Atsushi Aono - Revision history

Jefflie: /* Biography */

2026-04-22T17:17:16Z

Biography

← Older revision		Revision as of 17:17, 22 April 2026
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	After finished working as animation direction for [[Conan and Heiji's Deduction Magic\|'''Episode 406''': Conan and Heiji's Deduction Magic (The Trick)]], he stopped participating in the anime production. He returned as the chief animation director for [[A Challenge from Agasa! Agasa vs. Conan and the Detective Boys\|'''OVA 7''': A Challenge from Agasa! Agasa vs. Conan and the Detective Boys]] in 2007.		After finished working as animation direction for [[Conan and Heiji's Deduction Magic\|'''Episode 406''': Conan and Heiji's Deduction Magic (The Trick)]], he stopped participating in the anime production. He returned as the chief animation director for [[A Challenge from Agasa! Agasa vs. Conan and the Detective Boys\|'''OVA 7''': A Challenge from Agasa! Agasa vs. Conan and the Detective Boys]] in 2007.

	Aono returned in 2015 to do key animation for [[The Scarlet Return\|'''Episode 783''': The Scarlet Truth]]. And in 2018, he returned as the animation director for [[The New Teacher's Skeleton Case\|'''Episode 890''': The New Teacher's Skeleton Case (Part 2)]], his first animation director work for the anime in 14 years. The reason behind it was to "return a favour"<ref group="Note">'''Note:''' ~~There was an episode in the sixth season of anime~~ ''[[wikipedia:Natsume's Book of Friends\|Natsume's Book of Friends]]'' (夏目友人帳~~) that~~ features many animators from TMS/~~V1Studio~~. ~~As a result~~, [[~~Shuka\|Studio~~ Shuka]], the studio ~~which Aono had close relationship with~~, ~~requested~~ Aono to ~~works~~ as the animation director for ~~episode 890 from the~~ ''Detective Conan'' ~~anime~~.</ref>, and it became apparent there were a big differences between his works and the works of animation supervisor, [[Seiji Muta]].		Aono returned in 2015 to do key animation for [[The Scarlet Return\|'''Episode 783''': The Scarlet Truth]]. And in 2018, he returned as the animation director for [[The New Teacher's Skeleton Case\|'''Episode 890''': The New Teacher's Skeleton Case (Part 2)]], his first animation director work for the anime in 14 years. The reason behind it was to "return a favour"<ref group="Note">'''Note:''' ''[[wikipedia:Natsume's Book of Friends\|Natsume's Book of Friends]]'' {{jp\|夏目友人帳}} sixth season Episode 9 features many animators from TMS/V1 Studio, with Aono as one of the animation director. Later, [[Shuka]], the studio that produced the anime, asked Aono to work as the animation director for ''Detective Conan'' Episode 890.</ref>, and it became apparent there were a big differences between his works and the works of animation supervisor, [[Seiji Muta]].

	== Works in [[Detective Conan]] ==		== Works in [[Detective Conan]] ==

Jefflie: /* References */

2026-04-22T17:10:56Z

References

← Older revision		Revision as of 17:10, 22 April 2026
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	== References ==		== References ==
			# [https://keyframe-staff-list.com/person/147400 Atsushi Aono - KeyFrame Staff List]
	# [[wikipedia:ja:青野厚司\|青野厚司 - Wikipedia]]		# [[wikipedia:ja:青野厚司\|青野厚司 - Wikipedia]]
	# [http://www.animenewsnetwork.com/encyclopedia/people.php?id=5113 Atsushi Aono - Anime News Network]		# [http://www.animenewsnetwork.com/encyclopedia/people.php?id=5113 Atsushi Aono - Anime News Network]

