;/del&gt;, &#039;&#039;[[wikipedia:Special Rescue Exceedraft|Special Rescue Exceedraft]]&#039;&#039; &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;small&amp;gt;(&lt;/del&gt;{{&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;lang|ja&lt;/del&gt;|特捜エクシードラフト}}&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;)&amp;lt;/small&amp;gt;&lt;/del&gt;, and &#039;&#039;[[wikipedia:B-Fighter Kabuto|B-Fighter Kabuto]]&#039;&#039; &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;small&amp;gt;(&lt;/del&gt;{{&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;lang|ja&lt;/del&gt;|ビーファイターカブト}}&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;)&amp;lt;/small&amp;gt;&lt;/del&gt;. He held this position for five years&amp;lt;ref name=&quot;interview&quot;/&amp;gt;, until &#039;&#039;[[wikipedia:Tetsuwan Tantei Robotack|Tetsuwan Tantei Robotack]]&#039;&#039; &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;small&amp;gt;(&lt;/del&gt;{{&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;lang|ja&lt;/del&gt;|テツワン探偵ロボタック}}&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;)&amp;lt;/small&amp;gt; &lt;/del&gt;in 1999&amp;lt;ref name=&quot;interview-2&quot;/&amp;gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Junichi Miyashita graduated from Yokohama Broadcasting Technical School {{&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;jp&lt;/ins&gt;|横浜放送映画専門学院}}&amp;lt;ref name=&quot;interview&quot;/&amp;gt;, currently known as [[wikipedia:Japan Institute of the Moving Image|Japan Institute of the Moving Image]], where he was classmates with [[wikipedia:ja:岸間信明|Nobuaki Kishima]] {{&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;jp&lt;/ins&gt;|岸間 信明}} and [[wikipedia:ja:平野靖士|Yasushi Hirano]] {{&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;jp&lt;/ins&gt;|平野 靖士}}, who are also screenwriters. Miyashita&#039;s first intention was to be a director, therefore, he worked as an assistant director for TV movies, but after writing scripts for Ishihara Promotion {{&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;jp&lt;/ins&gt;|石原プロモーション}}, he took this opportunity and studied under the Japanese screenwriter [[wikipedia:ja:永原秀一|Shuichi Nagahara]] {{&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;jp&lt;/ins&gt;|永原 秀一}}. After that, he debuted in the 7th episode of the Japanese TV series &#039;&#039;[[wikipedia:Seibu Keisatsu|Seibu Keisatsu]]&#039;&#039; {{&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;jp&lt;/ins&gt;|西部警察}} in 1979&amp;lt;ref name=&quot;interview&quot;/&amp;gt;&amp;lt;ref name=&quot;BTS&quot;&amp;gt;{{cite journal|title=「スーパー戦隊制作の裏舞台 宮下隼一」|journal=『スーパー戦隊 Official Mook 21世紀 vol.2 忍風戦隊ハリケンジャー』講談社〈講談社シリーズMOOK〉|date=June 9, 2017|isbn=978-4-06-509513-3}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&quot;interview-2&quot;&amp;gt;{{cite journal|title=「特別対談 堀長文×野中剛」|journal=『宇宙船』Vol.147（WINTER 2015.冬）|date=December 29, 2014|isbn=978-4-7986-0942-3}}&amp;lt;/ref&amp;gt;. Not long afterwards, under the recommendation of the producer from [[wikipedia:TV Asahi|TV Asahi]], he participated in the screenplay writing of some of the episodes of the second part of the TV series &#039;&#039;[[wikipedia:Tokusō Saizensen|Tokusō Saizensen]]&#039;&#039; {{&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;jp&lt;/ins&gt;|特捜最前線}}&amp;lt;ref name=&quot;BTS&quot;/&amp;gt;. Later on, the producer of &#039;&#039;Tokusō Saizensen&#039;&#039;, [[wikipedia:ja:阿部征司|Seiji Abe]] {{&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;jp&lt;/ins&gt;|阿部 征司}} introduced Miyashita to [[wikipedia:ja:堀長文|Nagafumi Hori]] {{&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;jp&lt;/ins&gt;|堀 長文}}, who was one of the producers of the series &#039;&#039;[[wikipedia:Kamen Rider Black|Kamen Rider Black]]&#039;&#039; {{&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;jp&lt;/ins&gt;|仮面ライダーBLACK}}&amp;lt;ref name=&quot;BTS&quot;/&amp;gt;. As a result, Miyashita became the screenwriter for a [[wikipedia:Tokusatsu|Tokusatsu]] for the first time. From 1990 onwards, he served as the screenwriter for the &quot;Metal Hero series&quot;. He was notably the main screenwriter for &#039;&#039;[[wikipedia:Special Rescue Police Winspector|Special Rescue Police Winspector]]&#039;&#039; {{&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;jp&lt;/ins&gt;|特警ウインスペクター}}, &#039;&#039;[[wikipedia:Special