Jefflie: /* Biography */

2026-04-22T16:29:15Z

Biography

← Older revision		Revision as of 16:29, 22 April 2026
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	Aono joined the production of the ''Detective Conan'' [[anime]] since the beginning - as the animation director for [[The Shinkansen's Bomb Case\|'''Episode 5''': The Shinkansen's Bomb Case]]. Until 1998, he mainly worked on episode outsourced to [[Sunshine Corporation]], before got to work on in-house episodes since 1999. Early on, his artstyle have a softer, cutesy looks to it, but in a few years, his artstyles has become sharper and very recognizable - examples include the Haibara with the red hoodie in [[The Mysterious Passenger\|'''Episode 231''': The Mysterious Passenger (Part 2)]]. Most of the frames corrected/drawn by him were memorable since they were very close to the manga, and in great proportion. Another thing worth mentioning is that Aono was sometimes responsible as the sole animation director in a two-parts episodes, ([[Hooligan's Labyrinth\|'''Episodes 279~280''': Hooligan's Labyrinth]] for example.) which is a rare case in the anime production.		Aono joined the production of the ''Detective Conan'' [[anime]] since the beginning - as the animation director for [[The Shinkansen's Bomb Case\|'''Episode 5''': The Shinkansen's Bomb Case]]. Until 1998, he mainly worked on episode outsourced to [[Sunshine Corporation]], before got to work on in-house episodes since 1999. Early on, his artstyle have a softer, cutesy looks to it, but in a few years, his artstyles has become sharper and very recognizable - examples include the Haibara with the red hoodie in [[The Mysterious Passenger\|'''Episode 231''': The Mysterious Passenger (Part 2)]]. Most of the frames corrected/drawn by him were memorable since they were very close to the manga, and in great proportion. Another thing worth mentioning is that Aono was sometimes responsible as the sole animation director in a two-parts episodes, ([[Hooligan's Labyrinth\|'''Episodes 279~280''': Hooligan's Labyrinth]] for example.) which is a rare case in the anime production.

	After working as animation direction for [[Conan and Heiji's Deduction Magic\|'''Episode 406''': Conan and Heiji's Deduction Magic (The Trick)]], he stopped ~~working~~ in the anime. He returned as the chief animation director for [[A Challenge from Agasa! Agasa vs. Conan and the Detective Boys\|'''OVA 7''': A Challenge from Agasa! Agasa vs. Conan and the Detective Boys]] in 2007.		After finished working as animation direction for [[Conan and Heiji's Deduction Magic\|'''Episode 406''': Conan and Heiji's Deduction Magic (The Trick)]], he stopped participating in the anime production. He returned as the chief animation director for [[A Challenge from Agasa! Agasa vs. Conan and the Detective Boys\|'''OVA 7''': A Challenge from Agasa! Agasa vs. Conan and the Detective Boys]] in 2007.

	Aono returned in 2015 to do key animation for [[The Scarlet Return\|'''Episode 783''': The Scarlet Truth]]. And in 2018, he returned as the animation director for [[The New Teacher's Skeleton Case\|'''Episode 890''': The New Teacher's Skeleton Case (Part 2)]], his first animation director work for the anime in 14 years. The reason behind it was to "return a favour"<ref group="Note">'''Note:''' There was an episode in the sixth season of anime ''[[wikipedia:Natsume's Book of Friends\|Natsume's Book of Friends]]'' (夏目友人帳) that features many animators from TMS/V1Studio. As a result, [[Shuka\|Studio Shuka]], the studio which Aono had close relationship with, requested Aono to works as the animation director for episode 890 from the ''Detective Conan'' anime.</ref>, and it became apparent there were a big differences between his works and the works of animation supervisor, [[Seiji Muta]].		Aono returned in 2015 to do key animation for [[The Scarlet Return\|'''Episode 783''': The Scarlet Truth]]. And in 2018, he returned as the animation director for [[The New Teacher's Skeleton Case\|'''Episode 890''': The New Teacher's Skeleton Case (Part 2)]], his first animation director work for the anime in 14 years. The reason behind it was to "return a favour"<ref group="Note">'''Note:''' There was an episode in the sixth season of anime ''[[wikipedia:Natsume's Book of Friends\|Natsume's Book of Friends]]'' (夏目友人帳) that features many animators from TMS/V1Studio. As a result, [[Shuka\|Studio Shuka]], the studio which Aono had close relationship with, requested Aono to works as the animation director for episode 890 from the ''Detective Conan'' anime.</ref>, and it became apparent there were a big differences between his works and the works of animation supervisor, [[Seiji Muta]].

Jefflie at 16:28, 22 April 2026

2026-04-22T16:28:07Z

← Older revision		Revision as of 16:28, 22 April 2026
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	\|\|783\|\|836\|\|[[The Scarlet Return\|The Scarlet Truth]]\|\|June 27, 2015\|\|Key animation\|\|		\|\|783\|\|836\|\|[[The Scarlet Return\|The Scarlet Truth]]\|\|June 27, 2015\|\|Key animation\|\|
	\|-		\|-
	\|\|890\|\|945\|\|[[The New Teacher's Skeleton Case\|The New Teacher's Skeleton Case (Part 2)]]\|\|January 27, 2018\|\|Animation director\|\|~~Brief return~~		\|\|890\|\|945\|\|[[The New Teacher's Skeleton Case\|The New Teacher's Skeleton Case (Part 2)]]\|\|January 27, 2018\|\|Animation director\|\|
	\|}		\|}

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	== References ==		== References ==
	~~# Page partially or completely translated from the '''Chinese''' version of August 13th, 2023.~~
	# [[wikipedia:ja:青野厚司\|青野厚司 - Wikipedia]]		# [[wikipedia:ja:青野厚司\|青野厚司 - Wikipedia]]
	# [http://www.animenewsnetwork.com/encyclopedia/people.php?id=5113 Atsushi Aono - Anime News Network]		# [http://www.animenewsnetwork.com/encyclopedia/people.php?id=5113 Atsushi Aono - Anime News Network]

Jefflie: /* Biography */

2026-04-22T16:27:22Z

Biography

← Older revision		Revision as of 16:27, 22 April 2026
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	== Biography ==		== Biography ==
	Atsushi Aono is a freelance animator. His hobbies are related to cameras, model trains, tokusatsus etc. He made his debut as an in-between animator in 1985, in the anime ''[[wikipedia:Mobile Suit Zeta Gundam\|Mobile Suit Zeta Gundam]]'' {{jp\|機動戦士Ζガンダム}}; and first served as animation director in 1989 within the anime ''[[wikipedia:Madö King Granzört\|Madö King Granzört]]'' {{jp\|魔動王グランゾート}}~~. Since then, he has been involved in several animation works until present~~. Nowadays, he mainly works in seasonal anime series~~, mostly with~~ animation ~~produced by [[wikipedia:Bones (studio)\|Bones]] {{jp\|株式会社ボンズ}}~~ and ~~[[wikipedia:Brain's Base\|Brain's Base]] {{jp\|ブレインズ・ベース}}~~.		Atsushi Aono is a freelance animator. His hobbies are related to cameras, model trains, tokusatsus etc. He made his debut as an in-between animator in 1985, in the anime ''[[wikipedia:Mobile Suit Zeta Gundam\|Mobile Suit Zeta Gundam]]'' {{jp\|機動戦士Ζガンダム}}; and first served as animation director in 1989 within the anime ''[[wikipedia:Madö King Granzört\|Madö King Granzört]]'' {{jp\|魔動王グランゾート}}. Nowadays, he mainly works in seasonal anime series as animation director and chief animation director.