Rescue Exceedraft|Special Rescue Exceedraft]]&#039;&#039; {{&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;jp&lt;/ins&gt;|特捜エクシードラフト}}, and &#039;&#039;[[wikipedia:B-Fighter Kabuto|B-Fighter Kabuto]]&#039;&#039; {{&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;jp&lt;/ins&gt;|ビーファイターカブト}}. He held this position for five years&amp;lt;ref name=&quot;interview&quot;/&amp;gt;, until &#039;&#039;[[wikipedia:Tetsuwan Tantei Robotack|Tetsuwan Tantei Robotack]]&#039;&#039; {{&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;jp&lt;/ins&gt;|テツワン探偵ロボタック}} in 1999&amp;lt;ref name=&quot;interview-2&quot;/&amp;gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1984, Miyashita served as the screenwriter of the second season of the anime series &#039;&#039;[[wikipedia:List of Cat&#039;s Eye episodes|Cat&#039;s Eye]]&#039;&#039; &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;small&amp;gt;(&lt;/del&gt;{{&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;lang|ja&lt;/del&gt;|キャッツ・アイ}}&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;)&amp;lt;/small&amp;gt;&lt;/del&gt;. Because of this anime, he later on participated frequently in those works that were produced by [[TMS Entertainment]]. This made him become one of the veteran screenwriters in the &#039;&#039;[[Detective Conan]]&#039;&#039; [[anime]]. Meanwhile, Miyashita also participated in the flagship company established by [[wikipedia:Noboru Sugimura|Noboru Sugimura]] and others, in which he attempted to create some game scenarios as well&amp;lt;ref name=&quot;interview-2&quot;/&amp;gt;. Miyashita married in 2002&amp;lt;ref&amp;gt;{{cite web|title=忍風戦隊ハリケンジャー 第13話|url=https://web.archive.org/web/20121019051311/http://tvarc.toei.co.jp/tv/user/program/browse3.asp?Command=Old&amp;amp;StrNum=13&amp;amp;SID=160|website=東映|date=2002|access-date=2023-09-20}}&amp;lt;/ref&amp;gt;, and started teaching screenwriting at Tokyo Artist University &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;small&amp;gt;(&lt;/del&gt;{{&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;lang|ja&lt;/del&gt;|東京作家大学}}&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;)&amp;lt;/small&amp;gt;&lt;/del&gt;&amp;lt;ref name=&quot;interview&quot;/&amp;gt;. He also created several webinars, such as &#039;&#039;Try to create reasoning techniques&#039;&#039;&amp;lt;ref&amp;gt;[https://www.tokyo-writer.jp/online/miyashita 宮下隼一『ミステリーの手法で書いてみよう』]&amp;lt;/ref&amp;gt;. In 2018, he published his first novel, named &#039;&#039;Where the Starving Heart Goes.&#039;&#039; &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;small&amp;gt;(&lt;/del&gt;{{&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;lang|ja&lt;/del&gt;|餓える心臓の往くところ。}}&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;)&amp;lt;/small&amp;gt;&lt;/del&gt;, released by Shinnami Publishing&amp;lt;ref&amp;gt;[https://www.tokyo-writer.jp/blog/%E5%AE%AE%E4%B8%8B%E5%85%88%E7%94%9F-%E4%BD%9C%E3%83%BB%E3%80%8C%E9%A4%93%E3%81%88%E3%82%8B%E5%BF%83%E8%87%93%E3%81%AE%E5%BE%80%E3%81%8F%E3%81%A8%E3%81%93%E3%82%8D%E3%80%8D.html 宮下先生 作・「餓える心臓の往くところ」]&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;[https://niihama.mypl.net/shop/00000354628/news?d=1498948 鷺山京子、宮下隼一、扇澤延男の短編小説を連続配信します！]&amp;lt;/ref&amp;gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1984, Miyashita served as the screenwriter of the second season of the anime series &#039;&#039;[[wikipedia:List of Cat&#039;s Eye episodes|Cat&#039;s Eye]]&#039;&#039; {{&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;jp&lt;/ins&gt;|キャッツ・アイ}}. Because of this anime, he later on participated frequently in those works that were produced by [[TMS Entertainment]]. This made him become one of the veteran screenwriters in the &#039;&#039;[[Detective Conan]]&#039;&#039; [[anime]]. Meanwhile, Miyashita also participated in the flagship company established by [[wikipedia:Noboru Sugimura|Noboru Sugimura]] and others, in which he attempted to create some game scenarios as well&amp;lt;ref name=&quot;interview-2&quot;/&amp;gt;. Miyashita married in 2002&amp;lt;ref&amp;gt;{{cite web|title=忍風戦隊ハリケンジャー 第13話|url=https://web.archive.org/web/20121019051311/http://tvarc.toei.co.jp/tv/user/program/browse3.asp?Command=Old&amp;amp;StrNum=13&amp;amp;SID=160|website=東映|date=2002|access-date=2023-09-20}}&amp;lt;/ref&amp;gt;, and started teaching screenwriting at Tokyo Artist University {{&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;jp&lt;/ins&gt;|東京作家大学}}&amp;lt;ref name=&quot;interview&quot;/&amp;gt;. He also created several webinars, such as &#039;&#039;Try to create reasoning techniques&#039;&#039;&amp;lt;ref&amp;gt;[https://www.tokyo-writer.jp/online/miyashita 宮下隼一『ミステリーの手法で書いてみよう』]&amp;lt;/ref&amp;gt;. In 2018, he published his first novel, named &#039;&#039;Where the Starving Heart Goes.