	~~Just like other veteran staffs,~~ Aono joined the production of the ''Detective Conan'' [[anime]] since the beginning - as the animation director for [[The Shinkansen's Bomb Case\|'''Episode 5''': The Shinkansen's Bomb Case]]. ~~Since then~~, he ~~kept active within the production team and did key animation and animation direction~~ in ~~several~~ episodes. Early on, his artstyle have a softer, cutesy looks to it, but in a few years, his artstyles has become sharper and very recognizable - examples include the Haibara with the red hoodie in [[The Mysterious Passenger\|'''Episode 231''': The Mysterious Passenger (Part 2)]]. Most of the frames corrected/drawn by him were memorable since they were very close to the manga, and in great proportion. Another thing worth mentioning is that Aono was sometimes responsible as the sole animation director in a two-parts episodes, ([[Hooligan's Labyrinth\|'''Episodes 279~280''': Hooligan's Labyrinth]] for example.) which is a rare case in the anime production.		Aono joined the production of the ''Detective Conan'' [[anime]] since the beginning - as the animation director for [[The Shinkansen's Bomb Case\|'''Episode 5''': The Shinkansen's Bomb Case]]. Until 1998, he mainly worked on episode outsourced to [[Sunshine Corporation]], before got to work on in-house episodes since 1999. Early on, his artstyle have a softer, cutesy looks to it, but in a few years, his artstyles has become sharper and very recognizable - examples include the Haibara with the red hoodie in [[The Mysterious Passenger\|'''Episode 231''': The Mysterious Passenger (Part 2)]]. Most of the frames corrected/drawn by him were memorable since they were very close to the manga, and in great proportion. Another thing worth mentioning is that Aono was sometimes responsible as the sole animation director in a two-parts episodes, ([[Hooligan's Labyrinth\|'''Episodes 279~280''': Hooligan's Labyrinth]] for example.) which is a rare case in the anime production.

	~~Aono eventually stopped doing works for the anime in 2005.~~ After ~~finishing the~~ animation direction for [[Conan and Heiji's Deduction Magic\|'''Episode 406''': Conan and Heiji's Deduction Magic (The Trick)]]. ~~and serving~~ as the chief animation director for [[A Challenge from Agasa! Agasa vs. Conan and the Detective Boys\|'''OVA 7''': A Challenge from Agasa! Agasa vs. Conan and the Detective Boys]].		After working as animation direction for [[Conan and Heiji's Deduction Magic\|'''Episode 406''': Conan and Heiji's Deduction Magic (The Trick)]], he stopped working in the anime. He returned as the chief animation director for [[A Challenge from Agasa! Agasa vs. Conan and the Detective Boys\|'''OVA 7''': A Challenge from Agasa! Agasa vs. Conan and the Detective Boys]] in 2007.

	~~In 2015,~~ Aono returned to ~~did~~ key animation for [[The Scarlet Return\|'''Episode 783''': The Scarlet Truth]]. And in 2018, he returned as the animation director for [[The New Teacher's Skeleton Case\|'''Episode 890''': The New Teacher's Skeleton Case (Part 2)]], ~~the~~ first ~~time he worked as~~ animation director for the anime in 14 years. The reason behind it was to "return a favour"<ref group="Note">'''Note:''' There was an episode in the sixth season of anime ''[[wikipedia:Natsume's Book of Friends\|Natsume's Book of Friends]]'' (夏目友人帳) that features many animators from TMS/V1Studio~~, suggesting it was outsouced to them~~. As a result, [[Shuka\|Studio Shuka]], the studio which Aono had close relationship with, requested Aono to works as the animation director for episode 890 from the ''Detective Conan'' anime.</ref>, and it became apparent there were a big differences between his works and the works of animation supervisor, [[Seiji Muta]].		Aono returned in 2015 to do key animation for [[The Scarlet Return\|'''Episode 783''': The Scarlet Truth]]. And in 2018, he returned as the animation director for [[The New Teacher's Skeleton Case\|'''Episode 890''': The New Teacher's Skeleton Case (Part 2)]], his first animation director work for the anime in 14 years. The reason behind it was to "return a favour"<ref group="Note">'''Note:''' There was an episode in the sixth season of anime ''[[wikipedia:Natsume's Book of Friends\|Natsume's Book of Friends]]'' (夏目友人帳) that features many animators from TMS/V1Studio. As a result, [[Shuka\|Studio Shuka]], the studio which Aono had close relationship with, requested Aono to works as the animation director for episode 890 from the ''Detective Conan'' anime.</ref>, and it became apparent there were a big differences between his works and the works of animation supervisor, [[Seiji Muta]].