&#039;&#039; {{&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;jp&lt;/ins&gt;|餓える心臓の往くところ。}}, released by Shinnami Publishing&amp;lt;ref&amp;gt;[https://www.tokyo-writer.jp/blog/%E5%AE%AE%E4%B8%8B%E5%85%88%E7%94%9F-%E4%BD%9C%E3%83%BB%E3%80%8C%E9%A4%93%E3%81%88%E3%82%8B%E5%BF%83%E8%87%93%E3%81%AE%E5%BE%80%E3%81%8F%E3%81%A8%E3%81%93%E3%82%8D%E3%80%8D.html 宮下先生 作・「餓える心臓の往くところ」]&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;[https://niihama.mypl.net/shop/00000354628/news?d=1498948 鷺山京子、宮下隼一、扇澤延男の短編小説を連続配信します！]&amp;lt;/ref&amp;gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Style analysis ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Style analysis ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l24&quot;&gt;Line 24:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 24:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Despite the wide array of styles used in his works, the timeline of his compositions can still be divided into three parts:&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Despite the wide array of styles used in his works, the timeline of his compositions can still be divided into three parts:&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* The first part is from 1996 to 2001, when he was still experimenting different styles. His first TV original script, written in &#039;&#039;Detective Conan&#039;&#039;, [[Hijacked Department Store Case]], was already featuring elements pertaining to &quot;abduction&quot; and &quot;blackmailing&quot;. Moreover, [[Alibi Testimony Murder Case]] was an attempt at traditional alibi-breaking. Furthermore, [[General Hospital Murder Case]] and [[Scoop Picture Murder Case]] contained some science tricks. In addition, he even paid tribute to the novel &#039;&#039;[[wikipedia:And Then There Were None|And Then There Were None]]&#039;&#039; by [[Agatha Christie]] in his work [[The Disappearing Detective Boys Case]]. Besides, he also wrote a case with Shakai deduction &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;small&amp;gt;(&lt;/del&gt;{{&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;lang|ja&lt;/del&gt;|社会派推理}}&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;)&amp;lt;/small&amp;gt;&lt;/del&gt;, being [[The Tenth Passenger]]. This already indicates the variety of styles Miyashita wrote during this early period.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* The first part is from 1996 to 2001, when he was still experimenting different styles. His first TV original script, written in &#039;&#039;Detective Conan&#039;&#039;, [[Hijacked Department Store Case]], was already featuring elements pertaining to &quot;abduction&quot; and &quot;blackmailing&quot;. Moreover, [[Alibi Testimony Murder Case]] was an attempt at traditional alibi-breaking. Furthermore, [[General Hospital Murder Case]] and [[Scoop Picture Murder Case]] contained some science tricks. In addition, he even paid tribute to the novel &#039;&#039;[[wikipedia:And Then There Were None|And Then There Were None]]&#039;&#039; by [[Agatha Christie]] in his work [[The Disappearing Detective Boys Case]]. Besides, he also wrote a case with Shakai deduction {{&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;jp&lt;/ins&gt;|社会派推理}}, being [[The Tenth Passenger]]. This already indicates the variety of styles Miyashita wrote during this early period.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* The second part is from 2002 to 2013, when he was responsible for several [[Mystery Tour (series)|mystery tour]] cases, such as [[Momotarou Mystery Solving Tour]], [[Stork Mystery Tour]], [[The Seven Wonders of the Hiroshima Miyajima Tour]], and [[Nagasaki Mystery Theatre]]. Most of them contained cyphers and abductions. In 2005 and 2006, he decided to continue the &amp;quot;Travelling Drama Troupe&amp;quot; series and wrote two sequels to it: [[The Simultaneous Stage Advance and Kidnapping]] and [[The Phantom of the Konpira]] (1 Hour Special).&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* The second part is from 2002 to 2013, when he was responsible for several [[Mystery Tour (series)|mystery tour]] cases, such as [[Momotarou Mystery Solving Tour]], [[Stork Mystery Tour]], [[The Seven Wonders of the Hiroshima Miyajima Tour]], and [[Nagasaki Mystery Theatre]]. Most of them contained cyphers and abductions. In 2005 and 2006, he decided to continue the &amp;quot;Travelling Drama Troupe&amp;quot; series and wrote two sequels to it: [[The Simultaneous Stage Advance and Kidnapping]] and [[The Phantom of the Konpira]] (1 Hour Special).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>BOBO</name></author>
	</entry>
	<entry>
		<id>https://www.detectiveconanworld.com/wiki/index.php?title=Junichi_Miyashita&amp;diff=366350&amp;oldid=prev</id>
		<title>BOBO: Undo revision 366344 by BOBO (talk)</title>
		<link rel="alternate" type="text/html" href="https://www.detectiveconanworld.com/wiki/index.php?title=Junichi_Miyashita&amp;diff=366350&amp;oldid=prev"/>
		<updated>2024-05-03T13:42:08Z</updated>

		<summary type="html">&lt;p&gt;Undo revision 366344 by &lt;a href=&quot;/wiki/Special:Contributions/BOBO&quot; title=&quot;Special:Contributions/BOBO&quot;&gt;BOBO&lt;/a&gt; (&lt;a href=&quot;/wiki/User_talk:BOBO&quot; title=&quot;User talk:BOBO&quot;&gt;talk&lt;/a&gt;)&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 13:42, 3 May 2024&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l8&quot;&gt;Line 8:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 8:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| position            = Screenplay &amp;lt;br&amp;gt; Organizer&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| position            = Screenplay &amp;lt;br&amp;gt; Organizer&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| years-active        = 1979-present&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| years-active        = 1979-present&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| aliases             = Zyuniti Miyasita {{&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;jp&lt;/del&gt;|宮下 潤一}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| aliases             = Zyuniti Miyasita &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;small&amp;gt;(&lt;/ins&gt;{{&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;lang|ja&lt;/ins&gt;|宮下 潤一}}&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;)&amp;lt;/small&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| footnotes           =&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| footnotes           =&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l14&quot;&gt;Line 14:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 14:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Biography ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Biography ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Junichi Miyashita graduated from Yokohama Broadcasting Technical School {{&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;jp&lt;/del&gt;|横浜放送映画専門学院}}&amp;lt;ref name=&quot;interview&quot;/&amp;gt;, currently known as [[wikipedia:Japan Institute of the Moving Image|Japan Institute of the Moving Image]], where he was classmates with [[wikipedia:ja:岸間信明|Nobuaki Kishima]] {{&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;jp&lt;/del&gt;|岸間 信明}} and [[wikipedia:ja:平野靖士|Yasushi Hirano]] {{&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;jp&lt;/del&gt;|平野 靖士}}, who are also screenwriters. Miyashita&#039;s first intention was to be a director, therefore, he worked as an assistant director for TV movies, but after writing scripts for Ishihara Promotion {{&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;jp&lt;/del&gt;|石原プロモーション}}, he took this opportunity and studied under the Japanese screenwriter [[wikipedia:ja:永原秀一|Shuichi Nagahara]] {{&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;jp&lt;/del&gt;|永原 秀一}}. After that, he debuted in the 7th episode of the Japanese TV series &#039;&#039;[[wikipedia:Seibu Keisatsu|Seibu Keisatsu]]&#039;&#039; {{&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;jp&lt;/del&gt;|西部警察}} in 1979&amp;lt;ref name=&quot;interview&quot;/&amp;gt;&amp;lt;ref name=&quot;BTS&quot;&amp;gt;{{cite journal|title=「スーパー戦隊制作の裏舞台 宮下隼一」|journal=『スーパー戦隊 Official Mook 21世紀 vol.2 忍風戦隊ハリケンジャー』講談社〈講談社シリーズMOOK〉|date=June 9, 2017|isbn=978-4-06-509513-3}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&quot;interview-2&quot;&amp;gt;{{cite journal|title=「特別対談 堀長文×野中剛」|journal=『宇宙船』Vol.147（WINTER 2015.