	== Works in [[Detective Conan]] ==		== Works in [[Detective Conan]] ==

Time Lord Enthusiast: /* Anime */ Removing episode redirects

2025-08-25T09:00:13Z

Anime: Removing episode redirects

Show changes

R0o0di: twitter => X

2025-05-23T21:53:42Z

twitter => X

← Older revision		Revision as of 21:53, 23 May 2025
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	\| years-active = 1985-present		\| years-active = 1985-present
	\| aliases = 青野厚志		\| aliases = 青野厚志
	\| website = [https://x.com/at_sushi_01 ~~Twitter~~ Account]		\| website = [https://x.com/at_sushi_01 X Account]
	\| footnotes =		\| footnotes =
	}}		}}

BOBO at 19:23, 17 January 2025

2025-01-17T19:23:24Z

← Older revision		Revision as of 19:23, 17 January 2025
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	== Biography ==		== Biography ==
	Atsushi Aono is a freelance animator. His hobbies are related to cameras, model trains, tokusatsus etc. He made his debut as an in-between animator in 1985, in the anime ''[[wikipedia:Mobile Suit Zeta Gundam\|Mobile Suit Zeta Gundam]]'' {{jp\|機動戦士Ζガンダム}}; and first served as animation director in 1989 within the anime ''[[wikipedia:Madö King Granzört\|Madö King Granzört]]'' {{jp\|魔動王グランゾート}}. Since then, he has been involved in several animation works until present.		Atsushi Aono is a freelance animator. His hobbies are related to cameras, model trains, tokusatsus etc. He made his debut as an in-between animator in 1985, in the anime ''[[wikipedia:Mobile Suit Zeta Gundam\|Mobile Suit Zeta Gundam]]'' {{jp\|機動戦士Ζガンダム}}; and first served as animation director in 1989 within the anime ''[[wikipedia:Madö King Granzört\|Madö King Granzört]]'' {{jp\|魔動王グランゾート}}. Since then, he has been involved in several animation works until present. Nowadays, he mainly works in seasonal anime series, mostly with animation produced by [[wikipedia:Bones (studio)\|Bones]] {{jp\|株式会社ボンズ}} and [[wikipedia:Brain's Base\|Brain's Base]] {{jp\|ブレインズ・ベース}}.

	Nowadays, he mainly works in seasonal anime series, mostly with animation produced by [[wikipedia:Bones (studio)\|Bones]] {{jp\|株式会社ボンズ}} and [[wikipedia:Brain's Base\|Brain's Base]] {{jp\|ブレインズ・ベース}}.		Just like other veteran staffs, Aono joined the production of the ''Detective Conan'' [[anime]] since the beginning - as the animation director for [[The Shinkansen's Bomb Case\|'''Episode 5''': The Shinkansen's Bomb Case]]. Since then, he kept active within the production team and did key animation and animation direction in several episodes. Early on, his artstyle have a softer, cutesy looks to it, but in a few years, his artstyles has become sharper and very recognizable - examples include the Haibara with the red hoodie in [[The Mysterious Passenger\|'''Episode 231''': The Mysterious Passenger (Part 2)]]. Most of the frames corrected/drawn by him were memorable since they were very close to the manga, and in great proportion. Another thing worth mentioning is that Aono was sometimes responsible as the sole animation director in a two-parts episodes, ([[Hooligan's Labyrinth\|'''Episodes 279~280''': Hooligan's Labyrinth]] for example.) which is a rare case in the anime production.

	Just like other veteran staffs, Aono joined the production of the ''Detective Conan'' [[anime]] since the beginning - as the animation director for [[The Shinkansen's Bomb Case\|'''Episode 5''': The Shinkansen's Bomb Case]]. Since then, he kept active within the production team and did key animation and animation direction in several episodes.

	Early on, his artstyle have a softer, cutesy looks to it, but in a few years, his artstyles has become sharper and very recognizable - examples include the Haibara with the red hoodie in [[The Mysterious Passenger\|'''Episode 231''': The Mysterious Passenger (Part 2)]]. Most of the frames corrected/drawn by him were memorable since they were very close to the manga, and in great proportion. Another thing worth mentioning is that Aono was sometimes responsible as the sole animation director in a two-parts episodes, ([[Hooligan's Labyrinth\|'''Episodes 279~280''': Hooligan's Labyrinth]] for example.) which is a rare case in the anime production.

	Aono eventually stopped doing works for the anime in 2005. After finishing the animation direction for [[Conan and Heiji's Deduction Magic\|'''Episode 406''': Conan and Heiji's Deduction Magic (The Trick)]]. and serving as the chief animation director for [[A Challenge from Agasa! Agasa vs. Conan and the Detective Boys\|'''OVA 7''': A Challenge from Agasa! Agasa vs. Conan and the Detective Boys]].		Aono eventually stopped doing works for the anime in 2005. After finishing the animation direction for [[Conan and Heiji's Deduction Magic\|'''Episode 406''': Conan and Heiji's Deduction Magic (The Trick)]]. and serving as the chief animation director for [[A Challenge from Agasa! Agasa vs. Conan and the Detective Boys\|'''OVA 7''': A Challenge from Agasa! Agasa vs. Conan and the Detective Boys]].

BOBO at 19:17, 17 January 2025

2025-01-17T19:17:44Z

← Older revision		Revision as of 19:17, 17 January 2025
Line 1:		Line 1:
	{{InfoBox Staff		{{InfoBox Staff
	\| name = Atsushi Aono		\| name = Atsushi Aono
	\| image = ~~No Pic~~.jpg		\| image = Atsushi Aono.jpg
	\| gender = Male		\| gender = Male
	\| date-of-birth = July 12, 1964		\| date-of-birth = July 12, 1964
Line 9:		Line 9:
	\| years-active = 1985-present		\| years-active = 1985-present
	\| aliases = 青野厚志		\| aliases = 青野厚志
	\| website = [https://~~twitter~~.com/at_sushi_01 Twitter Account]		\| website = [https://x.com/at_sushi_01 Twitter Account]
	\| footnotes =		\| footnotes =
	}}		}}

BOBO: /* Games */

2024-12-06T22:06:27Z

Games

← Older revision		Revision as of 22:06, 6 December 2024
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	=== Games ===		=== Games ===
	Participation in: '''1''' ~~game~~		Participation in: '''2''' games
	{\| class="wikitable" style="text-align:center;font-size:small;"		{\| class="wikitable" style="text-align:center;font-size:small;"
	!style="width:15%;"\|Title!!style="width:10%;"\|Release date!!style="width:10%;"\|Role!!style="width:5%;"\|Note		!style="width:15%;"\|Title!!style="width:10%;"\|Release date!!style="width:10%;"\|Role!!style="width:5%;"\|Note
	\|-		\|-
	\|[[Detective Conan: The Great Deduction of Three People]]\|\|August 10, 2000\|\|Animation director\|\|~~Opening animation~~		\|[[Detective Conan: The Great Deduction of Three People]]\|\|August 10, 2000\|\|Animation director\|\|
			\|-
			\|[[Detective Conan: Legacy of the British Empire]]\|\|November 18, 2004\|\|Animation director\|\|
	\|}		\|}