冬）|date=December 29, 2014|isbn=978-4-7986-0942-3}}&amp;lt;/ref&amp;gt;. Not long afterwards, under the recommendation of the producer from [[wikipedia:TV Asahi|TV Asahi]], he participated in the screenplay writing of some of the episodes of the second part of the TV series &#039;&#039;[[wikipedia:Tokusō Saizensen|Tokusō Saizensen]]&#039;&#039; {{&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;jp&lt;/del&gt;|特捜最前線}}&amp;lt;ref name=&quot;BTS&quot;/&amp;gt;. Later on, the producer of &#039;&#039;Tokusō Saizensen&#039;&#039;, [[wikipedia:ja:阿部征司|Seiji Abe]] {{&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;jp&lt;/del&gt;|阿部 征司}} introduced Miyashita to [[wikipedia:ja:堀長文|Nagafumi Hori]] {{&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;jp&lt;/del&gt;|堀 長文}}, who was one of the producers of the series &#039;&#039;[[wikipedia:Kamen Rider Black|Kamen Rider Black]]&#039;&#039; {{&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;jp&lt;/del&gt;|仮面ライダーBLACK}}&amp;lt;ref name=&quot;BTS&quot;/&amp;gt;. As a result, Miyashita became the screenwriter for a [[wikipedia:Tokusatsu|Tokusatsu]] for the first time. From 1990 onwards, he served as the screenwriter for the &quot;Metal Hero series&quot;. He was notably the main screenwriter for &#039;&#039;[[wikipedia:Special Rescue Police Winspector|Special Rescue Police Winspector]]&#039;&#039; {{&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;jp&lt;/del&gt;|特警ウインスペクター}}, &#039;&#039;[[wikipedia:Special Rescue Exceedraft|Special Rescue Exceedraft]]&#039;&#039; {{&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;jp&lt;/del&gt;|特捜エクシードラフト}}, and &#039;&#039;[[wikipedia:B-Fighter Kabuto|B-Fighter Kabuto]]&#039;&#039; {{&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;jp&lt;/del&gt;|ビーファイターカブト}}. He held this position for five years&amp;lt;ref name=&quot;interview&quot;/&amp;gt;, until &#039;&#039;[[wikipedia:Tetsuwan Tantei Robotack|Tetsuwan Tantei Robotack]]&#039;&#039; {{&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;jp&lt;/del&gt;|テツワン探偵ロボタック}} in 1999&amp;lt;ref name=&quot;interview-2&quot;/&amp;gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Junichi Miyashita graduated from Yokohama Broadcasting Technical School &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;small&amp;gt;(&lt;/ins&gt;{{&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;lang|ja&lt;/ins&gt;|横浜放送映画専門学院}}&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;)&amp;lt;/small&amp;gt;&lt;/ins&gt;&amp;lt;ref name=&quot;interview&quot;/&amp;gt;, currently known as [[wikipedia:Japan Institute of the Moving Image|Japan Institute of the Moving Image]], where he was classmates with [[wikipedia:ja:岸間信明|Nobuaki Kishima]] &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;small&amp;gt;(&lt;/ins&gt;{{&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;lang|ja&lt;/ins&gt;|岸間 信明}}&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;)&amp;lt;/small&amp;gt; &lt;/ins&gt;and [[wikipedia:ja:平野靖士|Yasushi Hirano]] &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;small&amp;gt;(&lt;/ins&gt;{{&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;lang|ja&lt;/ins&gt;|平野 靖士}}&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;)&amp;lt;/small&amp;gt;&lt;/ins&gt;, who are also screenwriters. Miyashita&#039;s first intention was to be a director, therefore, he worked as an assistant director for TV movies, but after writing scripts for Ishihara Promotion &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;small&amp;gt;(&lt;/ins&gt;{{&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;lang|ja&lt;/ins&gt;|石原プロモーション}}&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;)&amp;lt;/small&amp;gt;&lt;/ins&gt;, he took this opportunity and studied under the Japanese screenwriter [[wikipedia:ja:永原秀一|Shuichi Nagahara]] &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;small&amp;gt;(&lt;/ins&gt;{{&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;lang|ja&lt;/ins&gt;|永原 秀一}}&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;)&amp;lt;/small&amp;gt;&lt;/ins&gt;. After that, he debuted in the 7th episode of the Japanese