← Older revision		Revision as of 16:29, 22 April 2026
Line 19:		Line 19:
	Aono joined the production of the ''Detective Conan'' [[anime]] since the beginning - as the animation director for [[The Shinkansen's Bomb Case\|'''Episode 5''': The Shinkansen's Bomb Case]]. Until 1998, he mainly worked on episode outsourced to [[Sunshine Corporation]], before got to work on in-house episodes since 1999. Early on, his artstyle have a softer, cutesy looks to it, but in a few years, his artstyles has become sharper and very recognizable - examples include the Haibara with the red hoodie in [[The Mysterious Passenger\|'''Episode 231''': The Mysterious Passenger (Part 2)]]. Most of the frames corrected/drawn by him were memorable since they were very close to the manga, and in great proportion. Another thing worth mentioning is that Aono was sometimes responsible as the sole animation director in a two-parts episodes, ([[Hooligan's Labyrinth\|'''Episodes 279~280''': Hooligan's Labyrinth]] for example.) which is a rare case in the anime production.		Aono joined the production of the ''Detective Conan'' [[anime]] since the beginning - as the animation director for [[The Shinkansen's Bomb Case\|'''Episode 5''': The Shinkansen's Bomb Case]]. Until 1998, he mainly worked on episode outsourced to [[Sunshine Corporation]], before got to work on in-house episodes since 1999. Early on, his artstyle have a softer, cutesy looks to it, but in a few years, his artstyles has become sharper and very recognizable - examples include the Haibara with the red hoodie in [[The Mysterious Passenger\|'''Episode 231''': The Mysterious Passenger (Part 2)]]. Most of the frames corrected/drawn by him were memorable since they were very close to the manga, and in great proportion. Another thing worth mentioning is that Aono was sometimes responsible as the sole animation director in a two-parts episodes, ([[Hooligan's Labyrinth\|'''Episodes 279~280''': Hooligan's Labyrinth]] for example.) which is a rare case in the anime production.

	After working as animation direction for [[Conan and Heiji's Deduction Magic\|'''Episode 406''': Conan and Heiji's Deduction Magic (The Trick)]], he stopped ~~working~~ in the anime. He returned as the chief animation director for [[A Challenge from Agasa! Agasa vs. Conan and the Detective Boys\|'''OVA 7''': A Challenge from Agasa! Agasa vs. Conan and the Detective Boys]] in 2007.		After finished working as animation direction for [[Conan and Heiji's Deduction Magic\|'''Episode 406''': Conan and Heiji's Deduction Magic (The Trick)]], he stopped participating in the anime production. He returned as the chief animation director for [[A Challenge from Agasa! Agasa vs. Conan and the Detective Boys\|'''OVA 7''': A Challenge from Agasa! Agasa vs. Conan and the Detective Boys]] in 2007.

	Aono returned in 2015 to do key animation for [[The Scarlet Return\|'''Episode 783''': The Scarlet Truth]]. And in 2018, he returned as the animation director for [[The New Teacher's Skeleton Case\|'''Episode 890''': The New Teacher's Skeleton Case (Part 2)]], his first animation director work for the anime in 14 years. The reason behind it was to "return a favour"<ref group="Note">'''Note:''' There was an episode in the sixth season of anime ''[[wikipedia:Natsume's Book of Friends\|Natsume's Book of Friends]]'' (夏目友人帳) that features many animators from TMS/V1Studio. As a result, [[Shuka\|Studio Shuka]], the studio which Aono had close relationship with, requested Aono to works as the animation director for episode 890 from the ''Detective Conan'' anime.</ref>, and it became apparent there were a big differences between his works and the works of animation supervisor, [[Seiji Muta]].		Aono returned in 2015 to do key animation for [[The Scarlet Return\|'''Episode 783''': The Scarlet Truth]]. And in 2018, he returned as the animation director for [[The New Teacher's Skeleton Case\|'''Episode 890''': The New Teacher's Skeleton Case (Part 2)]], his first animation director work for the anime in 14 years. The reason behind it was to "return a favour"<ref group="Note">'''Note:''' There was an episode in the sixth season of anime ''[[wikipedia:Natsume's Book of Friends\|Natsume's Book of Friends]]'' (夏目友人帳) that features many animators from TMS/V1Studio. As a result, [[Shuka\|Studio Shuka]], the studio which Aono had close relationship with, requested Aono to works as the animation director for episode 890 from the ''Detective Conan'' anime.</ref>, and it became apparent there were a big differences between his works and the works of animation supervisor, [[Seiji Muta]].