TV series &#039;&#039;[[wikipedia:Seibu Keisatsu|Seibu Keisatsu]]&#039;&#039; &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;small&amp;gt;(&lt;/ins&gt;{{&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;lang|ja&lt;/ins&gt;|西部警察}}&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;)&amp;lt;/small&amp;gt; &lt;/ins&gt;in 1979&amp;lt;ref name=&quot;interview&quot;/&amp;gt;&amp;lt;ref name=&quot;BTS&quot;&amp;gt;{{cite journal|title=「スーパー戦隊制作の裏舞台 宮下隼一」|journal=『スーパー戦隊 Official Mook 21世紀 vol.2 忍風戦隊ハリケンジャー』講談社〈講談社シリーズMOOK〉|date=June 9, 2017|isbn=978-4-06-509513-3}}&amp;lt;/ref&amp;gt;&amp;lt;ref name=&quot;interview-2&quot;&amp;gt;{{cite journal|title=「特別対談 堀長文×野中剛」|journal=『宇宙船』Vol.147（WINTER 2015.冬）|date=December 29, 2014|isbn=978-4-7986-0942-3}}&amp;lt;/ref&amp;gt;. Not long afterwards, under the recommendation of the producer from [[wikipedia:TV Asahi|TV Asahi]], he participated in the screenplay writing of some of the episodes of the second part of the TV series &#039;&#039;[[wikipedia:Tokusō Saizensen|Tokusō Saizensen]]&#039;&#039; &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;small&amp;gt;(&lt;/ins&gt;{{&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;lang|ja&lt;/ins&gt;|特捜最前線}}&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;)&amp;lt;/small&amp;gt;&lt;/ins&gt;&amp;lt;ref name=&quot;BTS&quot;/&amp;gt;. Later on, the producer of &#039;&#039;Tokusō Saizensen&#039;&#039;, [[wikipedia:ja:阿部征司|Seiji Abe]] &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;small&amp;gt;(&lt;/ins&gt;{{&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;lang|ja&lt;/ins&gt;|阿部 征司}}&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;)&amp;lt;/small&amp;gt; &lt;/ins&gt;introduced Miyashita to [[wikipedia:ja:堀長文|Nagafumi Hori]] &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;small&amp;gt;(&lt;/ins&gt;{{&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;lang|ja&lt;/ins&gt;|堀 長文}}&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;)&amp;lt;/small&amp;gt;&lt;/ins&gt;, who was one of the producers of the series &#039;&#039;[[wikipedia:Kamen Rider Black|Kamen Rider Black]]&#039;&#039; &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;small&amp;gt;(&lt;/ins&gt;{{&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;lang|ja&lt;/ins&gt;|仮面ライダーBLACK}}&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;)&amp;lt;/small&amp;gt;&lt;/ins&gt;&amp;lt;ref name=&quot;BTS&quot;/&amp;gt;. As a result, Miyashita became the screenwriter for a [[wikipedia:Tokusatsu|Tokusatsu]] for the first time. From 1990 onwards, he served as the screenwriter for the &quot;Metal Hero series&quot;. He was notably the main screenwriter for &#039;&#039;[[wikipedia:Special Rescue Police Winspector|Special Rescue Police Winspector]]&#039;&#039; &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;small&amp;gt;(&lt;/ins&gt;{{&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;lang|ja&lt;/ins&gt;|特警ウインスペクター}}&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;)&amp;lt;/small&amp;gt;&lt;/ins&gt;, &#039;&#039;[[wikipedia:Special Rescue Exceedraft|Special Rescue Exceedraft]]&#039;&#039; &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;small&amp;gt;(&lt;/ins&gt;{{&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;lang|ja&lt;/ins&gt;|特捜エクシードラフト}}&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;)&amp;lt;/small&amp;gt;&lt;/ins&gt;, and &#039;&#039;[[wikipedia:B-Fighter Kabuto|B-Fighter Kabuto]]&#039;&#039; &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;small&amp;gt;(&lt;/ins&gt;{{&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;lang|ja&lt;/ins&gt;|ビーファイターカブト}}&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;)&amp;lt;/small&amp;gt;&lt;/ins&gt;. He held this position for five years&amp;lt;ref name=&quot;interview&quot;/&amp;gt;, until &#039;&#039;[[wikipedia:Tetsuwan Tantei Robotack|Tetsuwan Tantei Robotack]]&#039;&#039; &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;small&amp;gt;(&lt;/ins&gt;{{&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;lang|ja&lt;/ins&gt;|テツワン探偵ロボタック}}&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;)&amp;lt;/small&amp;gt; &lt;/ins&gt;in 1999&amp;lt;ref name=&quot;interview-2&quot;/&amp;gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1984, Miyashita served as the screenwriter of the second season of the anime series &#039;&#039;[[wikipedia:List of Cat&#039;s Eye episodes|Cat&#039;s Eye]]&#039;&#039; {{&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;jp&lt;/del&gt;|キャッツ・アイ}}. Because of this anime, he later on participated frequently in those works that were produced by [[TMS Entertainment]]. This made him become one of the veteran screenwriters in the &#039;&#039;[[Detective Conan]]&#039;&#039; [[anime]]. Meanwhile, Miyashita also participated in the flagship company established by [[wikipedia:Noboru Sugimura|Noboru Sugimura]] and others, in which he attempted to create some game scenarios as well&amp;lt;ref name=&quot;interview-2&quot;/&amp;gt;. Miyashita married in 2002&amp;lt;ref&amp;gt;{{cite web|title=忍風戦隊ハリケンジャー 第13話|url=https://web.archive.org/web/20121019051311/http://tvarc.toei.co.jp/tv/user/program/browse3.asp?Command=Old&amp;amp;StrNum=13&amp;amp;SID=160|website=東映|date=2002|access-date=2023-09-20}}&amp;lt;/ref&amp;gt;, and started teaching screenwriting at Tokyo Artist University {{&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;jp&lt;/del&gt;|東京作家大学}}&amp;lt;ref name=&quot;interview&quot;/&amp;gt;. He also created several webinars, such as &#039;&#039;Try to create reasoning techniques&#039;&#039;&amp;lt;ref&amp;gt;[https://www.tokyo-writer.jp/online/miyashita 宮下隼一『ミステリーの手法で書いてみよう』]&amp;lt;/ref&amp;gt;. In 2018, he published his first novel, named &#039;&#039;Where the Starving Heart Goes.&#039;&#039; {{&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;jp&lt;/del&gt;|餓える心臓の往くところ。}}, released by Shinnami Publishing&amp;lt;ref&amp;gt;[https://www.tokyo-writer.jp/blog/%E5%AE%AE%E4%B8%8B%E5%85%88%E7%94%9F-%E4%BD%9C%E3%83%BB%E3%80%8C%E9%A4%93%E3%81%88%E3%82%8B%E5%BF%83%E8%87%93%E3%81%AE%E5%BE%80%E3%81%8F%E3%81%A8%E3%81%93%E3%82%8D%E3%80%8D.html 宮下先生 作・「餓える心臓の往くところ」]&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;[https://niihama.mypl.net/shop/00000354628/news?d=1498948 鷺山京子、宮下隼一、扇澤延男の短編小説を連続配信します！]&amp;lt;/ref&amp;gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 1984, Miyashita served as the screenwriter of the second season of the anime series &#039;&#039;[[wikipedia:List of Cat&#039;s Eye episodes|Cat&#039;s Eye]]&#039;&#039; &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;small&amp;gt;(&lt;/ins&gt;{{&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;lang|ja&lt;/ins&gt;|キャッツ・アイ}}&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;)&amp;lt;/small&amp;gt;&lt;/ins&gt;. Because of this anime, he later on participated frequently in those works that were produced by [[TMS Entertainment]]. This made him become one of the veteran screenwriters in the &#039;&#039;[[Detective Conan]]&#039;&#039; [[anime]]. Meanwhile, Miyashita also participated in the flagship company established by [[wikipedia:Noboru Sugimura|Noboru Sugimura]] and others, in which he attempted to create some game scenarios as well&amp;lt;ref name=&quot;interview-2&quot;/&amp;gt;. Miyashita married in 2002&amp;lt;ref&amp;gt;{{cite web|title=忍風戦隊ハリケンジャー 第13話|url=https://web.archive.org/web/20121019051311/http://tvarc.toei.co.jp/tv/user/program/browse3.asp?Command=Old&amp;amp;StrNum=13&amp;amp;SID=160|website=東映|date=2002|access-date=2023-09-20}}&amp;lt;/ref&amp;gt;, and started teaching screenwriting at Tokyo Artist University &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;small&amp;gt;(&lt;/ins&gt;{{&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;lang|ja&lt;/ins&gt;|東京作家大学}}&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;)&amp;lt;/small&amp;gt;&lt;/ins&gt;&amp;lt;ref name=&quot;interview&quot;/&amp;gt;. He also created several webinars, such as &#039;&#039;Try to create reasoning techniques&#039;&#039;&amp;lt;ref&amp;gt;[https://www.tokyo-writer.jp/online/miyashita 宮下隼一『ミステリーの手法で書いてみよう』]&amp;lt;/ref&amp;gt;. In 2018, he published his first novel, named &#039;&#039;Where the Starving Heart Goes.&#039;&#039; &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;small&amp;gt;(&lt;/ins&gt;{{&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;lang|ja&lt;/ins&gt;|餓える心臓の往くところ。}}&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;)&amp;lt;/small&amp;gt;&lt;/ins&gt;, released by Shinnami Publishing&amp;lt;ref&amp;gt;[https://www.tokyo-writer.jp/blog/%E5%AE%AE%E4%B8%8B%E5%85%88%E7%94%9F-%E4%BD%9C%E3%83%BB%E3%80%8C%E9%A4%93%E3%81%88%E3%82%8B%E5%BF%83%E8%87%93%E3%81%AE%E5%BE%80%E3%81%8F%E3%81%A8%E3%81%93%E3%82%8D%E3%80%8D.html 宮下先生 作・「餓える心臓の往くところ」]&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;[https://niihama.mypl.net/shop/00000354628/news?d=1498948 鷺山京子、宮下隼一、扇澤延男の短編小説を連続配信します！]