← Older revision		Revision as of 19:23, 17 January 2025
Line 15:		Line 15:

	== Biography ==		== Biography ==
	Atsushi Aono is a freelance animator. His hobbies are related to cameras, model trains, tokusatsus etc. He made his debut as an in-between animator in 1985, in the anime ''[[wikipedia:Mobile Suit Zeta Gundam\|Mobile Suit Zeta Gundam]]'' {{jp\|機動戦士Ζガンダム}}; and first served as animation director in 1989 within the anime ''[[wikipedia:Madö King Granzört\|Madö King Granzört]]'' {{jp\|魔動王グランゾート}}. Since then, he has been involved in several animation works until present.		Atsushi Aono is a freelance animator. His hobbies are related to cameras, model trains, tokusatsus etc. He made his debut as an in-between animator in 1985, in the anime ''[[wikipedia:Mobile Suit Zeta Gundam\|Mobile Suit Zeta Gundam]]'' {{jp\|機動戦士Ζガンダム}}; and first served as animation director in 1989 within the anime ''[[wikipedia:Madö King Granzört\|Madö King Granzört]]'' {{jp\|魔動王グランゾート}}. Since then, he has been involved in several animation works until present. Nowadays, he mainly works in seasonal anime series, mostly with animation produced by [[wikipedia:Bones (studio)\|Bones]] {{jp\|株式会社ボンズ}} and [[wikipedia:Brain's Base\|Brain's Base]] {{jp\|ブレインズ・ベース}}.

	Nowadays, he mainly works in seasonal anime series, mostly with animation produced by [[wikipedia:Bones (studio)\|Bones]] {{jp\|株式会社ボンズ}} and [[wikipedia:Brain's Base\|Brain's Base]] {{jp\|ブレインズ・ベース}}.		Just like other veteran staffs, Aono joined the production of the ''Detective Conan'' [[anime]] since the beginning - as the animation director for [[The Shinkansen's Bomb Case\|'''Episode 5''': The Shinkansen's Bomb Case]]. Since then, he kept active within the production team and did key animation and animation direction in several episodes. Early on, his artstyle have a softer, cutesy looks to it, but in a few years, his artstyles has become sharper and very recognizable - examples include the Haibara with the red hoodie in [[The Mysterious Passenger\|'''Episode 231''': The Mysterious Passenger (Part 2)]]. Most of the frames corrected/drawn by him were memorable since they were very close to the manga, and in great proportion. Another thing worth mentioning is that Aono was sometimes responsible as the sole animation director in a two-parts episodes, ([[Hooligan's Labyrinth\|'''Episodes 279~280''': Hooligan's Labyrinth]] for example.) which is a rare case in the anime production.

	Just like other veteran staffs, Aono joined the production of the ''Detective Conan'' [[anime]] since the beginning - as the animation director for [[The Shinkansen's Bomb Case\|'''Episode 5''': The Shinkansen's Bomb Case]]. Since then, he kept active within the production team and did key animation and animation direction in several episodes.

	Early on, his artstyle have a softer, cutesy looks to it, but in a few years, his artstyles has become sharper and very recognizable - examples include the Haibara with the red hoodie in [[The Mysterious Passenger\|'''Episode 231''': The Mysterious Passenger (Part 2)]]. Most of the frames corrected/drawn by him were memorable since they were very close to the manga, and in great proportion. Another thing worth mentioning is that Aono was sometimes responsible as the sole animation director in a two-parts episodes, ([[Hooligan's Labyrinth\|'''Episodes 279~280''': Hooligan's Labyrinth]] for example.) which is a rare case in the anime production.

	Aono eventually stopped doing works for the anime in 2005. After finishing the animation direction for [[Conan and Heiji's Deduction Magic\|'''Episode 406''': Conan and Heiji's Deduction Magic (The Trick)]]. and serving as the chief animation director for [[A Challenge from Agasa! Agasa vs. Conan and the Detective Boys\|'''OVA 7''': A Challenge from Agasa! Agasa vs. Conan and the Detective Boys]].		Aono eventually stopped doing works for the anime in 2005. After finishing the animation direction for [[Conan and Heiji's Deduction Magic\|'''Episode 406''': Conan and Heiji's Deduction Magic (The Trick)]]. and serving as the chief animation director for [[A Challenge from Agasa! Agasa vs. Conan and the Detective Boys\|'''OVA 7''': A Challenge from Agasa! Agasa vs. Conan and the Detective Boys]].