&amp;lt;/ref&amp;gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Style analysis ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Style analysis ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l24&quot;&gt;Line 24:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 24:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Despite the wide array of styles used in his works, the timeline of his compositions can still be divided into three parts:&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Despite the wide array of styles used in his works, the timeline of his compositions can still be divided into three parts:&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* The first part is from 1996 to 2001, when he was still experimenting different styles. His first TV original script, written in &#039;&#039;Detective Conan&#039;&#039;, [[Hijacked Department Store Case]], was already featuring elements pertaining to &quot;abduction&quot; and &quot;blackmailing&quot;. Moreover, [[Alibi Testimony Murder Case]] was an attempt at traditional alibi-breaking. Furthermore, [[General Hospital Murder Case]] and [[Scoop Picture Murder Case]] contained some science tricks. In addition, he even paid tribute to the novel &#039;&#039;[[wikipedia:And Then There Were None|And Then There Were None]]&#039;&#039; by [[Agatha Christie]] in his work [[The Disappearing Detective Boys Case]]. Besides, he also wrote a case with Shakai deduction {{&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;jp&lt;/del&gt;|社会派推理}}, being [[The Tenth Passenger]]. This already indicates the variety of styles Miyashita wrote during this early period.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* The first part is from 1996 to 2001, when he was still experimenting different styles. His first TV original script, written in &#039;&#039;Detective Conan&#039;&#039;, [[Hijacked Department Store Case]], was already featuring elements pertaining to &quot;abduction&quot; and &quot;blackmailing&quot;. Moreover, [[Alibi Testimony Murder Case]] was an attempt at traditional alibi-breaking. Furthermore, [[General Hospital Murder Case]] and [[Scoop Picture Murder Case]] contained some science tricks. In addition, he even paid tribute to the novel &#039;&#039;[[wikipedia:And Then There Were None|And Then There Were None]]&#039;&#039; by [[Agatha Christie]] in his work [[The Disappearing Detective Boys Case]]. Besides, he also wrote a case with Shakai deduction &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;small&amp;gt;(&lt;/ins&gt;{{&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;lang|ja&lt;/ins&gt;|社会派推理}}&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;)&amp;lt;/small&amp;gt;&lt;/ins&gt;, being [[The Tenth Passenger]]. This already indicates the variety of styles Miyashita wrote during this early period.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* The second part is from 2002 to 2013, when he was responsible for several [[Mystery Tour (series)|mystery tour]] cases, such as [[Momotarou Mystery Solving Tour]], [[Stork Mystery Tour]], [[The Seven Wonders of the Hiroshima Miyajima Tour]], and [[Nagasaki Mystery Theatre]]. Most of them contained cyphers and abductions. In 2005 and 2006, he decided to continue the &amp;quot;Travelling Drama Troupe&amp;quot; series and wrote two sequels to it: [[The Simultaneous Stage Advance and Kidnapping]] and [[The Phantom of the Konpira]] (1 Hour Special).&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* The second part is from 2002 to 2013, when he was responsible for several [[Mystery Tour (series)|mystery tour]] cases, such as [[Momotarou Mystery Solving Tour]], [[Stork Mystery Tour]], [[The Seven Wonders of the Hiroshima Miyajima Tour]], and [[Nagasaki Mystery Theatre]]. Most of them contained cyphers and abductions. In 2005 and 2006, he decided to continue the &amp;quot;Travelling Drama Troupe&amp;quot; series and wrote two sequels to it: [[The Simultaneous Stage Advance and Kidnapping]] and [[The Phantom of the Konpira]] (1 Hour Special).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>BOBO</name></author>
	</entry>
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